Author: Andrew John Kochman
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 536
Book Description
Realism in the Early and Middle Nineteenth Century British Theatre
Author: Andrew John Kochman
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 536
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 536
Book Description
British Theatre
Author: John P. Cavanagh
Publisher: Macmillan Reference USA
ISBN:
Category : English drama
Languages : en
Pages : 520
Book Description
Publisher: Macmillan Reference USA
ISBN:
Category : English drama
Languages : en
Pages : 520
Book Description
Keats-Shelley Journal
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 662
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 662
Book Description
Aesthetics of Space in Nineteenth-Century British Literature, 1843-1907
Author: Giles Whiteley
Publisher: Edinburgh University Press
ISBN: 1474443745
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
Charting an 'aesthetic', post-realist tradition of writing, this book considers the significant role played by John Ruskin's art criticism in later writing which dealt with the new kinds of spaces encountered in the nineteenth-century.
Publisher: Edinburgh University Press
ISBN: 1474443745
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
Charting an 'aesthetic', post-realist tradition of writing, this book considers the significant role played by John Ruskin's art criticism in later writing which dealt with the new kinds of spaces encountered in the nineteenth-century.
Victorian Studies
Author: Philip Appleman
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 450
Book Description
Vols. 1- include Victorian bibliography, prepared by a committee of the Victorian Literature Group (v. 19- by a committee of the Victorian Division) of the Modern Language Association of America (formerly published in Modern philology).
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 450
Book Description
Vols. 1- include Victorian bibliography, prepared by a committee of the Victorian Literature Group (v. 19- by a committee of the Victorian Division) of the Modern Language Association of America (formerly published in Modern philology).
The Broadview Anthology of Nineteenth-Century British Performance
Author: Tracy C. Davis
Publisher: Broadview Press
ISBN: 1551119005
Category : Drama
Languages : en
Pages : 685
Book Description
This collection provides a representative set of theatrical performances popular on the nineteenth-century British stage. All are newly edited critical editions that account for variant sources reflecting the process of rehearsal, licensing, and production. Detailed introductions and extensive notes explain the texts’ relationship to repertoires, the circulating discourses of intelligibility that constantly recombine in performance. The plays address the topical concerns of slavery, imperial conquest, capitalism, interculturalism, uprisings at home and abroad, modernist aesthetic innovation, and the celebration of collective identities. Adaptations from novels, travelogues, and other plays are discussed along with the theatrical history that sustained these works on the stage.
Publisher: Broadview Press
ISBN: 1551119005
Category : Drama
Languages : en
Pages : 685
Book Description
This collection provides a representative set of theatrical performances popular on the nineteenth-century British stage. All are newly edited critical editions that account for variant sources reflecting the process of rehearsal, licensing, and production. Detailed introductions and extensive notes explain the texts’ relationship to repertoires, the circulating discourses of intelligibility that constantly recombine in performance. The plays address the topical concerns of slavery, imperial conquest, capitalism, interculturalism, uprisings at home and abroad, modernist aesthetic innovation, and the celebration of collective identities. Adaptations from novels, travelogues, and other plays are discussed along with the theatrical history that sustained these works on the stage.
Byron and the Dramatic Form
Author: Mahesh Singh Kushwaha
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 228
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 228
Book Description
English Drama and Theatre, 1800-1900
Author: Leonard W. Conolly
Publisher: Detroit : Gale Research Company
ISBN:
Category : Literary Criticism
Languages : en
Pages : 536
Book Description
American literature, English literature, and world literatures in English ; v. 12 (er)
Publisher: Detroit : Gale Research Company
ISBN:
Category : Literary Criticism
Languages : en
Pages : 536
Book Description
American literature, English literature, and world literatures in English ; v. 12 (er)
British Nautical Melodramas, 1820–1850
Author: Arnold Schmidt
Publisher: Taylor & Francis
ISBN: 1315530120
Category : Literary Criticism
Languages : en
Pages : 1224
Book Description
During the 1820s and 30s nautical melodramas "reigned supreme" on London stages, entertaining the mariners and maritime workers who comprised a large part of the audience for small theatres. These plays mixed sentimental moments and comic interludes of domestic melodrama with patriotic images that communicated and reinforced imperial themes. However, generally the study of British theatre history moves from medieval and renaissance plays directly to the realism and naturalism of late Victorian and modern drama. Readers typically encounter a gap between Restoration and eighteenth-century plays like those of Oliver Goldsmith and Richard Brinsley Sheridan, and late-nineteenth plays by Henrik Ibsen and Oscar Wilde. Nineteenth-century drama, with the possible exception of plays by Byron, Shelley, and Wordsworth, remains all but invisible. Until recently, melodramatic plays written and performed during this "gap" received little scholarly attention, but their value as reflections of Britain’s promulgation of imperial ideology — and its role in constructing and maintaining class, gender, and racial identities — have given discussions of melodrama force and momentum. The plays included in these three volumes have never appeared in a critical anthology and most have not been republished since their original nineteenth-century editions. Each play is transcribed from original documents and includes an author biography, a headnote about the play itself, full annotations with brief definitions of unfamiliar vocabulary, and explanatory notes. Comprehensive editorial apparatus details the nineteenth-century imperial, naval, political, and social history relevant to the plays’ nautical themes, as well as discussing nineteenth-century theatre history, melodrama generally, and the nautical melodrama in particular. Contemporary theatre practices — acting, audiences, staging, lighting, special effects — are also examined. An extensive bibliography of primary and secondary texts; a complete index; and contemporary images of the actors, theatres, stage sets, playbills, costumes, and locales have been compiled to aid study further.
Publisher: Taylor & Francis
ISBN: 1315530120
Category : Literary Criticism
Languages : en
Pages : 1224
Book Description
During the 1820s and 30s nautical melodramas "reigned supreme" on London stages, entertaining the mariners and maritime workers who comprised a large part of the audience for small theatres. These plays mixed sentimental moments and comic interludes of domestic melodrama with patriotic images that communicated and reinforced imperial themes. However, generally the study of British theatre history moves from medieval and renaissance plays directly to the realism and naturalism of late Victorian and modern drama. Readers typically encounter a gap between Restoration and eighteenth-century plays like those of Oliver Goldsmith and Richard Brinsley Sheridan, and late-nineteenth plays by Henrik Ibsen and Oscar Wilde. Nineteenth-century drama, with the possible exception of plays by Byron, Shelley, and Wordsworth, remains all but invisible. Until recently, melodramatic plays written and performed during this "gap" received little scholarly attention, but their value as reflections of Britain’s promulgation of imperial ideology — and its role in constructing and maintaining class, gender, and racial identities — have given discussions of melodrama force and momentum. The plays included in these three volumes have never appeared in a critical anthology and most have not been republished since their original nineteenth-century editions. Each play is transcribed from original documents and includes an author biography, a headnote about the play itself, full annotations with brief definitions of unfamiliar vocabulary, and explanatory notes. Comprehensive editorial apparatus details the nineteenth-century imperial, naval, political, and social history relevant to the plays’ nautical themes, as well as discussing nineteenth-century theatre history, melodrama generally, and the nautical melodrama in particular. Contemporary theatre practices — acting, audiences, staging, lighting, special effects — are also examined. An extensive bibliography of primary and secondary texts; a complete index; and contemporary images of the actors, theatres, stage sets, playbills, costumes, and locales have been compiled to aid study further.
Bibliographies of Studies in Victorian Literature for the Ten Years 1955-1964
Author: Modern Language Association of America. Victorian Literature Group
Publisher: Urbana : University of Illinois Press
ISBN:
Category : Reference
Languages : en
Pages : 490
Book Description
Publisher: Urbana : University of Illinois Press
ISBN:
Category : Reference
Languages : en
Pages : 490
Book Description