British Television Drama PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download British Television Drama PDF full book. Access full book title British Television Drama by J. Bignell. Download full books in PDF and EPUB format.
Author: J. Bignell
Publisher: Springer
ISBN: 1137327588
Category : Social Science
Languages : en
Pages : 261
Get Book Here
Book Description
Featuring leading scholars of British television drama and noted writers and producers from the television industry, this new edition of British Television Drama evaluates past and present TV fiction since the 1960s, and considers its likely future.
Author: Jacqueline S. Bratton
Publisher: Cambridge University Press
ISBN: 9780521794633
Category : Drama
Languages : en
Pages : 248
Get Book Here
Book Description
Table of contents
Author: J. Bignell
Publisher: Springer
ISBN: 1137327588
Category : Social Science
Languages : en
Pages : 261
Get Book Here
Book Description
Featuring leading scholars of British television drama and noted writers and producers from the television industry, this new edition of British Television Drama evaluates past and present TV fiction since the 1960s, and considers its likely future.
Author: Tamara Atkin
Publisher: Routledge
ISBN: 1317079892
Category : Literary Criticism
Languages : en
Pages : 441
Get Book Here
Book Description
Reading Drama in Tudor England is about the print invention of drama as a category of text designed for readerly consumption. Arguing that plays were made legible by the printed paratexts that accompanied them, it shows that by the middle of the sixteenth century it was possible to market a play for leisure-time reading. Offering a detailed analysis of such features as title-pages, character lists, and other paratextual front matter, it suggests that even before the establishment of successful permanent playhouses, playbooks adopted recognisable conventions that not only announced their categorical status and genre but also suggested appropriate forms of use. As well as a survey of implied reading practices, this study is also about the historical owners and readers of plays. Examining the marks of use that survive in copies of early printed plays, it explores the habits of compilation and annotation that reflect the striking and often unpredictable uses to which early owners subjected their playbooks.
Author: Jan Kott
Publisher: Northwestern University Press
ISBN: 9780810107380
Category : Drama
Languages : en
Pages : 180
Get Book Here
Book Description
The Bottom Translation represents the first critical attempt at applying the ideas and methods of the great Russian critic, Mikhail Bakhtin, to the works of Shakespeare and other Elizabethans. Professor Kott uncovers the cultural and mythopoetic traditions underlying A Midsummer Night's Dream, The Tempest, Dr. Faustus, and other plays. His method draws him to interpret these works in the light of the carnival and popular tradition as it was set forth by Bakhtin. The Bottom Translation breaks new ground in critical thinking and theatrical vision and is an invaluable source of new ideas and perspectives. Included in this volume is also an extraordinary essay on Kurosawa's "Ran" in which the Japanese filmmaker recreates King Lear.
Author: Mary Floyd-Wilson
Publisher: Cambridge University Press
ISBN: 9780521810562
Category : Drama
Languages : en
Pages : 280
Get Book Here
Book Description
Table of contents
Author: David Lane
Publisher: Edinburgh University Press
ISBN: 0748643249
Category : Literary Criticism
Languages : en
Pages : 240
Get Book Here
Book Description
This book provides a critical assessment of dramatic literature since 1995, situating texts, companies and writers in a cultural, political and social context. It examines the shifting role of the playwright, the dominant genres and emerging styles of the past decade and how they are related.Beginning with an examination of how dramatic literature and the writer are placed in the contemporary theatre, the book then provides detailed analyses of the texts, companies and writing processes involved in six different professional contexts: new writing, verbatim theatre, writing and devising, Black and Asian theatre, writing for young people and adaptation and transposition. The chapters cover contemporary practitioners, including Simon Stephens, Gregory Burke, Robin Soans, Alecky Blythe, Kneehigh Theatre, Punchdrunk, Kwame Kwei-Armah, Edward Bond, Filter Theatre and Headlong, and offers detailed case-studies and examples of their work.
Author: Mary Luckhurst
Publisher: John Wiley & Sons
ISBN: 0470751479
Category : Literary Criticism
Languages : en
Pages : 608
Get Book Here
Book Description
This wide-ranging Companion to Modern British and Irish Drama offers challenging analyses of a range of plays in their political contexts. It explores the cultural, social, economic and institutional agendas that readers need to engage with in order to appreciate modern theatre in all its complexity. An authoritative guide to modern British and Irish drama. Engages with theoretical discourses challenging a canon that has privileged London as well as white English males and realism. Topics covered include: national, regional and fringe theatres; post-colonial stages and multiculturalism; feminist and queer theatres; sex and consumerism; technology and globalisation; representations of war, terrorism, and trauma.
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 1740
Get Book Here
Book Description
Author: Allardyce Nicoll
Publisher: New York : Crowell
ISBN:
Category : English drama
Languages : en
Pages : 548
Get Book Here
Book Description
Author: Deborah Payne Fisk
Publisher: University of Georgia Press
ISBN: 0820337897
Category : Literary Criticism
Languages : en
Pages : 332
Get Book Here
Book Description
Ranging in approach from feminist to historicist, the eleven essays in this collection share the culturalist premise that the drama of late Stuart and early Georgian England helped to constitute the dominant ideology of the period. The contributors' varied approaches allow for the reconsideration of libertinism, the politics of sexual desire, and other classic issues, as well as such newer concerns as the social construction of the first English actresses, empiricism as an emergent epistemological discourse, cultural anxiety about novelty and repetition, and shifting tropes of inherent worth. By reading well-known works in unexpected ways and focusing on less frequently studied dramatists, from Sedley, Motteux, Pix, and Behn to Manley, Trotter, and Shadwell, the contributors also test the limits of the canon. In addition, they suggest that earlier critical perceptions, perhaps even more than the “innate worth” of the plays, determined the shape of the canon. These essays present a different image of Restoration and eighteenth-century theater, one that reveals how the drama was a site as important for the negotiation of cultural meaning as were novels and verse satires.
