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Author: Abigail Cheever
Publisher: University of Georgia Press
ISBN: 0820336017
Category : Literary Criticism
Languages : en
Pages : 324
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Book Description
The epithet "phony" was omnipresent during the postwar period in the United States. It was an easy appellation for individuals who appeared cynically to conform to codes of behavior for social approbation or advancement. Yet Holly Golightly "isn't a phony because she's a real phony," says her agent in Breakfast at Tiffany's. In exploring this remark, Abigail Cheever examines the ways in which social influence was thought to deform individuals in midcentury American culture. How could a person both be and not be herself at the same time? The answer lies in the period's complicated attitude toward social influence. If being real means that one's performative self is in line with one's authentic self, to be a real phony is to lack an authentic self as a point of reference--to lack a self that is independent of the social world. According to Cheever, Holly Golightly "is like a phony in that her beliefs are perfectly in accordance with social norms, but she is real insofar as those beliefs are all she has." Real Phonies examines the twinned phenomena of phoniness and authenticity across the second half of the twentieth century--beginning with adolescents in the 1950s, like Holly Golightly and Holden Caulfield, and ending with mid-career professionals in the 1990s, like sports agent Jerry Maguire. Countering the critical assumption that, with the emergence of postmodernity, the ideal of "authentic self" disappeared, Cheever argues that concern with the authenticity of persons proliferated throughout the past half-century despite a significant ambiguity over what that self might look like. Cheever's analysis is structured around five key kinds of characters: adolescents, the insane, serial killers, and the figures of the assimilated Jew and the "company man." In particular, she finds a preoccupation in these works not so much with faked conformity but with the frightening notion of real uniformity--the notion that Holly, and others like her, could each genuinely be the same as everyone else.
Author: Abigail Cheever
Publisher: University of Georgia Press
ISBN: 0820336017
Category : Literary Criticism
Languages : en
Pages : 324
Get Book Here
Book Description
The epithet "phony" was omnipresent during the postwar period in the United States. It was an easy appellation for individuals who appeared cynically to conform to codes of behavior for social approbation or advancement. Yet Holly Golightly "isn't a phony because she's a real phony," says her agent in Breakfast at Tiffany's. In exploring this remark, Abigail Cheever examines the ways in which social influence was thought to deform individuals in midcentury American culture. How could a person both be and not be herself at the same time? The answer lies in the period's complicated attitude toward social influence. If being real means that one's performative self is in line with one's authentic self, to be a real phony is to lack an authentic self as a point of reference--to lack a self that is independent of the social world. According to Cheever, Holly Golightly "is like a phony in that her beliefs are perfectly in accordance with social norms, but she is real insofar as those beliefs are all she has." Real Phonies examines the twinned phenomena of phoniness and authenticity across the second half of the twentieth century--beginning with adolescents in the 1950s, like Holly Golightly and Holden Caulfield, and ending with mid-career professionals in the 1990s, like sports agent Jerry Maguire. Countering the critical assumption that, with the emergence of postmodernity, the ideal of "authentic self" disappeared, Cheever argues that concern with the authenticity of persons proliferated throughout the past half-century despite a significant ambiguity over what that self might look like. Cheever's analysis is structured around five key kinds of characters: adolescents, the insane, serial killers, and the figures of the assimilated Jew and the "company man." In particular, she finds a preoccupation in these works not so much with faked conformity but with the frightening notion of real uniformity--the notion that Holly, and others like her, could each genuinely be the same as everyone else.
Author: Nicky Beer
Publisher: Milkweed Editions
ISBN: 157131749X
Category : Poetry
Languages : en
Pages : 78
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Book Description
What is illusion—a deception, or a revelation? What is a poem—the truth, or “a diverting flash, / a mirror showing everything / but itself”? Nicky Beer’s latest collection of poems is a labyrinthine academy specializing in the study of subterfuge; Marlene Dietrich, Dolly Parton, and Batman are its instructors. With an energetic eye, she thumbs through our collective history books—and her personal one, too—in an effort to chart the line between playful forms of duplicity and those that are far more insidious. Through delicious japery, poems that can be read multiple ways, and allusions ranging from Puccini’s operas to Law & Order, Beer troubles the notion of truth. Often, we settle for whatever brand of honesty is convenient for us, or whatever is least likely to spark confrontation—but this, Beer knows, is how we invite others to weigh in on what kind of person we are. This is how we trick ourselves into believing they’re right. “Listen / to how quiet it is when I lose the self-doubt played / for so long I mistook it for music.” Real Phonies and Genuine Fakes asks us to look through the stereoscope: which image is the real one? This one—or this one, just here? With wisdom, humility, and a forthright tenderness, Nicky Beer suggests that we consider both—together, they might contribute to something like truth.
Author: Abigail Cheever
Publisher:
ISBN: 9780820332833
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
Abigail Cheever examines the ways in which social influence was thought to deform individuals in midcentury American culture. Real Phonies examines the twinned phenomena of phoniness and authenticity—beginning with adolescents in the 1950s like Holly Golightly and Holden Caulfield, and ending with mid-career professionals in the 1990s, like sports agent Jerry Maguire.
Author: Kevin Young
Publisher: Graywolf Press
ISBN: 1555979823
Category : History
Languages : en
Pages : 575
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Book Description
Longlisted for the National Book Award for Nonfiction “There Kevin Young goes again, giving us books we greatly need, cleverly disguised as books we merely want. Unexpectedly essential.”—Marlon James Award-winning poet and critic Kevin Young tours us through a rogue’s gallery of hoaxers, plagiarists, forgers, and fakers—from the humbug of P. T. Barnum and Edgar Allan Poe to the unrepentant bunk of JT LeRoy and Donald J. Trump. Bunk traces the history of the hoax as a peculiarly American phenomenon, examining what motivates hucksters and makes the rest of us so gullible. Disturbingly, Young finds that fakery is woven from stereotype and suspicion, race being the most insidious American hoax of all. He chronicles how Barnum came to fame by displaying figures like Joice Heth, a black woman whom he pretended was the 161-year-old nursemaid to George Washington, and What Is It?, an African American man Barnum professed was a newly discovered missing link in evolution. Bunk then turns to the hoaxing of history and the ways that forgers, plagiarists, and journalistic fakers invent backstories and falsehoods to sell us lies about themselves and about the world in our own time, from pretend Native Americans Grey Owl and Nasdijj to the deadly imposture of Clark Rockefeller, from the made-up memoirs of James Frey to the identity theft of Rachel Dolezal. In this brilliant and timely work, Young asks what it means to live in a post-factual world of “truthiness” where everything is up for interpretation and everyone is subject to a pervasive cynicism that damages our ideas of reality, fact, and art.
Author: Marc A. Ouellette
Publisher: McFarland
ISBN: 1476643490
Category : Games & Activities
Languages : en
Pages : 249
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Book Description
A lot of work has been done talking about what masculinity is and what it does within video games, but less has been given to considering how and why this happens, and the processes involved. This book considers the array of daily relationships involved in producing masculinity and how those actions and relationships translate to video games. Moreover, it examines the ways the actual play of the games maps onto the stories to create contradictory moments that show that, while toxic masculinity certainly exists, it is far from inevitable. Topics covered include the nature of masculine apprenticeship and nurturing, labor, fatherhood, the scapegoating of women, and reckoning with mortality, among many others.
Author: Nev Schulman
Publisher: Grand Central Publishing
ISBN: 1455584282
Category : Family & Relationships
Languages : en
Pages : 214
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Book Description
From the host of MTV's #1 show Catfish comes the definitive guide about how to connect with people authentically in today's increasingly digital world. As the host of the wildly popular TV series Catfish,which investigates online relationships to determine whether they are based on truth or fiction (spoiler: it's almost always fiction), Nev has become the Dr. Drew of online relationships. His clout in this area springs from his own experience with a deceptive online romance, about which he made a critically acclaimed 2010 documentary (also called Catfish). In that film Nev coined the term "catfish" to refer to someone who creates a false online persona to reel someone into a romantic relationship. The meme spread rapidly. Now Nev brings his expertise to the page, sharing insider secrets about: -what motivates catfish -why people fall for catfish -how you can avoid being deceived -rules for dating -- both online and off -how to connect authentically with others over the internet -how to turn an online relationship into a real-life relationship ...and much, much more. Peppered throughout with Nev's personal stories, this book delves deeply into the complexities of online identity. Nev shows us how our digital lives are affecting our real lives, and provides essential advice about how we should all be living and loving in the era of social media.
Author: Brianna DuMont
Publisher: Simon and Schuster
ISBN: 1632202077
Category : Juvenile Nonfiction
Languages : en
Pages : 238
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Book Description
Amazing true stories about Shakespeare, Hiawatha, Homer, George Washington, and more. If you like to think of Shakespeare only as a brilliant bard, or prefer only to know Pythagoras by his math skills, then you might want to put this book down. Seriously. Because this book is about to change your idea of history. But if you like a little controversy, or want to impress your parents and friends with some little-known tidbits of historical drama, then Famous Phonies: Legends, Fakes, and Frauds Who Changed History is for you. Over the centuries, plenty of scandals, swindles, and skeletons have passed under history’s radar and missed out on being included in your textbook. (We’re looking at you, George “I cannot tell a lie” Washington.) Some of the biggest names in history can be found between these pages—and the light isn’t flattering. These figures are lucky that prime-time TV and all-access internet didn’t exist in Ancient Greece, Renaissance Europe, medieval England, or Revolutionary America, or else they could have kissed their sterling reputations goodbye. Famous Phonies: Legends, Fakes, and Frauds Who Changed History explores the underbelly of history, making you question everything you thought you knew about history’s finest. Follow the fake lives of these twelve history-changers to uncover the fabrications of the famous and the should-be-famous! So, if you can handle it, take a peek at inside. Some of the famous “phonies” covered in this book include: George Washington Pythagoras Hiawatha Gilgamesh Confucius Major William Martin William Shakespeare Pope Joan Homer Prester John Huangdi The Turk
Author: Clare Chadd
Publisher: LSU Press
ISBN: 0807175749
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
Drawing from recent debates about the validity of regional studies and skepticism surrounding the efficacy of the concept of authenticity, Clare Chadd’s Postregional Fictions focuses on questions of southern regional authenticity in fiction published by Barry Hannah from 1972 to 2001. The first monograph on the Mississippi author’s work to appear since his death, this study considers the ways in which Hannah’s novels and short stories challenge established conceptual understandings of the U.S. South. Hannah’s writing often features elements of metafiction, through which the putative sense of “southernness” his stories dramatize is complicated by an intense self-reflexivity about the extent to which a sense of place has never been foundational or essential but has always been constructed and performed. Such texts locate a productive terrain between the local and the global, with particular relevance for critical apprehensions of the post-South and postsouthern literature. Offering sustained close readings of selected stories, and focusing especially on Hannah’s late work, Chadd argues that his fiction reveals the region constantly shifting in a process of mythmaking, dialogue, and performance. In turn, she uses Hannah’s work to suggest how notions of the “South” and “southernness” might survive the various deconstructive approaches leveled against them in recent decades of southern studies scholarship. Rather than seeing an impasse between the regional and the global, Chadd’s reading of Hannah shows the two existing and flourishing in tandem. In Postregional Fictions, Chadd offers a new interpretation of Hannah based on an appreciation of the vital intersection of southern and postmodern elements in his work.
Author: Alys Moody
Publisher: Oxford University Press
ISBN: 0192564072
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
Hunger is one of the governing metaphors for literature in the late nineteenth and twentieth centuries. Beginning in the mid-nineteenth century, writers and critics repeatedly describe writing as a process of starvation, as in the familiar type of the starving artist, and high art as the rejection of 'culinary' pleasures. The Art of Hunger: Aesthetic Autonomy and the Afterlives of Modernism argues that this metaphor offers a way of describing the contradictions of aesthetic autonomy in modernist literature and its late-twentieth-century heirs. This book traces the emergence of a tradition of writing it calls the 'art of hunger', from the origins of modernism to the end of the twentieth century. It focuses particularly on three authors who redeploy the modernist art of hunger as a response to key moments in the history of modernist aesthetic autonomy's delegitimization: Samuel Beckett in post-Vichy France; Paul Auster in post-1968 Paris and New York; and J. M. Coetzee in late apartheid South Africa. Combining historical analysis of these literary fields with close readings of individual texts, and drawing extensively on new archival research, this book offers a counter-history of modernism's post-World War II reception and a new theory of aesthetic autonomy as a practice of unfreedom.
Author: Steven Belletto
Publisher: Cambridge University Press
ISBN: 1108304818
Category : Literary Criticism
Languages : en
Pages : 628
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Book Description
American Literature in Transition, 1950–1960 explores the under-recognized complexity and variety of 1950s American literature by focalizing discussions through a series of keywords and formats that encourage readers to draw fresh connections among literary form and concepts, institutions, cultures, and social phenomena important to the decade. The first section draws attention to the relationship between literature and cultural phenomena that were new to the 1950s. The second section demonstrates the range of subject positions important in the 1950s, but still not visible in many accounts of the era. The third section explores key literary schools or movements associated with the decade, and explains how and why they developed at this particular cultural moment. The final section focuses on specific forms or genres that grew to special prominence during the 1950s. Taken together, the chapters in the four sections not only encourage us to rethink familiar texts and figures in new lights, but they also propose new archives for future study of the decade.
