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Author: Sotirios Paraschas
Publisher: Springer
ISBN: 3319692909
Category : Literary Criticism
Languages : en
Pages : 291
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Book Description
This book examines the phenomenon of the reappearance of characters in nineteenth-century French fiction. It approaches this from a hitherto unexplored perspective: that of the twin history of the aesthetic notion of originality and the legal notion of literary property. While the reappearance of characters in the works of canonical authors such as Honoré de Balzac and Émile Zola is usually seen as a device which transforms the individual works of an author into a coherent whole, this book argues that the unprecedented systematisation of the reappearance of characters in the nineteenth century has to be seen within a wider cultural, economic, and legal context. While fictional characters are seen as original creations by their authors, from a legal point of view they are considered to be ‘ideas’ which are not protected and can be appropriated by anyone. By co-examining the reappearance of characters in the work of canonical authors and their reappearances in unauthorised appropriations, such as stage adaptations and sequels, this book discusses a series of issues that have shaped our understanding of authorship, originality, and property.
Author: Sotirios Paraschas
Publisher: Springer
ISBN: 3319692909
Category : Literary Criticism
Languages : en
Pages : 291
Get Book Here
Book Description
This book examines the phenomenon of the reappearance of characters in nineteenth-century French fiction. It approaches this from a hitherto unexplored perspective: that of the twin history of the aesthetic notion of originality and the legal notion of literary property. While the reappearance of characters in the works of canonical authors such as Honoré de Balzac and Émile Zola is usually seen as a device which transforms the individual works of an author into a coherent whole, this book argues that the unprecedented systematisation of the reappearance of characters in the nineteenth century has to be seen within a wider cultural, economic, and legal context. While fictional characters are seen as original creations by their authors, from a legal point of view they are considered to be ‘ideas’ which are not protected and can be appropriated by anyone. By co-examining the reappearance of characters in the work of canonical authors and their reappearances in unauthorised appropriations, such as stage adaptations and sequels, this book discusses a series of issues that have shaped our understanding of authorship, originality, and property.
Author: Julian Murphet
Publisher: Oxford University Press
ISBN: 0192863126
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
In this groundbreaking and comprehensive study, Julian Murphet examines how dramatists and prose writers at the turn of the twentieth century experimented with new forms of modern character. Old truisms of character such as consistency, depth, and verisimilitude are eschewed in favour of inconsistency, bad faith, and fragmentation.
Author: Snait B. Gissis
Publisher: Springer Nature
ISBN: 3031527569
Category : Social sciences
Languages : en
Pages : 337
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Book Description
Zusammenfassung: The book presents an original synthesizing framework on the relations between 'the biological' and 'the social'. Within these relations, the late nineteenth-century emergence of social sciences aspiring to be constituted as autonomous, as 'scientific' disciplines, is described, analyzed and explained. Through this framework, the author points to conceptual and constructive commonalities conjoining significant founding figures - Lamarck, Spencer, Hughlings Jackson, Ribot, Durkheim, Freud - who were not grouped nor analyzed in this manner before. Thus, the book offers a rather unique synthesis of the interactions of the social, the mental, and the evolutionary biological - Spencerian Lamarckism and/or Neo-Lamarckism - crystallizing into novel fields. It adds substantially to the understanding of the complexities of evolutionary debates during the last quarter of the nineteenth century. It will attract the attention of a wide spectrum of specialists, academics, and postgraduates in European history of the nineteenth century, history and philosophy of science, and history of biology and of the social sciences, including psychology
Author: Eric Martone
Publisher: Cambridge Scholars Publishing
ISBN: 1527548554
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
Nineteenth-century writer Alexandre Dumas (1802-1870), author of The Three Musketeers and The Count of Monte Cristo, has been a controversial part of the French patrimony, and faced various forms of racial prejudice in France because of his biracial ancestry and due to being a descendant of a slave. During the late nineteenth century, the rise of scientific racism and aggressive European imperialism resulted in worldviews supporting European superiority and equated “European” with being “white.” Such developments complicated perceptions of Dumas as part of the French patrimony. French intellectuals and politicians from the late nineteenth-century onward created their own imaginative visions of what Dumas had represented in order to employ them ideologically to support or counter prevailing mainstream views of French history and identity. This collection traces the evolution of Dumas’s legacy as a controversial symbol of France since 1870, as the nation has struggled to deal with colonialism and its aftermath, and increased diversity and globalization.
Author: Dirk Göttsche
Publisher: John Benjamins Publishing Company
ISBN: 9027260362
Category : Literary Criticism
Languages : en
Pages : 834
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Book Description
Few literary phenomena are as elusive and yet as persistent as realism. While it responds to the perennial impulse to use literature to reflect on experience, it also designates a specific set of literary and artistic practices that emerged in response to Western modernity. Landscapes of Realism is a two-volume collaborative interdisciplinary exploration of this vast territory, bringing together leading-edge new criticism on the realist paradigms that were first articulated in nineteenth-century Europe but have since gone on globally to transform the literary landscape. Tracing the manifold ways in which these paradigms are developed, discussed and contested across time, space, cultures and media, this first volume tackles in its five core essays and twenty-five case studies such questions as why realism emerged when it did, why and how it developed such a transformative dynamic across languages, to what extent realist poetics remain central to art and popular culture after 1900, and how generally to reassess realism from a twenty-first-century comparative perspective.
Author: Owen Heathcote
Publisher: Cambridge University Press
ISBN: 1107066476
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
Leading specialists shed new light on key narrative and thematic features of the writings of Honoré de Balzac.
Author: Emilie Sitzia
Publisher: Cambridge Scholars Publishing
ISBN: 1443835919
Category : Art
Languages : en
Pages : 315
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Book Description
The traditional relationship between painting and literature underwent a profound change in nineteenth-century France. Painting progressively asserted its independence from literature as it liberated itself from narrative obligations whilst interrogating the concept of subject matter itself. Simultaneously the influence of art on the writing styles of authors increased and the character of the artist established itself as a recurring motif in French literature. This book offers a panoramic review of the relationship between art and literature in nineteenth-century France. By means of a series of case studies chosen from key moments throughout the nineteenth century, the aim of this study is to provide a focused analysis of specific examples of this relationship, revealing both its multifaceted nature as well as offering a panorama of the development of this on-going and increasingly complex cultural relationship. From Jacques Louis David’s irreverence for classical texts to Victor Hugo’s graphic works, from Edouard Manet’s illustrations to Vincent Van Gogh’s paintings of books, from Honoré de Balzac’s Unknown Masterpiece to Joris-Karl Huysmans’s A Rebours, this interdisciplinary investigation of the links between literature and art in France throws new light on both fields of creative endeavour during a critical phase of France’s cultural history.
Author: Dorothy Kelly
Publisher: Penn State Press
ISBN: 0271032669
Category : Fiction
Languages : en
Pages : 188
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Book Description
Reconstructing Woman explores a scenario common to the works of four major French novelists of the nineteenth century: Balzac, Flaubert, Zola, and Villiers. In the texts of each author, a &“new Pygmalion&” (as Balzac calls one of his characters) turns away from a real woman he has loved or desired and prefers instead his artificial re-creation of her. All four authors also portray the possibility that this simulacrum, which replaces the woman, could become real. The central chapters examine this plot and its meanings in multiple texts of each author (with the exception of the chapter on Villiers, in which only &“L&’Eve future&” is considered). The premise is that this shared scenario stems from the discovery in the nineteenth century that humans are transformable. Because scientific innovations play a major part in this discovery, Dorothy Kelly reviews some of the contributing trends that attracted one or more of the authors: mesmerism, dissection, transformism, and evolution, new understandings of human reproduction, spontaneous generation, puericulture, the experimental method. These ideas and practices provided the novelists with a scientific context in which controlling, changing, and creating human bodies became imaginable. At the same time, these authors explore the ways in which not only bodies but also identity can be made. In close readings, Kelly shows how these narratives reveal that linguistic and coded social structures shape human identity. Furthermore, through the representation of the power of language to do that shaping, the authors envision that their own texts would perform that function. The symbol of the reconstruction of woman thus embodies the fantasy and desire that their novels could create or transform both reality and their readers in quite literal ways. Through literary analyses, we can deduce from the texts just why this artificial creation is a woman.
Author: Tim Farrant
Publisher: Bloomsbury Publishing
ISBN: 1472537645
Category : Foreign Language Study
Languages : en
Pages : 254
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Book Description
Everyone knows something of nineteenth-century France - or do they? "Les Miserables", "The Lady of the Camelias" and "The Three Musketeers", "Balzac" and "Jules Verne" live in the popular consciousness as enduring human documents and cultural icons. Yet, the French nineteenth century was even more dynamic than the stereotype suggests. This exciting new introduction takes the literature of the period both as a window on past and present mindsets and as an object of fascination in its own right. Beginning with history, the century's biggest problem and potential, it looks at narrative responses to historical, political and social experience, before devoting central chapters to poetry, drama and novels - all genres the century radically reinvented. It then explores numerous modernities, ways nineteenth-century writing and mentalities look forward to our own, before turning to marginalities - subjects and voices the canon traditionally forgot. No genre was left unchanged by the nineteenth century. This book will help to discover them anew.
Author: Morgane Cadieu
Publisher: University of Chicago Press
ISBN: 0226830357
Category : Literary Criticism
Languages : en
Pages : 362
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Book Description
An analysis of social mobility in contemporary French literature that offers a new perspective on figures who move between social classes. Social climbers have often been the core characters of novels. Their position between traditional tiers in society makes them touchstones for any political and literary moment, including our own. Morgane Cadieu’s study looks at a certain kind of social climber in contemporary French literature whom she calls the parvenant. Taken from the French term parvenu, which refers to one who is newly arrived, a parvenant is a character who shuttles between social groups. A parvenant may become part of a new social class but devises literary ways to come back, constantly undoing any fixed idea of social affiliation. Focusing on recent French novels and autobiographies, On Both Sides of the Tracks speaks powerfully to issues of emancipation and class. Cadieu offers a fresh critical look at tales of social mobility in the work of Annie Ernaux, Kaoutar Harchi, Michel Houellebecq, Édouard Louis, and Marie NDiaye, among others, shedding fascinating light on upward mobility today as a formal, literary problem.
