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Author: Joseph Boskin
Publisher: Syracuse University Press
ISBN: 9780815627487
Category : History
Languages : en
Pages : 268
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Book Description
Rebellious Laughter changes the way we think about the ordinary joke. Claiming that humor in America is a primary cultural weapon, Boskin surveys the multitude of joke cycles that have swept the country during the last fifty years. Dumb Blonde jokes. Elephant jokes. Jewish-American Princess jokes. Lightbulb jokes. Readers will enjoy humor from many diverse sources: whites, blacks, women, and Hispanics; conservatives and liberals; public workers and university students; the powerless and power brokers. Boskin argues that jokes provide a cultural barometer of concerns and anxieties, frequently appearing in our day-to-day language long before these issues become grist for stand-up comics.
Author: Joseph Boskin
Publisher: Syracuse University Press
ISBN: 9780815627487
Category : History
Languages : en
Pages : 268
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Book Description
Rebellious Laughter changes the way we think about the ordinary joke. Claiming that humor in America is a primary cultural weapon, Boskin surveys the multitude of joke cycles that have swept the country during the last fifty years. Dumb Blonde jokes. Elephant jokes. Jewish-American Princess jokes. Lightbulb jokes. Readers will enjoy humor from many diverse sources: whites, blacks, women, and Hispanics; conservatives and liberals; public workers and university students; the powerless and power brokers. Boskin argues that jokes provide a cultural barometer of concerns and anxieties, frequently appearing in our day-to-day language long before these issues become grist for stand-up comics.
Author: Michael Billig
Publisher: SAGE
ISBN: 9781412911436
Category : Social Science
Languages : en
Pages : 276
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Book Description
From Thomas Hobbes' fear of the power of laughter to the compulsory, packaged "fun" of the contemporary mass media, Billig takes the reader on a stimulating tour of the strange world of humour. Both a significant work of scholarship and a novel contribution to the understanding of the humourous, this is a seriously engaging book' - David Inglis, University of Aberdeen This delightful book tackles the prevailing assumption that laughter and humour are inherently good. In developing a critique of humour the author proposes a social theory that places humour - in the form of ridicule - as central to social life. Billig argues that all cultures use ridicule as a disciplinary means to uphold norms of conduct and conventions of meaning. Historically, theories of humour reflect wider visions of politics, morality and aesthetics. For example, Bergson argued that humour contains an element of cruelty while Freud suggested that we deceive ourselves about the true nature of our laughter. Billig discusses these and other theories, while using the topic of humour to throw light on the perennial social problems of regulation, control and emancipation.
Author: A. Foka
Publisher: Springer
ISBN: 1137463651
Category : Social Science
Languages : en
Pages : 389
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Book Description
Humor is the tendency of particular cognitive experiences to provoke laughter and provide amusement. Throughout history, it has played a crucial role in defining gender roles and identities. This collection offers an in-depth thematic examination of this relationship between humor and gender, spanning a variety of historical and cultural backdrops.
Author: John Morreall
Publisher: SUNY Press
ISBN: 9780873956437
Category : Humor
Languages : en
Pages : 158
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Book Description
Preface Part One: Laughter 1. Can There Be a Theory of Laughter? 2. The Superiority Theory 3. The Incongruity Theory 4. The Relief Theory 5. A New Theory Part Two: Humor 6. The Variety of Humor 7. Humor as Aesthetic Experience 8. Humor and Freedom 9. The Social Value of Humor 10. Humor and Life Notes Works Cited Index
Author: Matthew Ward
Publisher: Oxford University Press
ISBN: 0198894767
Category : History
Languages : en
Pages : 273
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Book Description
Romantic Poets and the Laughter of Feeling embraces the sublime and the ridiculous to offer a compelling new reading of British Romanticism. Matthew Ward reveals the decisive role laughter and the laughable play in Romantic aesthetics, emotions, and ethics.
Author: Sebastian Coxon
Publisher: Routledge
ISBN: 1351560824
Category : Foreign Language Study
Languages : en
Pages : 410
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Book Description
In contrast to the vernacular literary traditions of France, Italy and England, comic tales in verse flourished in late medieval Germany, providing bawdy entertainment for larger audiences of public recitals as well as for smaller numbers of individual readers. In a sustained close analysis Sebastian Coxon explores both the narrative design and fundamental thematic preoccupations of these short texts. A distinctively performative tradition of pre-modern narrative literature emerges which invited its recipients to think, learn and above all to laugh in a number of different ways.
Author: Sabrina Fuchs Abrams
Publisher: Springer
ISBN: 3319567292
Category : Literary Criticism
Languages : en
Pages : 263
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Book Description
This collection is the first to focus on the transgressive and transformative power of American female humorists. It explores the work of authors and comediennes such as Carolyn Wells, Lucille Clifton, Mary McCarthy, Lynne Tillman, Constance Rourke, Roz Chast, Amy Schumer and Samantha Bee, and the ways in which their humor challenges gendered norms and assumptions through the use of irony, satire, parody, and wit. The chapters draw from the experiences of women from a variety of racial, class, and gender identities and encompass a variety of genres and comedic forms including poetry, fiction, prose, autobiography, graphic memoir, comedic performance, and new media. Transgressive Humor of American Women Writers will appeal to a general educated readership as well as to those interested in women’s and gender studies, humor studies, urban studies, American literature and cultural studies, and media studies.
Author: Julie Garwood
Publisher: Simon and Schuster
ISBN: 145162316X
Category : Fiction
Languages : en
Pages : 326
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Book Description
Before there was Downton Abbey, there was Rebellious Desire...in this classic Regency romance from bestselling author Julie Garwood, an American heiress must land a titled lord. Of all the dukes in England, Jered Marcus Benton, the Duke of Bradford, was the wealthiest, most handsome—and most arrogant. And of all London’s ladies, he wanted the tender obedience of only one—Caroline Richmond. She was a ravishing beauty from Boston, with a mysterious past and a fiery spirit. Drawn to the powerful duke, undeterred by his presumptuous airs, Caroline was determined to win his lasting love. But Bradford would bend to no woman—until a deadly intrigue drew them enticingly close. Now, united against a common enemy, they would discover the power of the magnificent attraction that brought them together...a desire born in danger, but destined to flame into love!
Author: Joyce Antler
Publisher: Oxford University Press
ISBN: 9780198033745
Category : Social Science
Languages : en
Pages : 336
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Book Description
In You Never Call, You Never Write, Joyce Antler provides an illuminating and often amusing history of one of the best-known figures in popular culture--the Jewish Mother. Whether drawn as self-sacrificing or manipulative, in countless films, novels, radio and television programs, stand-up comedy, and psychological and historical studies, she appears as a colossal figure, intensely involved in the lives of her children. Antler traces the odyssey of this compelling personality through decades of American culture. She reminds us of a time when Jewish mothers were admired for their tenacity and nurturance, as in the early twentieth-century image of the "Yiddishe Mama," a sentimental figure popularized by entertainers such as George Jessel, Al Jolson, and Sophie Tucker, and especially by Gertrude Berg, whose amazingly successful "Molly Goldberg" ruled American radio and television for over 25 years. Antler explains the transformation of this Jewish Mother into a "brassy-voiced, smothering, and shrewish" scourge (in Irving Howe's words), detailing many variations on this negative theme, from Philip Roth's Portnoy's Complaint and Woody Allen's Oedipus Wrecks to television shows such as "The Nanny," "Seinfeld," and "Will and Grace." But she also uncovers a new counter-narrative, leading feminist scholars and stand-up comediennes to see the Jewish Mother in positive terms. Continually revised and reinvented, the Jewish Mother becomes in Antler's expert hands a unique lens with which to examine vital concerns of American Jews and the culture at large. A joy to read, You Never Call, You Never Write will delight anyone who has ever known or been nurtured by a "Jewish Mother," and it will be a special source of insight for modern parents. As Antler suggests, in many ways "we are all Jewish Mothers" today.
Author: Stephanie N. Brehm
Publisher: Fordham Univ Press
ISBN: 0823285324
Category : Religion
Languages : en
Pages : 241
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Book Description
For nine years, Stephen Colbert’s persona “Colbert”—a Republican superhero and parody of conservative political pundits—informed audiences on current events, politics, social issues, and religion while lampooning conservative political policy, biblical literalism, and religious hypocrisy. To devout, vocal, and authoritative lay Catholics, religion is central to both the actor and his most famous character. Yet many viewers wonder, “Is Colbert a practicing Catholic in real life or is this part of his act?” America’s Most Famous Catholic (According to Himself) examines the ways in which Colbert challenges perceptions of Catholicism and Catholic mores through his faith and comedy. Religion and the foibles of religious institutions have served as rich fodder for scores of comedians over the years. What set “Colbert” apart on his Comedy Central show, The Colbert Report, was that his critical observations were made more powerful and harder to ignore because he approached religious material not from the predictable stance of the irreverent secular comedian but from his position as one of the faithful. He is a Catholic celebrity who can bridge critical outsider and participating insider, neither fully reverent nor fully irreverent. Providing a digital media ethnography and rhetorical analysis of Stephen Colbert and his character from 2005 to 2014, author Stephanie N. Brehm examines the intersection between lived religion and mass media, moving from an exploration of how Catholicism shapes Colbert’s life and world towards a conversation about how “Colbert” shapes Catholicism. Brehm provides historical context by discovering how “Colbert” compares to other Catholic figures, such Don Novello, George Carlin, Louis C.K., and Jim Gaffigan, who have each presented their views of Catholicism to Americans through radio, film, and television. The last chapter provides a current glimpse of Colbert on The Late Show, where he continues to be voice for Catholicism on late night, now to an even broader audience. America’s Most Famous Catholic (According to Himself) also explores how Colbert carved space for Americans who currently define their religious lives through absence, ambivalence, and alternatives. Brehm reflects on the complexity of contemporary American Catholicism as it is lived today in the often-ignored form of Catholic multiplicity: thinking Catholics, cultural Catholics, cafeteria Catholics, and lukewarm Catholics, or what others have called Colbert Catholicism, an emphasis on the joy of religion in concert with the suffering. By examining the humor in religion, Brehm allows us to see clearly the religious elements in the work and life of comedian Stephen Colbert.
