Author: Nadira Khatun
Publisher: Oxford University Press
ISBN: 0198891059
Category : Performing Arts
Languages : en
Pages : 305
Book Description
The book joins a growing scholarship in the field of Bollywood film studies, encompassing methodological sub-groups such as discursive or narrative studies, textual analysis, audience research, and the political economy of Bollywood. It particularly focuses on the representation of Muslims in postcolonial Bollywood cinema that draws upon earlier questions and concerns about narrative style and the politics of representing Muslims. It also includes issues concerning Muslim film genres and the chronological shift in the portrayal of Muslims that is contingent upon national politics. In Bollywood cinema, Muslims have traditionally been portrayed through the lens of religion. Narratives associated with that specific religious identity have been adapted, based on the socio-political setting of the country at the time of the film's making. The study, thus, adds to scholarship on 'representation' in popular Hindi cinema.
Postcolonial Bollywood and Muslim Identity
Author: Nadira Khatun
Publisher: Oxford University Press
ISBN: 0198891059
Category : Performing Arts
Languages : en
Pages : 305
Book Description
The book joins a growing scholarship in the field of Bollywood film studies, encompassing methodological sub-groups such as discursive or narrative studies, textual analysis, audience research, and the political economy of Bollywood. It particularly focuses on the representation of Muslims in postcolonial Bollywood cinema that draws upon earlier questions and concerns about narrative style and the politics of representing Muslims. It also includes issues concerning Muslim film genres and the chronological shift in the portrayal of Muslims that is contingent upon national politics. In Bollywood cinema, Muslims have traditionally been portrayed through the lens of religion. Narratives associated with that specific religious identity have been adapted, based on the socio-political setting of the country at the time of the film's making. The study, thus, adds to scholarship on 'representation' in popular Hindi cinema.
Publisher: Oxford University Press
ISBN: 0198891059
Category : Performing Arts
Languages : en
Pages : 305
Book Description
The book joins a growing scholarship in the field of Bollywood film studies, encompassing methodological sub-groups such as discursive or narrative studies, textual analysis, audience research, and the political economy of Bollywood. It particularly focuses on the representation of Muslims in postcolonial Bollywood cinema that draws upon earlier questions and concerns about narrative style and the politics of representing Muslims. It also includes issues concerning Muslim film genres and the chronological shift in the portrayal of Muslims that is contingent upon national politics. In Bollywood cinema, Muslims have traditionally been portrayed through the lens of religion. Narratives associated with that specific religious identity have been adapted, based on the socio-political setting of the country at the time of the film's making. The study, thus, adds to scholarship on 'representation' in popular Hindi cinema.
Reading the Muslim on Celluloid
Author: Roshni Sengupta
Publisher: Primus Books
ISBN: 9789389850888
Category : Motion pictures, Hindi
Languages : en
Pages : 342
Book Description
While Bollywood continues to be part of the psyche of Indians and South Asians the world over, the cinematic representation of identities, particularly of the Muslim as a cultural category, also contains within ideas about visualities and their impact. The contribution of cinema to ideological milieus is immense. Hindi cinema-through its romantic narratives and culture of myth-making-has tended to be one of the most powerful tools of political communication and propaganda. This book aims to bring cinematic narratives under the analytical lens and contextualize the representation of the Muslim in popular Hindi cinema. It also argues in favour of a noticeable transformation in the representation of Muslims in films through the 1990s and 2000s, culminating in the emergence of a secularized portrayal which is far from unproblematic. Can one discern an attempt to construct a visual binary where the Muslims can be categorized as 'good' and 'bad'?
Publisher: Primus Books
ISBN: 9789389850888
Category : Motion pictures, Hindi
Languages : en
Pages : 342
Book Description
While Bollywood continues to be part of the psyche of Indians and South Asians the world over, the cinematic representation of identities, particularly of the Muslim as a cultural category, also contains within ideas about visualities and their impact. The contribution of cinema to ideological milieus is immense. Hindi cinema-through its romantic narratives and culture of myth-making-has tended to be one of the most powerful tools of political communication and propaganda. This book aims to bring cinematic narratives under the analytical lens and contextualize the representation of the Muslim in popular Hindi cinema. It also argues in favour of a noticeable transformation in the representation of Muslims in films through the 1990s and 2000s, culminating in the emergence of a secularized portrayal which is far from unproblematic. Can one discern an attempt to construct a visual binary where the Muslims can be categorized as 'good' and 'bad'?
Interrogating Marginalities across Disciplinary Boundaries
Author: Anna Bochkovskaya
Publisher: Taylor & Francis
ISBN: 1040270875
Category : History
Languages : en
Pages : 256
Book Description
This volume adopts an interdisciplinary approach to rethink the multiple dimensions of marginality – political, societal, economic, cultural, legal and spatial. It explores their new representations in colonial and post-colonial India. Departing from extant analyses of experiences of marginalization in diverse social groups, it proposes to problematize the conceptualization of marginality, focusing on its evolution through space and time. A relational position, marginality, it is argued, presupposes a confrontation with centrality or the ‘mainstream’ within a common discourse of knowledge and power. The volume emphasizes that the process of marginalization is not a ‘marginal’ phenomenon and draws attention to the historical processes which determine, establish and perpetuate the margins. The book reflects on varied aspects of evolving marginalities – structural, cultural and psychological – in South Asia in diverse temporal, spatial or societal contexts. It examines the discourses, institutional mechanisms and economic processes within which marginalities are located. This work will be an important read for scholars and researchers of history, anthropology, subaltern studies, exclusion studies, South Asian history, post-colonial studies, political studies, Indian history, cultural studies and history, in general.
Publisher: Taylor & Francis
ISBN: 1040270875
Category : History
Languages : en
Pages : 256
Book Description
This volume adopts an interdisciplinary approach to rethink the multiple dimensions of marginality – political, societal, economic, cultural, legal and spatial. It explores their new representations in colonial and post-colonial India. Departing from extant analyses of experiences of marginalization in diverse social groups, it proposes to problematize the conceptualization of marginality, focusing on its evolution through space and time. A relational position, marginality, it is argued, presupposes a confrontation with centrality or the ‘mainstream’ within a common discourse of knowledge and power. The volume emphasizes that the process of marginalization is not a ‘marginal’ phenomenon and draws attention to the historical processes which determine, establish and perpetuate the margins. The book reflects on varied aspects of evolving marginalities – structural, cultural and psychological – in South Asia in diverse temporal, spatial or societal contexts. It examines the discourses, institutional mechanisms and economic processes within which marginalities are located. This work will be an important read for scholars and researchers of history, anthropology, subaltern studies, exclusion studies, South Asian history, post-colonial studies, political studies, Indian history, cultural studies and history, in general.
Music, Culture and Identity in the Muslim World
Author: Kamal Salhi
Publisher: Routledge
ISBN: 1317963091
Category : Social Science
Languages : en
Pages : 349
Book Description
In contrast to many books on Islam that focus on political rhetoric and activism, this book explores Islam's extraordinarily rich cultural and artistic diversity, showing how sound, music and bodily performance offer a window onto the subtleties and humanity of Islamic religious experience. Through a wide range of case studies from West Asia, South Asia and North Africa and their diasporas - including studies of Sufi chanting in Egypt and Morocco, dance in Afghanistan, and "Muslim punk" on-line - the book demonstrates how Islam should not be conceived of as being monolithic or monocultural, how there is a large disagreement within Islam as to how music and performance should be approached, such disagreements being closely related to debates about orthodoxy, secularism, and moderate and fundamental Islam, and how important cultural activities have been, and continue to be, for the formation of Muslim identity.
Publisher: Routledge
ISBN: 1317963091
Category : Social Science
Languages : en
Pages : 349
Book Description
In contrast to many books on Islam that focus on political rhetoric and activism, this book explores Islam's extraordinarily rich cultural and artistic diversity, showing how sound, music and bodily performance offer a window onto the subtleties and humanity of Islamic religious experience. Through a wide range of case studies from West Asia, South Asia and North Africa and their diasporas - including studies of Sufi chanting in Egypt and Morocco, dance in Afghanistan, and "Muslim punk" on-line - the book demonstrates how Islam should not be conceived of as being monolithic or monocultural, how there is a large disagreement within Islam as to how music and performance should be approached, such disagreements being closely related to debates about orthodoxy, secularism, and moderate and fundamental Islam, and how important cultural activities have been, and continue to be, for the formation of Muslim identity.
Film, Media and Representation in Postcolonial South Asia
Author: Nukhbah Taj Langah
Publisher: Taylor & Francis
ISBN: 1000422577
Category : Social Science
Languages : en
Pages : 318
Book Description
This volume brings together new studies and interdisciplinary research on the changing mediascapes in South Asia. Focusing on India, Pakistan, and Bangladesh, it explores the transformations in the sphere of cinema, television, performing arts, visual cultures, cyber space and digital media, beyond the traumas of the partitions of 1947 and 1971. Through wide-ranging essays on soft power, performance, film, and television; art and visual culture; and cyber space, social media, and digital texts, the book bridges the gap in the study of the postcolonial and post-Partition developments to reimagine South Asia through a critical understanding of popular culture and media. The volume includes scholars and practitioners from the subcontinent to foster dialogue across the borders, and presents diverse and in-depth studies on film, media and representation in the region. This book will be useful to scholars and researchers of media and film studies, postcolonial studies, visual cultures, political studies, partition history, cultural studies, mass media, popular culture, history, sociology and South Asian studies, as well as to media practitioners, journalists, writers, and activists.
Publisher: Taylor & Francis
ISBN: 1000422577
Category : Social Science
Languages : en
Pages : 318
Book Description
This volume brings together new studies and interdisciplinary research on the changing mediascapes in South Asia. Focusing on India, Pakistan, and Bangladesh, it explores the transformations in the sphere of cinema, television, performing arts, visual cultures, cyber space and digital media, beyond the traumas of the partitions of 1947 and 1971. Through wide-ranging essays on soft power, performance, film, and television; art and visual culture; and cyber space, social media, and digital texts, the book bridges the gap in the study of the postcolonial and post-Partition developments to reimagine South Asia through a critical understanding of popular culture and media. The volume includes scholars and practitioners from the subcontinent to foster dialogue across the borders, and presents diverse and in-depth studies on film, media and representation in the region. This book will be useful to scholars and researchers of media and film studies, postcolonial studies, visual cultures, political studies, partition history, cultural studies, mass media, popular culture, history, sociology and South Asian studies, as well as to media practitioners, journalists, writers, and activists.
The Celluloid Madonna
Author: Catherine O'Brien
Publisher: Columbia University Press
ISBN: 0231501811
Category : Performing Arts
Languages : en
Pages : 209
Book Description
The Celluloid Madonna is the first book to analyze the life of the Virgin Mary on screen from the silent era through to the present. For decades, Mary has caught the imagination of filmmakers from a range of religious backgrounds, whether Catholic, Protestant, Muslim, Marxist, or atheist, and film's intersection of theology and secular culture has inspired some of the most singular and controversial visions of this icon in cinema history. Focusing on the challenge of adapting Scripture to the screen, this volume discusses Cecil B. DeMille's The King of Kings (1927), Pier Paolo Pasolini's The Gospel According to St. Matthew (1964), Franco Zeffirelli's Jesus of Nazareth (1977), Jean-Luc Godard's Hail Mary (1984), Jean Delannoy's Mary of Nazareth (1994), Mel Gibson's The Passion of the Christ (2004), Catherine Hardwicke's The Nativity Story (2006), and Mark Dornford-May's Son of Man (2006).
Publisher: Columbia University Press
ISBN: 0231501811
Category : Performing Arts
Languages : en
Pages : 209
Book Description
The Celluloid Madonna is the first book to analyze the life of the Virgin Mary on screen from the silent era through to the present. For decades, Mary has caught the imagination of filmmakers from a range of religious backgrounds, whether Catholic, Protestant, Muslim, Marxist, or atheist, and film's intersection of theology and secular culture has inspired some of the most singular and controversial visions of this icon in cinema history. Focusing on the challenge of adapting Scripture to the screen, this volume discusses Cecil B. DeMille's The King of Kings (1927), Pier Paolo Pasolini's The Gospel According to St. Matthew (1964), Franco Zeffirelli's Jesus of Nazareth (1977), Jean-Luc Godard's Hail Mary (1984), Jean Delannoy's Mary of Nazareth (1994), Mel Gibson's The Passion of the Christ (2004), Catherine Hardwicke's The Nativity Story (2006), and Mark Dornford-May's Son of Man (2006).
Narratives of Loss and Longing
Author: Nukhbah Taj Langah
Publisher: Taylor & Francis
ISBN: 1040270492
Category : Political Science
Languages : en
Pages : 211
Book Description
This volume brings together new research on the developing and transforming literary scape in South Asia in the aftermath of the partitions of 1947 and 1971. It thematically explores the transformations that have taken place in the literary spheres of India, Pakistan and Bangladesh, since violence and irresolvable conflicts wreaked the subcontinent, through the narratives of loss and longing. The volume deals with key themes such as feminism, minorities and marginality, vernacular history, Bengali literary representations, and post-Partition artistic and literary representations. It contributes towards fostering a network for academic exchange across the borders thereby presenting diverse and in-depth studies on a plethora of subjects within the larger framework of literary landscapes. Narratives of Loss and Longing will be of interest to scholars of literary studies, postcolonial and decolonial studies, partition studies, minority studies, refugee studies, gender and women's studies and those interested in South Asia, especially India, Pakistan and Bangladesh.
Publisher: Taylor & Francis
ISBN: 1040270492
Category : Political Science
Languages : en
Pages : 211
Book Description
This volume brings together new research on the developing and transforming literary scape in South Asia in the aftermath of the partitions of 1947 and 1971. It thematically explores the transformations that have taken place in the literary spheres of India, Pakistan and Bangladesh, since violence and irresolvable conflicts wreaked the subcontinent, through the narratives of loss and longing. The volume deals with key themes such as feminism, minorities and marginality, vernacular history, Bengali literary representations, and post-Partition artistic and literary representations. It contributes towards fostering a network for academic exchange across the borders thereby presenting diverse and in-depth studies on a plethora of subjects within the larger framework of literary landscapes. Narratives of Loss and Longing will be of interest to scholars of literary studies, postcolonial and decolonial studies, partition studies, minority studies, refugee studies, gender and women's studies and those interested in South Asia, especially India, Pakistan and Bangladesh.
Muslim Masculinities in Literature and Film
Author: Peter Cherry
Publisher: Bloomsbury Publishing
ISBN: 0755601734
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
A climate of Islamophobia allows anxieties about Muslim men living in and migrating to Britain to endure. British Muslims men are often profiled in highly negative terms or regarded with suspicion owing to their perceived religious and cultural heritage. But novels and films by British migrant and diaspora writers and filmmakers powerfully contest these stereotypes, and explore the rich diversity of Muslim masculinities in Britain. This book is the first critical study to engage with British Muslim masculinities in this literary and cinematic output from the perspective of masculinity studies. Through close analysis of work by Monica Ali, Nadeem Aslam, Guy Gunaratne, Sally El Hosaini, Hanif Kureishi, Suhayl Saadi, Kamila Shamsie, Zadie Smith, Zia Haider Rahman and Salman Rushdie, Peter Cherry examines how migrant and diaspora protagonists negotiate their masculinity in a climate of Islamophobic and anti-migrant rhetoric. Cherry proposes a transcultural reading of these novels and films that exposes how conceptions of 'Britishness', 'Muslimness' and those of masculinity are unstable and contingent constructs shaped by migration, interaction with other cultures, and global and local politics.
Publisher: Bloomsbury Publishing
ISBN: 0755601734
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
A climate of Islamophobia allows anxieties about Muslim men living in and migrating to Britain to endure. British Muslims men are often profiled in highly negative terms or regarded with suspicion owing to their perceived religious and cultural heritage. But novels and films by British migrant and diaspora writers and filmmakers powerfully contest these stereotypes, and explore the rich diversity of Muslim masculinities in Britain. This book is the first critical study to engage with British Muslim masculinities in this literary and cinematic output from the perspective of masculinity studies. Through close analysis of work by Monica Ali, Nadeem Aslam, Guy Gunaratne, Sally El Hosaini, Hanif Kureishi, Suhayl Saadi, Kamila Shamsie, Zadie Smith, Zia Haider Rahman and Salman Rushdie, Peter Cherry examines how migrant and diaspora protagonists negotiate their masculinity in a climate of Islamophobic and anti-migrant rhetoric. Cherry proposes a transcultural reading of these novels and films that exposes how conceptions of 'Britishness', 'Muslimness' and those of masculinity are unstable and contingent constructs shaped by migration, interaction with other cultures, and global and local politics.
Celluloid China
Author: Harry H. Kuoshu
Publisher: SIU Press
ISBN: 9780809324569
Category : History
Languages : en
Pages : 402
Book Description
This work is an introduction to the cinema of mainland China from the early 1930s to the early 1990s. Emphasizing both film contexts and film texts, this study covers a broad cinematic analysis that includes investigations of cultural, cross-cultural, social, ethnic and political issues.
Publisher: SIU Press
ISBN: 9780809324569
Category : History
Languages : en
Pages : 402
Book Description
This work is an introduction to the cinema of mainland China from the early 1930s to the early 1990s. Emphasizing both film contexts and film texts, this study covers a broad cinematic analysis that includes investigations of cultural, cross-cultural, social, ethnic and political issues.
Islam and the Future of Tolerance
Author: Sam Harris
Publisher: Harvard University Press
ISBN: 0674737067
Category : Religion
Languages : en
Pages : 145
Book Description
“A civil but honest dialogue...As illuminating as it is fascinating.” —Ayaan Hirsi Ali Is Islam a religion of peace or war? Is it amenable to reform? Why do so many Muslims seem to be drawn to extremism? And what do words like jihadism and fundamentalism really mean? In a world riven by misunderstanding and violence, Sam Harris—a famous atheist—and Maajid Nawaz—a former radical—demonstrate how two people with very different religious views can find common ground and invite you to join in an urgently needed conversation. “How refreshing to read an honest yet affectionate exchange between the Islamist-turned-liberal-Muslim Maajid Nawaz and the neuroscientist who advocates mindful atheism, Sam Harris...Their back-and-forth clarifies multiple confusions that plague the public conversation about Islam.” —Irshad Manji, New York Times Book Review “It is sadly uncommon, in any era, to find dialogue based on facts and reason—but even more rarely are Muslim and non-Muslim intellectuals able to maintain critical distance on broad questions about Islam. Which makes Islam and the Future of Tolerance something of a unicorn...Most conversations about religion are marked by the inability of either side to listen, but here, at last, is a proper debate.” —New Statesman
Publisher: Harvard University Press
ISBN: 0674737067
Category : Religion
Languages : en
Pages : 145
Book Description
“A civil but honest dialogue...As illuminating as it is fascinating.” —Ayaan Hirsi Ali Is Islam a religion of peace or war? Is it amenable to reform? Why do so many Muslims seem to be drawn to extremism? And what do words like jihadism and fundamentalism really mean? In a world riven by misunderstanding and violence, Sam Harris—a famous atheist—and Maajid Nawaz—a former radical—demonstrate how two people with very different religious views can find common ground and invite you to join in an urgently needed conversation. “How refreshing to read an honest yet affectionate exchange between the Islamist-turned-liberal-Muslim Maajid Nawaz and the neuroscientist who advocates mindful atheism, Sam Harris...Their back-and-forth clarifies multiple confusions that plague the public conversation about Islam.” —Irshad Manji, New York Times Book Review “It is sadly uncommon, in any era, to find dialogue based on facts and reason—but even more rarely are Muslim and non-Muslim intellectuals able to maintain critical distance on broad questions about Islam. Which makes Islam and the Future of Tolerance something of a unicorn...Most conversations about religion are marked by the inability of either side to listen, but here, at last, is a proper debate.” —New Statesman