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Author: Norris J. Lacy
Publisher: Routledge
ISBN: 1135812470
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
First published in 1993. This volume is th author's observations of his reading of Fabliaux in order to observe their materials, methods and to evaluate the effect of those methods. He looks at 150 texts in order to uncover the indivdual fabliau, rather than treat them as a whole genre.
Author: Norris J. Lacy
Publisher: Routledge
ISBN: 1135812470
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
First published in 1993. This volume is th author's observations of his reading of Fabliaux in order to observe their materials, methods and to evaluate the effect of those methods. He looks at 150 texts in order to uncover the indivdual fabliau, rather than treat them as a whole genre.
Author:
Publisher: W. W. Norton & Company
ISBN: 0871406926
Category : Poetry
Languages : en
Pages : 1017
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Book Description
Winner • Modern Language Association’s Scaglione Prize for Translation Bawdier than The Canterbury Tales, The Fabliaux is the first major English translation of the most scandalous and irreverent poetry in Western literature. Composed between the twelfth and fourteenth centuries, these virtually unknown erotic and satiric poems lie at the root of the Western comic tradition. Passed down by the anticlerical middle classes of medieval France, The Fabliaux depicts priapic priests, randy wives, and their cuckolded husbands in tales that are shocking even by today’s standards. Chaucer and Boccaccio borrowed heavily from these riotous tales, which were the wit of the common man rebelling against the aristocracy and Church in matters of food, money, and sex. Containing 69 poems with a parallel Old French text, The Fabliaux comes to life in a way that has never been done in nearly eight hundred years.
Author: Katherine A. Brown
Publisher: University Press of Florida
ISBN: 0813065615
Category : Literary Criticism
Languages : en
Pages : 211
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Book Description
"A remarkably well-informed and truly innovative study of the way Boccaccio reimagined and rewrote Old French fabliaux in his Decameron."—François Rigolot, Princeton University "Theoretically savvy, and yet jargon-free, philologically impeccable and critically acute, this is a book that shows the author’s unflinching dedication to the highest standards of scholarship."—Simone Marchesi, author of Dante and Augustine "Brown’s attention to codicological contexts coupled with persuasive new interpretations of some of the fabliaux and Decameron stories make this book a pleasure to read for medievalist veterans and novices alike."—Renate Blumenfeld-Kosinski, author of Poets, Saints, and Visionaries of the Great Schism, 1378-1417 Short works known for their humor and ribaldry, the fabliaux were comic or satirical tales told by wandering minstrels in medieval France. Although the fabliaux are widely acknowledged as inspiring Giovanni Boccaccio’s masterpiece, the Decameron, this theory has never been substantiated beyond perceived commonalities in length and theme. This new and provocative interpretation examines the formal similarities between the Decameron’s tales of wit, wisdom, and practical jokes and the popular thirteenth-century fabliaux. Katherine Brown examines these works through a prism of reversal and chiasmus to show that Boccaccio was not only inspired by the content of the fabliaux but also by their fundamental design--where a passage of truth could be read as a lie or a tale of life as a tale of death. Brown reveals close resemblances in rhetoric, literary models, and narrative structure to demonstrate how the Old French manuscripts of the fabliaux were adapted in the organization of the Decameron. Identifying specific examples of fabliaux transformed by Boccaccio for his classic Decameron, Brown shows how Boccaccio refashioned borrowed literary themes and devices, playing with endless possibilities of literary creation through manipulations of his model texts. Katherine A. Brown is a specialist of medieval French and Italian literature.
Author: Albrecht Classen
Publisher: Rowman & Littlefield
ISBN: 1498585817
Category : Literary Criticism
Languages : en
Pages : 245
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Book Description
Prostitution is known as the oldest profession in the history of humanity. While historians have already given due consideration to the profession’s social and cultural meanings across time periods, little has been written about literary representations of prostitution. Prostitution in Medieval and Early Modern Literature analyses the work of writers from an array of social positions, including courtly poets and even religious writers, dealing with the topic during the medieval and early modern periods. Its study shows that prostitutes and brothel owners were present on the literary stage far more often than we might have assumed. Utilizing an interdisciplinary approach and incorporating relevant sources from across the entire European continent dating from the early Middle Ages to the sixteenth century, it examines the phenomenon of prostitution in a variety of contexts and highlights the extent to which the institution mattered for both the higher and the lower classes.
Author: Roy Pearcy
Publisher: DS Brewer
ISBN: 9781843841227
Category : Humor
Languages : en
Pages : 278
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Book Description
A theoretically defensible inventory of the fabliaux based on a new structural definition. Joseph Bédier's 1893 definition of the fabliaux as 'funny stories in verse' is still widely accepted as the best brief and general description for a heterogeneous collection of texts. But the heterogeneity creates difficulties and at the periphery of the canon all three of the criteria included in Bédier's definition are open to question. The inventory proposed in the current study is based on a new structural definition, a conjointure, akin to that of romance, combining a logical episteme with a rhetorical narreme. The episteme features a contradictory taken from Boolean algebra, and assumes four different forms, depending on whether ambiguity resulting from the contradictory is understood by neither, by both, or by either the sender or the receiver of a message, In the first two instances, a character foreign to the episteme intervenes to resolve confusion in the narreme, or appears as the victim of the sophistical assumption of a contrary-to-fact reality; in the latter instances the sender or the receiver of the message in the episteme triumphs in the narreme. The resulting inventory, including and augmenting the texts admitted by Per Nykrog and discarding numerous stories already challenged for authenticity, is theoretically defensible to a degree not previously achieved. ROY PEARCY is anHonorary Research Fellow of the University of London.
Author: Sarah Gordon
Publisher: Purdue University Press
ISBN: 9781557534309
Category : Literary Criticism
Languages : en
Pages : 234
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Book Description
Culinary Comedy in Medieval French Literature focuses on the intersection of food and humor across several medieval narrative genres. This book is a part of the Purdue Studies in Romance Literature Series.
Author: Larissa Tracy
Publisher: Boydell & Brewer Ltd
ISBN: 1843843935
Category : Literary Criticism
Languages : en
Pages : 338
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Book Description
A new look at the way in which medieval European literature depicts torture and brutality.
Author: Lisa Renée Perfetti
Publisher: University of Michigan Press
ISBN: 9780472113217
Category : Comedy
Languages : en
Pages : 308
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Book Description
Portrays a range of medieval heroines to ascertain how humor might have been used and enjoyed by medieval women
Author:
Publisher:
ISBN: 9781889818207
Category : Fabliaux
Languages : en
Pages : 0
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Book Description
Author: Reinhold F. Glei
Publisher: Rowman & Littlefield
ISBN: 1538157918
Category : Literary Criticism
Languages : en
Pages : 150
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Book Description
Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy. Volume 47 showcases a variety of transnational and translingual perspectives, analyzing the works of humanist authors from across Europe, and how language can affect the interpretation of the literature. It expands beyond the Eurocentric appraisal of medieval works and takes into consideration a broader response.
