Author: John Foster
Publisher:
ISBN: 9780192762801
Category : Juvenile Nonfiction
Languages : en
Pages : 68
Book Description
Featuring poems from favourite poets such as Benjamin Zephaniah, Tony Mitton, and Jack Ousby, as well as specially-written new poems, this is a collection of rap poems selected by the best selling anthologist John Foster.
Ready, Steady, Rap
Author: John Foster
Publisher:
ISBN: 9780192762801
Category : Juvenile Nonfiction
Languages : en
Pages : 68
Book Description
Featuring poems from favourite poets such as Benjamin Zephaniah, Tony Mitton, and Jack Ousby, as well as specially-written new poems, this is a collection of rap poems selected by the best selling anthologist John Foster.
Publisher:
ISBN: 9780192762801
Category : Juvenile Nonfiction
Languages : en
Pages : 68
Book Description
Featuring poems from favourite poets such as Benjamin Zephaniah, Tony Mitton, and Jack Ousby, as well as specially-written new poems, this is a collection of rap poems selected by the best selling anthologist John Foster.
Watch Out, There's a Ghost About!
Author: John Foster
Publisher:
ISBN: 9780192762788
Category : Juvenile Nonfiction
Languages : en
Pages : 68
Book Description
Featuring poems from favourite poets such as Kit Wright, Jack Pretutsky, and Adrian Henri, as well as specially-written poems, this a collection of creepy poems selected by the best-selling anthologist John Foster.John Foster is the most renowned children's poetry anthologist in the UK, he lives in Oxford and is well-known for his performances.
Publisher:
ISBN: 9780192762788
Category : Juvenile Nonfiction
Languages : en
Pages : 68
Book Description
Featuring poems from favourite poets such as Kit Wright, Jack Pretutsky, and Adrian Henri, as well as specially-written poems, this a collection of creepy poems selected by the best-selling anthologist John Foster.John Foster is the most renowned children's poetry anthologist in the UK, he lives in Oxford and is well-known for his performances.
Rock & Pop on British TV
Author: Jeff Evans
Publisher: Omnibus Press
ISBN: 1783237775
Category : Performing Arts
Languages : en
Pages : 360
Book Description
When rock 'n' roll arrived, all Britain had were two black and white TV channels, the BBC and the slightly racier ITV. In just over a decade after the first dedicated music programme, Cool For Cats, aired in 1956, cheap black and white studio-bound miming would give way to epic prog-rock live performances as programme controllers' were forced to accept the rise of the counter culture. Eventually, mammoth rock festivals would be enjoyed on multi-channel high-definition TV, delivering more coverage than any one person attending the actual event could ever experience. In Rock & Pop on British TV, Jeff Evans tells the whole story of how this entertainment medium morphed and grew as technology advanced and cultures changed. In a world where music is available on demand, 24/7, the story of Rock & Pop On British TV takes you back to your youth - whenever that was - and the days when pop on TV was an eagerly anticipated, greedily consumed and thrilling part of growing up in Britain. This Omnibus Enhanced digital edition includes a Digital Timeline of the notable programmes discussed within the book and the #1 hits of the day, illustrated with videos and images.
Publisher: Omnibus Press
ISBN: 1783237775
Category : Performing Arts
Languages : en
Pages : 360
Book Description
When rock 'n' roll arrived, all Britain had were two black and white TV channels, the BBC and the slightly racier ITV. In just over a decade after the first dedicated music programme, Cool For Cats, aired in 1956, cheap black and white studio-bound miming would give way to epic prog-rock live performances as programme controllers' were forced to accept the rise of the counter culture. Eventually, mammoth rock festivals would be enjoyed on multi-channel high-definition TV, delivering more coverage than any one person attending the actual event could ever experience. In Rock & Pop on British TV, Jeff Evans tells the whole story of how this entertainment medium morphed and grew as technology advanced and cultures changed. In a world where music is available on demand, 24/7, the story of Rock & Pop On British TV takes you back to your youth - whenever that was - and the days when pop on TV was an eagerly anticipated, greedily consumed and thrilling part of growing up in Britain. This Omnibus Enhanced digital edition includes a Digital Timeline of the notable programmes discussed within the book and the #1 hits of the day, illustrated with videos and images.
When Music Migrates
Author: Jon Stratton
Publisher: Routledge
ISBN: 1134762887
Category : Music
Languages : en
Pages : 232
Book Description
When Music Migrates uses rich material to examine the ways that music has crossed racial faultlines that have developed in the post-Second World War era as a consequence of the movement of previously colonized peoples to the countries that colonized them. This development, which can be thought of in terms of diaspora, can also be thought of as postmodern in that it reverses the modern flow which took colonizers, and sometimes settlers, from European countries to other places in the world. Stratton explores the concept of ’song careers’, referring to how a song is picked up and then transformed by being revisioned by different artists and in different cultural contexts. The idea of the song career extends the descriptive term ’cover’ in order to examine the transformations a song undergoes from artist to artist and cultural context to cultural context. Stratton focuses on the British faultline between the post-war African-Caribbean settlers and the white Britons. Central to the book is the question of identity. For example, how African-Caribbean people have constructed their identity in Britain can be considered through an examination of when ’Police on My Back’ was written and how it has been revisioned by Lethal Bizzle in its most recent iteration. At the same time, this song, written by the Guyanese migrant Eddy Grant for his mixed-race group The Equals, crossed the racial faultline when it was picked up by the punk-rock group, The Clash. Conversely, ’Johnny Reggae’, originally a pop-ska track written about a skinhead by Jonathan King and performed by a group of studio artists whom King named The Piglets, was revisioned by a Jamaican studio group called The Roosevelt Singers. After this, the character of Johnny Reggae takes on a life of his own and appears in tracks by Jamaican toasters as a Rastafarian. Johnny’s identity is, then, totally transformed. It is this migration of music that will appeal not only to those studying popular music, but
Publisher: Routledge
ISBN: 1134762887
Category : Music
Languages : en
Pages : 232
Book Description
When Music Migrates uses rich material to examine the ways that music has crossed racial faultlines that have developed in the post-Second World War era as a consequence of the movement of previously colonized peoples to the countries that colonized them. This development, which can be thought of in terms of diaspora, can also be thought of as postmodern in that it reverses the modern flow which took colonizers, and sometimes settlers, from European countries to other places in the world. Stratton explores the concept of ’song careers’, referring to how a song is picked up and then transformed by being revisioned by different artists and in different cultural contexts. The idea of the song career extends the descriptive term ’cover’ in order to examine the transformations a song undergoes from artist to artist and cultural context to cultural context. Stratton focuses on the British faultline between the post-war African-Caribbean settlers and the white Britons. Central to the book is the question of identity. For example, how African-Caribbean people have constructed their identity in Britain can be considered through an examination of when ’Police on My Back’ was written and how it has been revisioned by Lethal Bizzle in its most recent iteration. At the same time, this song, written by the Guyanese migrant Eddy Grant for his mixed-race group The Equals, crossed the racial faultline when it was picked up by the punk-rock group, The Clash. Conversely, ’Johnny Reggae’, originally a pop-ska track written about a skinhead by Jonathan King and performed by a group of studio artists whom King named The Piglets, was revisioned by a Jamaican studio group called The Roosevelt Singers. After this, the character of Johnny Reggae takes on a life of his own and appears in tracks by Jamaican toasters as a Rastafarian. Johnny’s identity is, then, totally transformed. It is this migration of music that will appeal not only to those studying popular music, but
On this Day in Black Music History
Author: Jay Warner
Publisher: Hal Leonard Corporation
ISBN: 9780634099267
Category : Music
Languages : en
Pages : 388
Book Description
From rhythm and blues to hip-hop and jazz, this chronicle covers more than 60years of black music history and events with facts about hundreds of artists, from Count Basie to Queen Latifah.
Publisher: Hal Leonard Corporation
ISBN: 9780634099267
Category : Music
Languages : en
Pages : 388
Book Description
From rhythm and blues to hip-hop and jazz, this chronicle covers more than 60years of black music history and events with facts about hundreds of artists, from Count Basie to Queen Latifah.
The SAGE Handbook of Popular Music
Author: Andy Bennett
Publisher: SAGE
ISBN: 1473910994
Category : Social Science
Languages : en
Pages : 665
Book Description
"The SAGE Handbook of Popular Music is a comprehensive, smartly-conceived volume that can take its place as the new standard reference in popular music. The editors have shown great care in covering classic debates while moving the field into new, exciting areas of scholarship. International in its focus and pleasantly wide-ranging across historical periods, the Handbook is accessible to students but full of material of interest to those teaching and researching in the field." - Will Straw, McGill University "Celebrating the maturation of popular music studies and recognizing the immense changes that have recently taken place in the conditions of popular music production, The SAGE Handbook of Popular Music features contributions from many of the leading scholars in the field. Every chapter is well defined and to the point, with bibliographies that capture the history of the field. Authoritative, expertly organized and absolutely up-to-date, this collection will instantly become the backbone of teaching and research across the Anglophone world and is certain to be cited for years to come." - Barry Shank, author of ′The Political Force of Musical Beauty′ (2014) The SAGE Handbook of Popular Music provides a highly comprehensive and accessible summary of the key aspects of popular music studies. The text is divided into 9 sections: Theory and Method The Business of Popular Music Popular Music History The Global and the Local The Star System Body and Identity Media Technology Digital Economies Each section has been chosen to reflect both established aspects of popular music studies as well as more recently emerging sub-fields. The handbook constitutes a timely and important contribution to popular music studies during a significant period of theoretical and empirical growth and innovation in the field. This is a benchmark work which will be essential reading for educators and students in popular music studies, musicology, cultural studies, media studies and cultural sociology.
Publisher: SAGE
ISBN: 1473910994
Category : Social Science
Languages : en
Pages : 665
Book Description
"The SAGE Handbook of Popular Music is a comprehensive, smartly-conceived volume that can take its place as the new standard reference in popular music. The editors have shown great care in covering classic debates while moving the field into new, exciting areas of scholarship. International in its focus and pleasantly wide-ranging across historical periods, the Handbook is accessible to students but full of material of interest to those teaching and researching in the field." - Will Straw, McGill University "Celebrating the maturation of popular music studies and recognizing the immense changes that have recently taken place in the conditions of popular music production, The SAGE Handbook of Popular Music features contributions from many of the leading scholars in the field. Every chapter is well defined and to the point, with bibliographies that capture the history of the field. Authoritative, expertly organized and absolutely up-to-date, this collection will instantly become the backbone of teaching and research across the Anglophone world and is certain to be cited for years to come." - Barry Shank, author of ′The Political Force of Musical Beauty′ (2014) The SAGE Handbook of Popular Music provides a highly comprehensive and accessible summary of the key aspects of popular music studies. The text is divided into 9 sections: Theory and Method The Business of Popular Music Popular Music History The Global and the Local The Star System Body and Identity Media Technology Digital Economies Each section has been chosen to reflect both established aspects of popular music studies as well as more recently emerging sub-fields. The handbook constitutes a timely and important contribution to popular music studies during a significant period of theoretical and empirical growth and innovation in the field. This is a benchmark work which will be essential reading for educators and students in popular music studies, musicology, cultural studies, media studies and cultural sociology.
Ready, Set, I Do!
Author: Cindy Kirk
Publisher: Harlequin
ISBN: 1460334876
Category : Fiction
Languages : en
Pages : 152
Book Description
MEET THE NEIGHBORS: WINN FERRIS: Land developer. Lives to work. When he's not making deals, he's dreaming about them. HAILEY RANDALL: Out-of-work speech therapist. Homebody. Can't wait to have a family of her own. GAME CHANGER: The eight-year-old son Winn never knew he had! NEW CHALLENGE: Winn needs help taking care of his little boy—and Hailey steps up. Is she falling for the father and the son? NEW OPPORTUNITY?: Winn has known Hailey for years, but is he suddenly starting to have feelings for the girl next door?
Publisher: Harlequin
ISBN: 1460334876
Category : Fiction
Languages : en
Pages : 152
Book Description
MEET THE NEIGHBORS: WINN FERRIS: Land developer. Lives to work. When he's not making deals, he's dreaming about them. HAILEY RANDALL: Out-of-work speech therapist. Homebody. Can't wait to have a family of her own. GAME CHANGER: The eight-year-old son Winn never knew he had! NEW CHALLENGE: Winn needs help taking care of his little boy—and Hailey steps up. Is she falling for the father and the son? NEW OPPORTUNITY?: Winn has known Hailey for years, but is he suddenly starting to have feelings for the girl next door?
Monopoly Television
Author: Jack Banks
Publisher: Routledge
ISBN: 0429978472
Category : Social Science
Languages : en
Pages : 300
Book Description
In this book, Jack Banks examines the historical development of music video as a commodity and analyzes the existing structures within which music video is produced, distributed, and exhibited on its premier music channel, MTV. }In August 1981, Music Televisionnow popularly known as MTVwas launched. Within a matter of years it revitalized a struggling record industry; made the careers of leading pop stars like Madonna, Boy George, Cyndi Lauper, and Duran Duran; infiltrated traditional network television and the movie industry; revolutionized the advertising industry; and stimulated purchases in several markets, most notably fashion apparel. The reach of MTV has proven long and profitable. In this book, Jack Banks examines the historical development of music video as a commodity and analyzes the existing structures within which music video is produced, distributed, and exhibited on its premier music channel, MTV. Who controls MTV? What part do record companies play in the financing and production of music video? How do the power brokers in the business affect the ideological content of music video? Given the tight sphere of influence within the music industry, what are the future trends for music video and for artistic freedom of expression? Banks tackles these questions in an intelligent, lively, and sophisticated investigation into one of the most influential media enterprises of our society. }
Publisher: Routledge
ISBN: 0429978472
Category : Social Science
Languages : en
Pages : 300
Book Description
In this book, Jack Banks examines the historical development of music video as a commodity and analyzes the existing structures within which music video is produced, distributed, and exhibited on its premier music channel, MTV. }In August 1981, Music Televisionnow popularly known as MTVwas launched. Within a matter of years it revitalized a struggling record industry; made the careers of leading pop stars like Madonna, Boy George, Cyndi Lauper, and Duran Duran; infiltrated traditional network television and the movie industry; revolutionized the advertising industry; and stimulated purchases in several markets, most notably fashion apparel. The reach of MTV has proven long and profitable. In this book, Jack Banks examines the historical development of music video as a commodity and analyzes the existing structures within which music video is produced, distributed, and exhibited on its premier music channel, MTV. Who controls MTV? What part do record companies play in the financing and production of music video? How do the power brokers in the business affect the ideological content of music video? Given the tight sphere of influence within the music industry, what are the future trends for music video and for artistic freedom of expression? Banks tackles these questions in an intelligent, lively, and sophisticated investigation into one of the most influential media enterprises of our society. }
The Beach Boys
Author:
Publisher: PediaPress
ISBN:
Category :
Languages : en
Pages : 955
Book Description
Publisher: PediaPress
ISBN:
Category :
Languages : en
Pages : 955
Book Description
Yeah! Yeah! Yeah!: The Story of Pop Music from Bill Haley to Beyoncé
Author: Bob Stanley
Publisher: W. W. Norton & Company
ISBN: 0393242706
Category : Music
Languages : en
Pages : 547
Book Description
"[Stanley is] as clear-eyed about music as he is crazy in love with it." —Mikael Wood, Los Angeles Times A monumental work of musical history, Yeah! Yeah! Yeah! traces the story of pop music through songs, bands, musical scenes, and styles from Bill Haley and the Comets’ “Rock around the Clock” (1954) to Beyoncé’s first megahit, “Crazy in Love” (2003). Bob Stanley—himself a musician, music critic, and fan—teases out the connections and tensions that animated the pop charts for decades, and ranges across the birth of rock, soul, R&B, punk, hip hop, indie, house, techno, and more. Yeah! Yeah! Yeah! is a vital guide to the rich soundtrack of the second half of the twentieth century and a book as much fun to argue with as to quote.
Publisher: W. W. Norton & Company
ISBN: 0393242706
Category : Music
Languages : en
Pages : 547
Book Description
"[Stanley is] as clear-eyed about music as he is crazy in love with it." —Mikael Wood, Los Angeles Times A monumental work of musical history, Yeah! Yeah! Yeah! traces the story of pop music through songs, bands, musical scenes, and styles from Bill Haley and the Comets’ “Rock around the Clock” (1954) to Beyoncé’s first megahit, “Crazy in Love” (2003). Bob Stanley—himself a musician, music critic, and fan—teases out the connections and tensions that animated the pop charts for decades, and ranges across the birth of rock, soul, R&B, punk, hip hop, indie, house, techno, and more. Yeah! Yeah! Yeah! is a vital guide to the rich soundtrack of the second half of the twentieth century and a book as much fun to argue with as to quote.