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Author: Les Edgerton
Publisher: Down & Out Books
ISBN:
Category : Fiction
Languages : en
Pages : 268
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Book Description
A mix of Cajun gumbo, a couple tablespoons of kinky sex and a dash of unusual New Orleans settings and you wind up with Les Edgerton’s latest romp fest! Pete Halliday is busted out of baseball for gambling and travels to New Orleans to make his fortune hustling. Five years later, he’s deep in debt to a bookie and in cahoots with Tommy LeClerc, a Cajun with a tiny bit of Indian blood who considers himself a red man. Tommy inveigles a reluctant Pete into one scheme after another, the latest a kidnapping scheme where they’ll snatch the Cajun Mafia King and hold his amputated hand for some serious jack. Along the way, Pete is double-crossed by Tommy and falls in love with part-time hooker and full-time waitress Cat Duplaisir. With both the Italian and Cajun mobs after them, a chase through Jazz Fest, a Tourette’s outbreak in a black bar and other zany adventures, all seems lost. Fans of Tim Dorsey’s character Serge Storms, and readers who enjoy Christopher Moore and Carl Hiaasen, will enjoy this story. Praise for THE GENUINE, IMITATION, PLASTIC KIDNAPPING: “A hard-driving, relentless story with grab-you-by-the-throat characters.” —Grant Blackwood, New York Times bestselling author “The Genuine, Imitation, Plastic Kidnapping is not for the faint of heart, and that’s just one of its selling points. If you like crime fiction that cracks wise while offering a peek into the darker recesses, this is the book for you.” —Bill Fitzhugh, author of Pest Control and The Exterminators “… a dark crime comedy that will have you laughing from page one. It crackles with manic energy and mad thrills. If you’re looking for a different kind of edgy crime novel, this is the one to grab.” —Bill Crider, author of the Sheriff Dan Rhodes Mysteries “Les Edgerton’s latest book is the real deal, and has everything to keep you turning the pages. It’s a caper, full of fun and high-jinx, but it’s also bitter-sweet, engendering a full range of emotions. You’ll smile, you’ll wince, you’ll laugh out loud, and sometimes you’ll even cringe, but you’ll come away from the read feeling thoroughly satisfied and entertained. A terrific read.” —Matt Hilton, author of the bestselling Joe Hunter thrillers
Author: Miles Orvell
Publisher: UNC Press Books
ISBN: 1469615371
Category : History
Languages : en
Pages : 421
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Book Description
In this classic study of the relationship between technology and culture, Miles Orvell demonstrates that the roots of contemporary popular culture reach back to the Victorian era, when mechanical replications of familiar objects reigned supreme and realism dominated artistic representation. Reacting against this genteel culture of imitation, a number of artists and intellectuals at the turn of the century were inspired by the machine to create more authentic works of art that were themselves "real things." The resulting tension between a culture of imitation and a culture of authenticity, argues Orvell, has become a defining category in our culture. The twenty-fifth anniversary edition includes a new preface by the author, looking back on the late twentieth century and assessing tensions between imitation and authenticity in the context of our digital age. Considering material culture, photography, and literature, the book touches on influential figures such as writers Walt Whitman, Henry James, John Dos Passos, and James Agee; photographers Alfred Stieglitz, Walker Evans, and Margaret Bourke-White; and architect-designers Gustav Stickley and Frank Lloyd Wright.
Author: Les Edgerton
Publisher: Down & Out Books
ISBN:
Category : Fiction
Languages : en
Pages : 268
Get Book Here
Book Description
A mix of Cajun gumbo, a couple tablespoons of kinky sex and a dash of unusual New Orleans settings and you wind up with Les Edgerton’s latest romp fest! Pete Halliday is busted out of baseball for gambling and travels to New Orleans to make his fortune hustling. Five years later, he’s deep in debt to a bookie and in cahoots with Tommy LeClerc, a Cajun with a tiny bit of Indian blood who considers himself a red man. Tommy inveigles a reluctant Pete into one scheme after another, the latest a kidnapping scheme where they’ll snatch the Cajun Mafia King and hold his amputated hand for some serious jack. Along the way, Pete is double-crossed by Tommy and falls in love with part-time hooker and full-time waitress Cat Duplaisir. With both the Italian and Cajun mobs after them, a chase through Jazz Fest, a Tourette’s outbreak in a black bar and other zany adventures, all seems lost. Fans of Tim Dorsey’s character Serge Storms, and readers who enjoy Christopher Moore and Carl Hiaasen, will enjoy this story. Praise for THE GENUINE, IMITATION, PLASTIC KIDNAPPING: “A hard-driving, relentless story with grab-you-by-the-throat characters.” —Grant Blackwood, New York Times bestselling author “The Genuine, Imitation, Plastic Kidnapping is not for the faint of heart, and that’s just one of its selling points. If you like crime fiction that cracks wise while offering a peek into the darker recesses, this is the book for you.” —Bill Fitzhugh, author of Pest Control and The Exterminators “… a dark crime comedy that will have you laughing from page one. It crackles with manic energy and mad thrills. If you’re looking for a different kind of edgy crime novel, this is the one to grab.” —Bill Crider, author of the Sheriff Dan Rhodes Mysteries “Les Edgerton’s latest book is the real deal, and has everything to keep you turning the pages. It’s a caper, full of fun and high-jinx, but it’s also bitter-sweet, engendering a full range of emotions. You’ll smile, you’ll wince, you’ll laugh out loud, and sometimes you’ll even cringe, but you’ll come away from the read feeling thoroughly satisfied and entertained. A terrific read.” —Matt Hilton, author of the bestselling Joe Hunter thrillers
Author:
Publisher:
ISBN: 9781944005023
Category :
Languages : en
Pages :
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Book Description
Author: Andrew Hodges
Publisher: Princeton University Press
ISBN: 1400865123
Category : Biography & Autobiography
Languages : en
Pages : 777
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Book Description
A NEW YORK TIMES BESTSELLER The official book behind the Academy Award-winning film The Imitation Game, starring Benedict Cumberbatch and Keira Knightley It is only a slight exaggeration to say that the British mathematician Alan Turing (1912–1954) saved the Allies from the Nazis, invented the computer and artificial intelligence, and anticipated gay liberation by decades—all before his suicide at age forty-one. This New York Times bestselling biography of the founder of computer science, with a new preface by the author that addresses Turing’s royal pardon in 2013, is the definitive account of an extraordinary mind and life. Capturing both the inner and outer drama of Turing’s life, Andrew Hodges tells how Turing’s revolutionary idea of 1936—the concept of a universal machine—laid the foundation for the modern computer and how Turing brought the idea to practical realization in 1945 with his electronic design. The book also tells how this work was directly related to Turing’s leading role in breaking the German Enigma ciphers during World War II, a scientific triumph that was critical to Allied victory in the Atlantic. At the same time, this is the tragic account of a man who, despite his wartime service, was eventually arrested, stripped of his security clearance, and forced to undergo a humiliating treatment program—all for trying to live honestly in a society that defined homosexuality as a crime. The inspiration for a major motion picture starring Benedict Cumberbatch and Keira Knightley, Alan Turing: The Enigma is a gripping story of mathematics, computers, cryptography, and homosexual persecution.
Author: Jacqueline Nadel
Publisher: Oxford University Press, USA
ISBN: 0198704003
Category : Education
Languages : en
Pages : 277
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Book Description
It was Plato who famously stated that 'imitation is dangerous because it stifles creativity, hampers the development of personal identity and disrupts the perception of other people as unique beings'. There are some who still feel this way, and perhaps this explains why imitation has received less attention within the developmental literature than other human characteristics. So why are humans able to imitate - from the very second they enter the world? Can it have positive effects? Can it help us interact with others better? Can it even make us feel better about ourselves and our ability to influence and interact with the world around us? In this book, a leading development psychologist explores the topic of imitation - looking at why we imitate and the possible benefits it might bring - in particular to those affected by Autism Spectrum Disorders. The book offers fascinating insights into an often neglected topic.
Author: United States. Congress. House. Committee on Agriculture. Subcommittee on Livestock, Dairy, and Poultry
Publisher:
ISBN:
Category : Food
Languages : en
Pages : 580
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Book Description
Author:
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 64
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Book Description
Author: Albion W. Small
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 896
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Book Description
Established in 1895 as the first U.S. scholarly journal in its field, AJS remains a leading voice for analysis and research in the social sciences, presenting work on the theory, methods, practice, and history of sociology. AJS also seeks the application of perspectives from other social sciences and publishes papers by psychologists, anthropologists, statisticians, economists, educators, historians, and political scientists.
Author:
Publisher:
ISBN:
Category : Dry-goods
Languages : en
Pages : 1558
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Book Description
Author: Joel Weinsheimer
Publisher: Routledge
ISBN: 1317612434
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
In this book, first published in 1984, Joel Weinsheimer advocates revitalizing the practice of imitating literature as a mode appropriate for literary critics as well as artists. The book is not only about imitation; it is itself an imitation, specifically of Samuel Johnson. As both the focus and mode of presentation, imitation is presented not merely as a kind of poetry that once flourished in the eighteenth century but also as a kind of criticism particularly relevant today. Applying arguments from philosophy of science, deconstruction, psycho-analysis, literary theory, semiotics and hermeneutics, Weinsheimer shows that the three main currents of thought responsible for forcing imitation underground were empiricism, originalism and historicism. The three central chapters of the book concentrate on their representatives: John Locke, Edward Young and Thomas Warton. The author then applies Johnsonian arguments – supported by those of Gadamer Peirce – to challenge those objections and re-establish imitation as an intellectually defensible mode of writing.
