Readers and Their Fictions in the Novels and Novellas of Gottfried Keller PDF Download
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Author: Gail Kathleen Hart
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 168
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Book Description
This study seeks to alter our understanding of Keller's realism by problematizing the act of reading within fiction. The story of reading in Keller's fiction is a self-conscious meditation on the schism between life and its literary representation--and it emphasizes the incapacity of that representation to actually and substantially influence the life it is based on. This has consequences for the didactic writer. The act of reading here generally involves a collision between fiction and its other and a move (or tragic failure to move) toward an acceptance and affirmation of the non-correspondence between life and literature, a process that renders moral didacticism a quixotic project. This position runs counter to the prevailing view of Keller as a consciously didactic author who tried to create a credible copy of reality in order to revise and repair the real world by inspiring readers to make the depicted improvements in their nonfictional universe.
Author: Gail Kathleen Hart
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 168
Get Book Here
Book Description
This study seeks to alter our understanding of Keller's realism by problematizing the act of reading within fiction. The story of reading in Keller's fiction is a self-conscious meditation on the schism between life and its literary representation--and it emphasizes the incapacity of that representation to actually and substantially influence the life it is based on. This has consequences for the didactic writer. The act of reading here generally involves a collision between fiction and its other and a move (or tragic failure to move) toward an acceptance and affirmation of the non-correspondence between life and literature, a process that renders moral didacticism a quixotic project. This position runs counter to the prevailing view of Keller as a consciously didactic author who tried to create a credible copy of reality in order to revise and repair the real world by inspiring readers to make the depicted improvements in their nonfictional universe.
Author: Richard R. Ruppel
Publisher: Camden House
ISBN: 9781571130556
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
Survey of the criticism devoted to Gottfried Keller, the important nineteenth-century writer in German. The works of Gottfried Keller (1819-1890) rank alongside those of Goethe and Thomas Mann, yet this volume is the first in any language to examine the critical assessment and scholarly expertise devoted to him, ranging from the early stages of journalistic criticism to the present day. Professor Ruppel begins by exploring the literary industry in the nineteenth century, the literary market place, the tastes of the reading public, and the expectations of editors, before going on to survey representative journalistic assessments of Keller's writing, including critical correspondence from Keller's contemporaries. Subsequent chapters examine in chronological order the most important milestones in Keller scholarship, particularly twentieth-century criticism and the Anglo-American tradition. There is also a brief history of the translations of Keller's works into English, investigating some of the difficulties confronting English translators of Keller's poetically creative German. The study concludes with an overview of recent scholarly assessments covering the past twenty-five years.
Author: Matthias Konzett
Publisher: Routledge
ISBN: 1135941297
Category : Literary Criticism
Languages : en
Pages : 3105
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Book Description
Designed to provide English readers of German literature the opportunity to familiarize themselves with both the established canon and newly emerging literatures that reflect the concerns of women and ethnic minorities, the Encyclopedia of German Literature includes more than 500 entries on writers, individual work, and topics essential to an understanding of this rich literary tradition. Drawing on the expertise of an international group of experts, the essays in the encyclopedia reflect developments of the latest scholarship in German literature, culture, and history and society. In addition to the essays, author entries include biographies and works lists; and works entries provide information about first editions, selected critical editions, and English-language translations. All entries conclude with a list of further readings.
Author: Peter Hutchinson
Publisher: Peter Lang
ISBN: 9783039109272
Category : Literary Criticism
Languages : en
Pages : 244
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Book Description
There is a large pool of German novelists in whose oeuvre we may look for works of landmark significance, and at certain periods of its history German fiction is particularly rich. Yet although the novel begins to assert itself in the seventeenth century, we have to wait until the late eighteenth, and Goethe's first major prose work, Werther, to see it truly rise to the level of other genres. The thirteen novels featured in this collection have all proved milestones in the development of the form, and there is heavy prominence given to works by Goethe himself and by Thomas Mann. Through these, as well as those by such figures as Kafka, Hesse, and Günter Grass, we can trace the development of the novel to its far more 'self-conscious' form, ranging through the social studies of the nineteenth to works which treat a variety of intellectual, psychological and philosophical issues in the twentieth. A second volume will cover landmarks published between 1959 and the present day. These essays, all by specialists in the relevant field, were originally delivered as lectures in the University of Cambridge.
Author: Andrea Meyertholen
Publisher: Boydell & Brewer
ISBN: 1640141049
Category : Art, Abstract, in literature
Languages : en
Pages : 311
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Book Description
An alternative genealogy of abstract art, featuring the crucial role of 19th-century German literature in shaping it aesthetically, culturally, and socially.
Author: Samuel Frederick
Publisher: Cornell University Press
ISBN: 1501761579
Category : Literary Criticism
Languages : en
Pages : 185
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Book Description
Collecting is usually understood as an activity that bestows permanence, unity, and meaning on otherwise scattered and ephemeral objects. In The Redemption of Things, Samuel Frederick emphasizes that to collect things, however, always entails displacing, immobilizing, and potentially disfiguring them, too. He argues that the dispersal of objects, seemingly antithetical to the collector's task, is essential to the logic of gathering and preservation. Through analyses of collecting as a dialectical process of preservation and loss, The Redemption of Things illustrates this paradox by focusing on objects that challenge notions of collectability: ephemera, detritus, and trivialities such as moss, junk, paper scraps, dust, scent, and the transitory moment. In meticulous close readings of works by Gotthelf, Stifter, Keller, Rilke, Glauser, and Frisch, and by examining an experimental film by Oskar Fischinger, Frederick reveals how the difficulties posed by these fleeting, fragile, and forsaken objects help to reconceptualize collecting as a poetic activity that makes the world of scattered things uniquely palpable and knowable.
Author: Helen Watanabe-O'Kelly
Publisher: Cambridge University Press
ISBN: 9780521785730
Category : Literary Criticism
Languages : en
Pages : 632
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Book Description
This is the first book to describe German literary history up to the unification of Germany in 1990. It takes a fresh look at the main authors and movements, and also asks what Germans in a given period were actually reading and writing, what they would have seen at the local theatre or found in the local lending library; it includes, for example, discussions of literature in Latin as well as in German, eighteenth-century letters and popular novels, Nazi literature and radio plays, and modern Swiss and Austrian literature. A new prominence is given to writing by women. Contributors, all leading scholars in their field, have re-examined standard judgements in writing a history for our own times. The book is designed for the general reader as well as the advanced student: titles and quotations are translated, and there is a comprehensive bibliography.
Author: Alexander Mathas
Publisher: Bucknell University Press
ISBN: 1611480337
Category : Literary Criticism
Languages : en
Pages : 233
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Book Description
While there are countless philosophical and psychological studies that focus on sources of the self, narcissism has found relatively little attention in a pre-Freudian context. The Self as Muse fills this gap by examining various aspects of narcissism and their significance for the outpouring of creativity in late eighteenth and nineteenth-century German literature. In many Eighteenth-century works of the period narcissism refers to the creation of an idealized image of the self and the desire to merge with this image. It provided an impetus for poetic production as writers resorted to the Greek myth of Narcissus to express what they perceived as the inner workings of their soul. Yet they were also acutely aware of the vain, and therefore narcissistic, motivations for their explorations of the self. While those influenced by the Pietist tradition attempted to distinguish between an 'unselfish' self-scrutiny and self-indulging vanity, others like Goethe took advantage of narcissism's creative potential and integrated it into their aesthetic endeavors. The abundance of confessional and autobiographical accounts, the burgeoning of poetry drawing on personal experience, the emergence of a type of drama that is based on empathy, and the concern with an individual's ability to control one's senses and emotions in general testify to an unprecedented interest in notions of the self in German literature. MathSs explains the emergence of narcissism in the literature of the period as a sense-inspired concept that aims to bring about a better comprehension of both the self and other human beings, and how writers used narcissism to improve the moral behavior of their readers. It examines eighteenth-century representations of narcissism against the background of Freudian and post-Freudian notions of the concept, and explores narcissism as a creative process that engages both reader and writer in the production of meaning. By showing narcissism's pervasive allure for a broad array of literary productions, MathSs shows that narcissism is a constitutive force not only in literary production but also in the construction of modern subjectivity. Yet this construction is by no means complete and invites the reader to strive toward the illusive image of an ideal.
Author: William Collins Donahue
Publisher: Univ of North Carolina Press
ISBN: 0807875228
Category : Literary Criticism
Languages : en
Pages : 302
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Book Description
Nobel laureate Elias Canetti wrote his novel Auto-da-Fe (Die Blendung) when he and the twentieth century were still quite young. Rooted in the cultural crises of the Weimar period, Auto-da-Fe first received critical acclaim abroad--in England, France, and the United States--where it continues to fascinate readers of subsequent generations. The End of Modernism places this work in its cultural and philosophical contexts, situating the novel not only in relation to Canetti's considerable body of social thought, but also within larger debates on Freud and Freudianism, misogyny and modernism's "fragmented subject," anti-Semitism and the failure of humanism, contemporary philosophy and philosophical fads, and traditionalist notions of literature and escapist conceptions of history. The End of Modernism portrays Auto-da-Fe as an exemplum of "analytic modernism," and in this sense a crucial endpoint in the progression of postwar conceptions of literary modernism.
Author: Arne Koch
Publisher: Peter Lang
ISBN: 9783039109395
Category : History
Languages : en
Pages : 278
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Book Description
Despite its popularity during the nineteenth century, regional literature has often been overlooked with regard to its role in the development of German national consciousness. By exploring various illustrations of geographic-historical landscapes in texts written before the 1848 revolutions and after the 1871 unification, this book investigates the vital polyphony generated by unique regional voices throughout the age of nationalism. Close readings of texts by Berthold Auerbach, Theodor Storm, Wilhelm Raabe, Fritz Reuter, Theodor Fontane, Gottfried Keller, and Marie von Ebner-Eschenbach examine recognizable and unfamiliar regions. Although this study concentrates on provincial writings, literary regionalism's fictionality and simultaneous referentiality raise broader questions for the programmatic aesthetics of Poetic Realism and for inquiries into identity formation.
