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Author: William H. Epstein
Publisher: University of Pennsylvania Press
ISBN: 1512801887
Category : Literary Criticism
Languages : en
Pages : 244
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Book Description
Epstein's narrative interweaves interpretive and theoretical chapters as it emplots the discourse of English biography from Walton to Strachey. In this way familiar generic relationships between biographer, subject, life, text, falsehood, and readership are analyzed in specific (if constantly shifting) historical, literary, cultural, and economic texts.
Author: William H. Epstein
Publisher: University of Pennsylvania Press
ISBN: 1512801887
Category : Literary Criticism
Languages : en
Pages : 244
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Book Description
Epstein's narrative interweaves interpretive and theoretical chapters as it emplots the discourse of English biography from Walton to Strachey. In this way familiar generic relationships between biographer, subject, life, text, falsehood, and readership are analyzed in specific (if constantly shifting) historical, literary, cultural, and economic texts.
Author: James Whitehead
Publisher: Oxford University Press
ISBN: 0191081892
Category : Literary Criticism
Languages : en
Pages : 437
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Book Description
Madness and the Romantic Poet examines the longstanding and enduringly popular idea that poetry is connected to madness and mental illness. The idea goes back to classical antiquity, but it was given new life at the turn of the nineteenth century. The book offers a new and much more complete history of its development than has previously been attempted, alongside important associated ideas about individual genius, creativity, the emotions, rationality, and the mind in extreme states or disorder - ideas that have been pervasive in modern popular culture. More specifically, the book tells the story of the initial growth and wider dissemination of the idea of the 'Romantic mad poet' in the nineteenth century, how (and why) this idea became so popular, and how it interacted with the very different fortunes in reception and reputation of Romantic poets, their poetry, and attacks on or defences of Romanticism as a cultural trend generally - again leaving a popular legacy that endured into the twentieth century. Material covered includes nineteenth-century journalism, early literary criticism, biography, medical and psychiatric literature, and poetry. A wide range of scientific (and pseudoscientific) thinkers are discussed alongside major Romantic authors, including Wordsworth, Coleridge, Blake, Hazlitt, Lamb, Percy Bysshe Shelley, Keats, Byron, and John Clare. Using this array of sources and figures, the book asks: was the Romantic mad genius just a sentimental stereotype or a romantic myth? Or does its long popularity tell us something serious about Romanticism and the role it has played, or has been given, in modern culture?
Author: William H. Epstein
Publisher: SUNY Press
ISBN: 1438460791
Category : Performing Arts
Languages : en
Pages : 354
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Book Description
How Hollywood biopics both showcase and modify various notions of what it means to be an American. Biopicsfilms that chronicle the lives of famous and notorious figures from our national historyhave long been one of Hollywoods most popular and important genres, offering viewers various understandings of American national identity. Invented Lives, Imagined Communities provides the first full-length examination of US biopics, focusing on key releases in American cinema while treating recent developments in three fields: cinema studies, particularly the history of Hollywood; national identity studies dealing with the American experience; and scholarship devoted to modernity and postmodernity. Films discussed include Houdini, Patton, The Great White Hope, Bound for Glory, Ed Wood, Basquiat, Pollock, Sylvia, Kinsey, Fur, Milk, J. Edgar, and Lincoln, and the book pays special attention to the crucial generic plot along which biopics traverse and showcase American lives, even as they modify the various notions of the national character. A provocative, critically astute study, this collection examines the biopic as a reflexive, refractive modernist film genre. Admirably researched essays provide close, compelling readings of chosen films, while exploring the multilayered matrices of historical fact, biographical and autobiographical literature, popular media representations, and cultural historiesshaping not only the lives and narratives of the performers, artists, and political/historical figures represented but also the practices of the filmmakers as they worked within or on the margins of the Hollywood industry. Cynthia Lucia, Rider University The volumes greatest strengths include its range, its variety of ideas on the significance of the biopic, and its researchdefinitive in several casesinto the relation between historical figures and their cinematic counterparts. James Morrison, author of Passport to Hollywood: Hollywood Films, European Directors
Author:
Publisher:
ISBN:
Category : Biography
Languages : en
Pages : 164
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Book Description
Author: Andrew Quintman
Publisher: Columbia University Press
ISBN: 0231535538
Category : Religion
Languages : en
Pages : 331
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Book Description
Tibetan biographers began writing Jetsun Milarepa's (1052–1135) life story shortly after his death, initiating a literary tradition that turned the poet and saint into a model of virtuosic Buddhist practice throughout the Himalayan world. Andrew Quintman traces this history and its innovations in narrative and aesthetic representation across four centuries, culminating in a detailed analysis of the genre's most famous example, composed in 1488 by Tsangnyön Heruka, or the "Madman of Western Tibet." Quintman imagines these works as a kind of physical body supplanting the yogin's corporeal relics.
Author:
Publisher:
ISBN:
Category : Autobiography
Languages : en
Pages : 352
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Book Description
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 2284
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Book Description
Excerpts from and citations to reviews of more than 8,000 books each year, drawn from coverage of 109 publications. Book Review Digest provides citations to and excerpts of reviews of current juvenile and adult fiction and nonfiction in the English language. Reviews of the following types of books are excluded: government publications, textbooks, and technical books in the sciences and law. Reviews of books on science for the general reader, however, are included. The reviews originate in a group of selected periodicals in the humanities, social sciences, and general science published in the United States, Canada, and Great Britain. - Publisher.
Author: Anton Chekhov
Publisher: DigiCat
ISBN:
Category : Literary Collections
Languages : en
Pages : 455
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Book Description
"DEAR BROTHER MISHA, I got your letter when I was fearfully bored and was sitting at the gate yawning, and so you can judge how welcome that immense letter was. Your writing is good, and in the whole letter I have not found one mistake in spelling. But one thing I don't like: why do you style yourself "your worthless and insignificant brother"? You recognize your insignificance? ... Recognize it before God; perhaps, too, in the presence of beauty, intelligence, nature, but not before men. Among men you must be conscious of your dignity. Why, you are not a rascal, you are an honest man, aren't you? Well, respect yourself as an honest man and know that an honest man is not something worthless. Don't confound "being humble" with "recognizing one's worthlessness." ..." (Letters of Anton Chekhov To His Family and Friends)_x000D_ Anton Chekhov (1860 -1904) was a Russian physician, dramaturge and author who is considered to be among the greatest writers of short stories in history. Chekhov practised as a medical doctor throughout most of his literary career. Along with Henrik Ibsen and August Strindberg, Chekhov is often referred to as one of the three seminal figures in the birth of early modernism in the theatre. He made no apologies for the difficulties this posed to readers, insisting that the role of an artist was to ask questions, not to answer them._x000D_ This edition includes: Biography by Constance Garnett_x000D_ Autobiographical Writings: _x000D_ Letters of Anton Chekhov to his Family and Friends_x000D_ Notebook of Anton Chekhov_x000D_ Reminiscences of Anton Chekhov: _x000D_ Fragments of Recollections by Maxim Gorky_x000D_ A. P. Chekhov by Ivan Bunin _x000D_ To Chekhov's Memory by Alexander Kuprin
Author: Anton Chekhov
Publisher: Good Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 456
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Book Description
Anton Chekhov's 'Letters, Diary, Reminiscences & Biography' offers a profound insight into the life and mind of one of the greatest Russian authors of all time. This collection not only provides a comprehensive look at Chekhov's personal thoughts, experiences, and relationships but also sheds light on the social and political context of his time. The reader will be captivated by Chekhov's literary style, which is characterized by its simplicity and realism, a key component of the Russian literary tradition. The intimate details shared in his personal writings add depth to the understanding of his famous works such as 'The Cherry Orchard' and 'Uncle Vanya'. This book serves as a valuable resource for scholars and enthusiasts of Russian literature alike, offering a unique glimpse into the mind of a literary genius. Anton Chekhov's ability to capture the complexities of human nature with such precision is truly remarkable, making this collection a must-read for anyone interested in the art of storytelling and character development.
Author: Anton Chekhov
Publisher: e-artnow
ISBN: 8026838009
Category : Literary Collections
Languages : en
Pages : 790
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Book Description
Anton Chekhov (1860 -1904) was a Russian physician, dramaturge and author who is considered to be among the greatest writers of short stories in history. Chekhov practised as a medical doctor throughout most of his literary career. Along with Henrik Ibsen and August Strindberg, Chekhov is often referred to as one of the three seminal figures in the birth of early modernism in the theatre. He made no apologies for the difficulties this posed to readers, insisting that the role of an artist was to ask questions, not to answer them.
