Author: Theodore O. Francis
Publisher: iUniverse
ISBN: 0595261345
Category : Art
Languages : en
Pages : 126
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Book Description
The novelists of the Harlem Renaissance began writing at a point in America's literary history when the romantic tradition was being set aside for the gutsy truth-telling of realist literature. Modern criticism seems to take the flowery, nineteenth century prose found in the works of Chesnutt, Dunbar, Du Bois and others as an indication that they were writing in the romantic style. This is understandable but flawed. Almost all of the stories written during the Renaissance contained references to slavery or to Post Reconstructionist violence. For that reason few stories stemming from this period and written by African-Americans can be said to be "romantic."
Author: Stacy I. Morgan
Publisher: University of Georgia Press
ISBN: 9780820325798
Category : Literary Criticism
Languages : en
Pages : 374
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Book Description
The social realist movement, with its focus on proletarian themes and its strong ties to New Deal programs and leftist politics, has long been considered a depression-era phenomenon that ended with the start of World War II. This study explores how and why African American writers and visual artists sustained an engagement with the themes and aesthetics of social realism into the early cold war-era--far longer than a majority of their white counterparts. Stacy I. Morgan recalls the social realist atmosphere in which certain African American artists and writers were immersed and shows how black social realism served alternately to question the existing order, instill race pride, and build interracial, working-class coalitions. Morgan discusses, among others, such figures as Charles White, John Wilson, Frank Marshall Davis, Willard Motley, Langston Hughes, Sterling Brown, Elizabeth Catlett, and Hale Woodruff.
Author: Gene Andrew Jarrett
Publisher: University of Pennsylvania Press
ISBN: 081220235X
Category : Literary Criticism
Languages : en
Pages : 233
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Book Description
For a work to be considered African American literature, does it need to focus on black characters or political themes? Must it represent these within a specific stylistic range? Or is it enough for the author to be identified as African American? In Deans and Truants, Gene Andrew Jarrett traces the shifting definitions of African American literature and the authors who wrote beyond those boundaries at the cost of critical dismissal and, at times, obscurity. From the late nineteenth century to the end of the twentieth, de facto deans—critics and authors as different as William Howells, Alain Locke, Richard Wright, and Amiri Baraka—prescribed the shifting parameters of realism and racial subject matter appropriate to authentic African American literature, while truant authors such as Paul Laurence Dunbar, George S. Schuyler, Frank Yerby, and Toni Morrison—perhaps the most celebrated African American author of the twentieth century—wrote literature anomalous to those standards. Jarrett explores the issues at stake when Howells, the "Dean of American Letters," argues in 1896 that only Dunbar's "entirely black verse," written in dialect, "would succeed." Three decades later, Locke, the cultural arbiter of the Harlem Renaissance, stands in contrast to Schuyler, a journalist and novelist who questions the existence of a peculiarly black or "New Negro" art. Next, Wright's 1937 blueprint for African American writing sets the terms of the Chicago Renaissance, but Yerby's version of historical romance approaches race and realism in alternative literary ways. Finally, Deans and Truants measures the gravitational pull of the late 1960s Black Aesthetic in Baraka's editorial silence on Toni Morrison's first and only short story, "Recitatif." Drawing from a wealth of biographical, historical, and literary sources, Deans and Truants describes the changing notions of race, politics, and gender that framed and were framed by the authors and critics of African American culture for more than a century.
Author: Eleanora E. Tate
Publisher: Little, Brown Books for Young Readers
ISBN: 0316040460
Category : Juvenile Fiction
Languages : en
Pages : 182
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Book Description
When Celeste Lassiter Massey is forced to live with her actress Aunt Valentina in Harlem, she is not thrilled to trade her friends and comfortable North Carolina for scary, big-city life. While Celeste experiences the Harlem Renaissance in full swing, she sees as much grit as glamour. A passionate writer, talented violinist, and aspiring doctor, she eventually faces a choice between ambition and loyalty, roots and horizons. The decision will change her forever.
Author: Claude McKay
Publisher: UPNE
ISBN: 1555537790
Category : Fiction
Languages : en
Pages : 240
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Book Description
A novel that gives voice to the alienation and frustration of urban blacks during an era when Harlem was in vogue
Author: Nella Larsen
Publisher: Wildside Press LLC
ISBN: 1667622668
Category : Fiction
Languages : en
Pages : 207
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Book Description
Harlem Renaissance author Nella Larsen (1891 –1964) published just two novels and three short stories in her lifetime, but achieved lasting literary acclaim. Her classic novel Quicksand first appeared in 1928.
Author: Gregory Castle
Publisher: Cambridge University Press
ISBN: 1107034957
Category : Literary Criticism
Languages : en
Pages : 549
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Book Description
A History of the Modernist Novel reassesses the modernist canon and produces a wealth of new comparative analyses that radically revise the novel's history. It also considers the novel's global reach while suggesting that the epoch of modernism is not yet finished.
Author: Jessie Redmon Fauset
Publisher: UPNE
ISBN: 9781555530662
Category : Fiction
Languages : en
Pages : 332
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Book Description
Set in Philadelphia some 60 years ago, There Is Confusion traces the lives of Joanna Mitchell and Peter Bye, whose families must come to terms with an inheritance of prejudice and discrimination as they struggle for legitimacy and respect.
Author: Alain Locke
Publisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 508
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Book Description
Author: Sherri L. Smith
Publisher: Penguin
ISBN: 0593225902
Category : Juvenile Nonfiction
Languages : en
Pages : 129
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Book Description
In this book from the #1 New York Times bestselling series, learn how this vibrant Black neighborhood in upper Manhattan became home to the leading Black writers, artists, and musicians of the 1920s and 1930s. Travel back in time to the 1920s and 1930s to the sounds of jazz in nightclubs and the 24-hours-a-day bustle of the famous Black neighborhood of Harlem in uptown Manhattan. It was a dazzling time when there was an outpouring of the arts of African Americans--the poetry of Langston Hughes; the novels of Zora Neale Hurston; the sculptures of Augusta Savage and that brand-new music called jazz as only Duke Ellington and Louis Armstrong could play it. Author Sherri Smith traces Harlem's history all the way to its seventeenth-century roots, and explains how the early-twentieth-century Great Migration brought African Americans from the deep South to New York City and gave birth to the golden years of the Harlem Renaissance. With 80 fun black-and-white illustrations and an engaging 16-page photo insert, readers will be excited to read this latest addition to Who HQ!
