Recherches Sur L'art Statuaire Considéré Chez Les Anciens Et Les Modernes Ou Mémoire Sur Cette Question Proposée Par L'Institut National de France PDF Download
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Author: Toussaint-Bernard Emeric-David
Publisher:
ISBN:
Category :
Languages : en
Pages : 364
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Author: Toussaint-Bernard Emeric-David
Publisher:
ISBN:
Category :
Languages : en
Pages : 364
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Book Description
Author: National Art Library (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1046
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Author: National Art Library (Great Britain)
Publisher: New York : B. Franklin
ISBN:
Category : Art
Languages : en
Pages : 1048
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Book Description
Author: ohne Autor
Publisher: BoD – Books on Demand
ISBN: 3846048305
Category : Art
Languages : en
Pages : 1034
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Book Description
Reprint of the original, first published in 1870.
Author: Great Britain. Department of Science and Art
Publisher:
ISBN:
Category :
Languages : en
Pages : 1044
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Author: Christian Michel
Publisher: Getty Publications
ISBN: 1606065351
Category : Art
Languages : en
Pages : 436
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Book Description
The Académie Royale de Peinture et de Sculpture (French Academy of Painting and Sculpture)—perhaps the single most influential art institution in history—governed the arts in France for more than 150 years, from its founding in 1648 until its abolition in 1793. Christian Michel's sweeping study presents an authoritative, in-depth analysis of the Académie’s history and legacy. The Académie Royale assembled nearly all of the important French artists working at the time, maintained a virtual monopoly on teaching and exhibitions, enjoyed a priority in obtaining royal commissions, and deeply influenced the artistic landscape in France. Yet the institution remains little understood today: all commentary on it, during its existence and since its abolition, is based on prejudices, both favorable and critical, that have shaped the way the institution has been appraised. This book takes a different approach. Rather than judging the Académie Royale, Michel unravels existing critical discourse to consider the nuances and complexities of the academy’s history, reexamining its goals, the shifting power dynamics both within the institution and in the larger political landscape, and its relationship with other French academies and guilds.
Author: Wornum
Publisher:
ISBN:
Category :
Languages : en
Pages : 336
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Book Description
Author: Museum of Ornamental Art. Library
Publisher: London : George E. Eyre and William Spottiswoode
ISBN:
Category : Art libraries
Languages : en
Pages : 252
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Book Description
Author: Adrian Rifkin
Publisher: Routledge
ISBN: 1134918712
Category : Art
Languages : en
Pages : 179
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Book Description
Ingres Then, and Now is an innovative study of one of the best-known French artists of the nineteenth century, Jean Auguste Dominique Ingres. Adrian Rifkin re-evaluates Ingres' work in the context of a variety of literary, musical and visual cultures which are normally seen as alien to him. Re-viewing Ingres' paintings as a series of fragmentary symptoms of the commodity cultures of nineteenth-century Paris, Adrian Rifkin draws the artist away from his familiar association with the Academy and the Salon. Rifkin sets out to show how, by thinking of the historical archive as a form of the unconscious, we can renew our understanding of nineteenth-century conservative or academic cultures by reading them against their 'other'. He situates Ingres in the world of the Parisian Arcades, as represented by Walter Benjamin, and examines the effect of this juxtaposition on how we think of Benjamin himself, following Ingres' image in popular cultures of the twentieth century. Rifkin then returns to the late eighteenth and early nineteenth centuries to find traces of the emergence of bizarre symptoms in Ingres' early work, symptoms which open him to a variety of conflicting readings and appropriations. It concludes by examining his importance for the great French art critic Jean Cassou on the one hand, and in making a bold, contemporary gay appropriation on the other. Ingres Then, and Now transforms the popular image we have of Ingres. It argues that the figure of the artist is neither fixed in time or place - there is neither an essential man named Ingres, nor a singular body of his work - but is an effect of many, complex and overlapping historical effects.
Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 596
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