Author: Rob Van der Plas
Publisher: Cycle Publishing
ISBN: 9781892495815
Category : Bicycles
Languages : en
Pages : 0
Book Description
A compilation of high-quality illustrations of bicycles and bicycle components and accessories by the French master-illustrator Daniel Rebour. The book contains some 2,000 nicely rendered line drawings with captions explaining the function of the items depicted and references to each illustration's source. This second edition includes additional materials and corrections based on information that has become available since release of the first edition of the book, in 2014. In addition the book contains an updated biography of Daniel Rebour.
Rebour
Author: Rob Van der Plas
Publisher: Cycle Publishing
ISBN: 9781892495815
Category : Bicycles
Languages : en
Pages : 0
Book Description
A compilation of high-quality illustrations of bicycles and bicycle components and accessories by the French master-illustrator Daniel Rebour. The book contains some 2,000 nicely rendered line drawings with captions explaining the function of the items depicted and references to each illustration's source. This second edition includes additional materials and corrections based on information that has become available since release of the first edition of the book, in 2014. In addition the book contains an updated biography of Daniel Rebour.
Publisher: Cycle Publishing
ISBN: 9781892495815
Category : Bicycles
Languages : en
Pages : 0
Book Description
A compilation of high-quality illustrations of bicycles and bicycle components and accessories by the French master-illustrator Daniel Rebour. The book contains some 2,000 nicely rendered line drawings with captions explaining the function of the items depicted and references to each illustration's source. This second edition includes additional materials and corrections based on information that has become available since release of the first edition of the book, in 2014. In addition the book contains an updated biography of Daniel Rebour.
Asymptote
Author: Robert Ziegler
Publisher: Rodopi
ISBN: 9042027002
Category : Decadence (Literary movement)
Languages : en
Pages : 263
Book Description
Asymptote: An Approach to Decadent Fiction offers a radically new approach to the psychology of Decadent creation. Rejecting traditional arguments that Decadence is a celebration of deviance and exhaustion, this study presents the fin-de-siecle novel as a transformative process, a quest for health. By allowing the writer to project into fiction unwanted traits and destructive tendencies - by permitting the playful invention of provisional identities -, Decadent creation itself becomes a dynamic act of creative regeneration. In describing the interrelationship of Decadent authors and their fictions, Asymptote uses the mathematical figure of the asymptote to show how they converge, then split apart, and grow distant. The author's approach to the facsimile selves he plays with and discards is the curve that never merges with his authorial identity. In successive chapters, this study describes the Decadents' experimentation with perversion (Huysmans's A rebours and Mendes's Zo'har), and their subsequent validation of social regulation and creative discipline. It examines magic and its appeal to fantasies of elitism and omnipotence (Péladan's Le Vice supreme and Villiers's Axël ), then shows authors embracing the values of community and service. It considers the Decadent text as a vehicle of change in which an artist ventilates fantasies of aggression and revenge (Mirbeau's Le Journal d'une femme de chamber and Rachilde's La Marquise de Sade) then employs writing as the means by which these feelings are discharged. It examines creation as a form of play, "une aliénation grâce à laquelle l'esprit se récupère sous la forme des autres" (Schwob's Vies imaginaries and Lorrain's Histoires de masques), yet notes the Decadents' decision to return to a single generative center. Finally, it examines creation as an expression of artistic transience and failure, yet shows the Decadents' success in commemorating the very forces of disintegration (Rodenbach's L'Art en exil). In considering the Decadents' insistence on subjectivism and aloneness, this study concludes (Gourmont's Sixtine) by showing their wish to escape the prison of identity and to redefine their art as cooperative creation.
Publisher: Rodopi
ISBN: 9042027002
Category : Decadence (Literary movement)
Languages : en
Pages : 263
Book Description
Asymptote: An Approach to Decadent Fiction offers a radically new approach to the psychology of Decadent creation. Rejecting traditional arguments that Decadence is a celebration of deviance and exhaustion, this study presents the fin-de-siecle novel as a transformative process, a quest for health. By allowing the writer to project into fiction unwanted traits and destructive tendencies - by permitting the playful invention of provisional identities -, Decadent creation itself becomes a dynamic act of creative regeneration. In describing the interrelationship of Decadent authors and their fictions, Asymptote uses the mathematical figure of the asymptote to show how they converge, then split apart, and grow distant. The author's approach to the facsimile selves he plays with and discards is the curve that never merges with his authorial identity. In successive chapters, this study describes the Decadents' experimentation with perversion (Huysmans's A rebours and Mendes's Zo'har), and their subsequent validation of social regulation and creative discipline. It examines magic and its appeal to fantasies of elitism and omnipotence (Péladan's Le Vice supreme and Villiers's Axël ), then shows authors embracing the values of community and service. It considers the Decadent text as a vehicle of change in which an artist ventilates fantasies of aggression and revenge (Mirbeau's Le Journal d'une femme de chamber and Rachilde's La Marquise de Sade) then employs writing as the means by which these feelings are discharged. It examines creation as a form of play, "une aliénation grâce à laquelle l'esprit se récupère sous la forme des autres" (Schwob's Vies imaginaries and Lorrain's Histoires de masques), yet notes the Decadents' decision to return to a single generative center. Finally, it examines creation as an expression of artistic transience and failure, yet shows the Decadents' success in commemorating the very forces of disintegration (Rodenbach's L'Art en exil). In considering the Decadents' insistence on subjectivism and aloneness, this study concludes (Gourmont's Sixtine) by showing their wish to escape the prison of identity and to redefine their art as cooperative creation.
A Dog's Ransom
Author: Patricia Highsmith
Publisher: W. W. Norton & Company
ISBN: 0393345696
Category : Fiction
Languages : en
Pages : 273
Book Description
Long out of print, this Highsmith classic resurfaces with a vengeance. The great revival of interest in Patricia Highsmith continues with the publication of this novel that will give dog owners nightmares for years to come. With an eerie simplicity of style, Highsmith turns our next-door neighbors into sadistic psychopaths, lying in wait among white picket fences and manicured lawns. In A Dog's Ransom, Highsmith blends a savage humor with brilliant social satire in this dark tale of a highminded criminal who hits a wealthy Manhattan couple where it hurts the most when he kidnaps their beloved poodle. This work attesets to Highsmith's reputation as "the poet of apprehension" (Graham Greene).
Publisher: W. W. Norton & Company
ISBN: 0393345696
Category : Fiction
Languages : en
Pages : 273
Book Description
Long out of print, this Highsmith classic resurfaces with a vengeance. The great revival of interest in Patricia Highsmith continues with the publication of this novel that will give dog owners nightmares for years to come. With an eerie simplicity of style, Highsmith turns our next-door neighbors into sadistic psychopaths, lying in wait among white picket fences and manicured lawns. In A Dog's Ransom, Highsmith blends a savage humor with brilliant social satire in this dark tale of a highminded criminal who hits a wealthy Manhattan couple where it hurts the most when he kidnaps their beloved poodle. This work attesets to Highsmith's reputation as "the poet of apprehension" (Graham Greene).
Glorious Perversity
Author: Brian M. Stableford
Publisher: Wildside Press LLC
ISBN: 0809519089
Category : Literary Criticism
Languages : en
Pages : 162
Book Description
A study of the decadent literary movements in England and France, focusing upon such poets and authors as Baudelaire and Oscar Wilde.
Publisher: Wildside Press LLC
ISBN: 0809519089
Category : Literary Criticism
Languages : en
Pages : 162
Book Description
A study of the decadent literary movements in England and France, focusing upon such poets and authors as Baudelaire and Oscar Wilde.
Against Nature
Author: Joris-Karl Huysmans
Publisher: Oxford University Press, USA
ISBN: 9780192823670
Category : Fiction
Languages : en
Pages : 276
Book Description
Against Nature was fated to be a novel like no other. Resisting the models of classic nineteenth-century fiction, it focuses on the attempts of its anti-hero, the hypersensitive neurotic and aesthete, Des Esseintes, to escape Paris and the vulgarity of modern life.
Publisher: Oxford University Press, USA
ISBN: 9780192823670
Category : Fiction
Languages : en
Pages : 276
Book Description
Against Nature was fated to be a novel like no other. Resisting the models of classic nineteenth-century fiction, it focuses on the attempts of its anti-hero, the hypersensitive neurotic and aesthete, Des Esseintes, to escape Paris and the vulgarity of modern life.
Reading Emptiness
Author: Jeff Humphries
Publisher: SUNY Press
ISBN: 9780791442616
Category : Literary Criticism
Languages : en
Pages : 196
Book Description
Concludes that the closest thing in Western culture to the Middle Way of Buddhism is not any sort of theory or philosophy, but the practice of literature.
Publisher: SUNY Press
ISBN: 9780791442616
Category : Literary Criticism
Languages : en
Pages : 196
Book Description
Concludes that the closest thing in Western culture to the Middle Way of Buddhism is not any sort of theory or philosophy, but the practice of literature.
Withnail & I
Author: Thomas Hewitt-McManus
Publisher: Lulu.com
ISBN: 1411658213
Category : Performing Arts
Languages : en
Pages : 126
Book Description
Withnail & I, the cult film and highly quotable debut by writer and director, Bruce Robinson, has etched itself into the hearts and minds of its varied audience since its release in 1987. In this book, an unofficial compendium of the film, the author presents an array of facts, anecdotes, and trivia regarding the production of the film as well as the colourful genesis of its plot and characters. Written in an informative and highly entertaining A to Z format, the book includes photographs and maps of the film's locations, and yields answers to the many questions asked about the film. Ralph Brown, who played the character, Danny, provides a foreword. An absolute must for any Withnail & I fan and a lively and enjoyable read for all film enthusiasts.
Publisher: Lulu.com
ISBN: 1411658213
Category : Performing Arts
Languages : en
Pages : 126
Book Description
Withnail & I, the cult film and highly quotable debut by writer and director, Bruce Robinson, has etched itself into the hearts and minds of its varied audience since its release in 1987. In this book, an unofficial compendium of the film, the author presents an array of facts, anecdotes, and trivia regarding the production of the film as well as the colourful genesis of its plot and characters. Written in an informative and highly entertaining A to Z format, the book includes photographs and maps of the film's locations, and yields answers to the many questions asked about the film. Ralph Brown, who played the character, Danny, provides a foreword. An absolute must for any Withnail & I fan and a lively and enjoyable read for all film enthusiasts.
The Cambridge Companion to the French Novel
Author: Timothy Unwin
Publisher: Cambridge University Press
ISBN: 9780521499149
Category : Literary Collections
Languages : en
Pages : 312
Book Description
This volume offers a unique and valuable insight into the novel in French over the past two centuries. In a series of essays, acknowledged experts discuss a variety of topics including nineteenth-century realism, women and fiction, popular fiction, experiment and innovation, war and the Holocaust, the Francophone novel, and postmodern fiction. They offer a challenging reassessment of major figures, while deliberately reading traditional views of literary history against the grain. Theoretical discussion is combined with close reading of texts and exploration of context, comparison with other genres and other literatures, and reference to novels from earlier periods. This companionable introduction includes a chronology and guide to further reading. From it emerges a strong sense of the vitality and energy of the modern French novel, and of the debates surrounding it.
Publisher: Cambridge University Press
ISBN: 9780521499149
Category : Literary Collections
Languages : en
Pages : 312
Book Description
This volume offers a unique and valuable insight into the novel in French over the past two centuries. In a series of essays, acknowledged experts discuss a variety of topics including nineteenth-century realism, women and fiction, popular fiction, experiment and innovation, war and the Holocaust, the Francophone novel, and postmodern fiction. They offer a challenging reassessment of major figures, while deliberately reading traditional views of literary history against the grain. Theoretical discussion is combined with close reading of texts and exploration of context, comparison with other genres and other literatures, and reference to novels from earlier periods. This companionable introduction includes a chronology and guide to further reading. From it emerges a strong sense of the vitality and energy of the modern French novel, and of the debates surrounding it.
The Damned - L-bas
Author: Joris-Karl Huysmans
Publisher: Createspace Independent Publishing Platform
ISBN: 9781726481397
Category :
Languages : en
Pages : 252
Book Description
The Damned (Là-bas) By Joris-Karl Huysmans Charles-Marie-Georges Huysmans (February 5, 1848 - May 12, 1907) was a French novelist who published his works as Joris-Karl Huysmans; he is most famous for the novel À rebours. His style is remarkable for its idiosyncratic use of the French language, wide-ranging vocabulary, wealth of detailed and sensuous description, and biting, satirical wit. The novels are also noteworthy for their encyclopaedic documentation, ranging from the catalogue of decadent Latin authors in À rebours to the discussion of the symbology of Christian architecture in La Cathédrale. Huysmans' work expresses a disgust with modern life and a deep pessimism, which led the author first to the philosophy of Arthur Schopenhauer then to the teachings of the Catholic Church.
Publisher: Createspace Independent Publishing Platform
ISBN: 9781726481397
Category :
Languages : en
Pages : 252
Book Description
The Damned (Là-bas) By Joris-Karl Huysmans Charles-Marie-Georges Huysmans (February 5, 1848 - May 12, 1907) was a French novelist who published his works as Joris-Karl Huysmans; he is most famous for the novel À rebours. His style is remarkable for its idiosyncratic use of the French language, wide-ranging vocabulary, wealth of detailed and sensuous description, and biting, satirical wit. The novels are also noteworthy for their encyclopaedic documentation, ranging from the catalogue of decadent Latin authors in À rebours to the discussion of the symbology of Christian architecture in La Cathédrale. Huysmans' work expresses a disgust with modern life and a deep pessimism, which led the author first to the philosophy of Arthur Schopenhauer then to the teachings of the Catholic Church.
A New History of French Literature
Author: Denis Hollier
Publisher: Harvard University Press
ISBN: 0674254619
Category : Literary Criticism
Languages : en
Pages : 1202
Book Description
Designed for the general reader, this splendid introduction to French literature from 842 A.D.—the date of the earliest surviving document in any Romance language—to the present decade is the most compact and imaginative single-volume guide available in English to the French literary tradition. In fact, no comparable work exists in either language. It is not the customary inventory of authors and titles but rather a collection of wide-angled views of historical and cultural phenomena. It sets before us writers, public figures, criminals, saints, and monarchs, as well as religious, cultural, and social revolutions. It gives us books, paintings, public monuments, even TV shows. Written by 164 American and European specialists, the essays are introduced by date and arranged in chronological order, but here ends the book’s resemblance to the usual history of literature. Each date is followed by a headline evoking an event that indicates the chronological point of departure. Usually the event is literary—the publication of an original work, a journal, a translation, the first performance of a play, the death of an author—but some events are literary only in terms of their repercussions and resonances. Essays devoted to a genre exist alongside essays devoted to one book, institutions are presented side by side with literary movements, and large surveys appear next to detailed discussions of specific landmarks. No article is limited to the “life and works” of a single author. Proust, for example, appears through various lenses: fleetingly, in 1701, apropos of Antoine Galland’s translation of The Thousand and One Nights; in 1898, in connection with the Dreyfus Affair; in 1905, on the occasion of the law on the separation of church and state; in 1911, in relation to Gide and their different treatments of homosexuality; and at his death in 1922. Without attempting to cover every author, work, and cultural development since the Serments de Strasbourg in 842, this history succeeds in being both informative and critical about the more than 1,000 years it describes. The contributors offer us a chance to appreciate not only French culture but also the major critical positions in literary studies today. A New History of French Literature will be essential reading for all engaged in the study of French culture and for all who are interested in it. It is an authoritative, lively, and readable volume.
Publisher: Harvard University Press
ISBN: 0674254619
Category : Literary Criticism
Languages : en
Pages : 1202
Book Description
Designed for the general reader, this splendid introduction to French literature from 842 A.D.—the date of the earliest surviving document in any Romance language—to the present decade is the most compact and imaginative single-volume guide available in English to the French literary tradition. In fact, no comparable work exists in either language. It is not the customary inventory of authors and titles but rather a collection of wide-angled views of historical and cultural phenomena. It sets before us writers, public figures, criminals, saints, and monarchs, as well as religious, cultural, and social revolutions. It gives us books, paintings, public monuments, even TV shows. Written by 164 American and European specialists, the essays are introduced by date and arranged in chronological order, but here ends the book’s resemblance to the usual history of literature. Each date is followed by a headline evoking an event that indicates the chronological point of departure. Usually the event is literary—the publication of an original work, a journal, a translation, the first performance of a play, the death of an author—but some events are literary only in terms of their repercussions and resonances. Essays devoted to a genre exist alongside essays devoted to one book, institutions are presented side by side with literary movements, and large surveys appear next to detailed discussions of specific landmarks. No article is limited to the “life and works” of a single author. Proust, for example, appears through various lenses: fleetingly, in 1701, apropos of Antoine Galland’s translation of The Thousand and One Nights; in 1898, in connection with the Dreyfus Affair; in 1905, on the occasion of the law on the separation of church and state; in 1911, in relation to Gide and their different treatments of homosexuality; and at his death in 1922. Without attempting to cover every author, work, and cultural development since the Serments de Strasbourg in 842, this history succeeds in being both informative and critical about the more than 1,000 years it describes. The contributors offer us a chance to appreciate not only French culture but also the major critical positions in literary studies today. A New History of French Literature will be essential reading for all engaged in the study of French culture and for all who are interested in it. It is an authoritative, lively, and readable volume.