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Author: Mr. Z
Publisher: Xlibris Corporation
ISBN: 1479712361
Category : Humor
Languages : en
Pages : 73
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Book Description
Rap-Notes: Shakespeare’s Greatest Hits Volume 1 is a short summary of five of the greatest plays ever written (at least according to my favorite high school English teacher): Hamlet, Macbeth, King Lear, Romeo and Juliet, and Midsummer Night’s Dream. But these are highly unusual summaries—they’re raps. They all rhyme, and they’re meant to be read with a funky beat. Some people like downloading the MP3s of the raps so they can read and rap along. And some people just want to make up their own beats in their head without help. Either way, this book is a great introduction to anyone who’s ever been a teensy, little bit scared around Shakespeare’s language. I hope this book will let you get to the heart of these classic stories and into the minds and hearts of their characters. And I hope you learn to love the Bard as much as I do and see that Shakespeare wasn’t just a mega-genius—he was cool!
Author: Mr. Z
Publisher: Xlibris Corporation
ISBN: 1479712361
Category : Humor
Languages : en
Pages : 73
Get Book Here
Book Description
Rap-Notes: Shakespeare’s Greatest Hits Volume 1 is a short summary of five of the greatest plays ever written (at least according to my favorite high school English teacher): Hamlet, Macbeth, King Lear, Romeo and Juliet, and Midsummer Night’s Dream. But these are highly unusual summaries—they’re raps. They all rhyme, and they’re meant to be read with a funky beat. Some people like downloading the MP3s of the raps so they can read and rap along. And some people just want to make up their own beats in their head without help. Either way, this book is a great introduction to anyone who’s ever been a teensy, little bit scared around Shakespeare’s language. I hope this book will let you get to the heart of these classic stories and into the minds and hearts of their characters. And I hope you learn to love the Bard as much as I do and see that Shakespeare wasn’t just a mega-genius—he was cool!
Author: Daniel Levin Becker
Publisher:
ISBN: 9780872868762
Category : Music
Languages : en
Pages :
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Book Description
A love letter to the verbal artistry of hip-hop, What's Good is a work of passionate lyrical analysis.
Author: Sacha Jenkins
Publisher: St. Martin's Griffin
ISBN: 1466866977
Category : Music
Languages : en
Pages : 355
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Book Description
Ego Trip's Book of Rap Lists is more popular than racism! Hip hop is huge, and it's time someone wrote it all down. And got it all right. With over 25 aggregate years of interviews, and virtually every hip hop single, remix and album ever recorded at their disposal, the highly respected Ego Trip staff are the ones to do it. The Book of Rap Lists runs the gamut of hip hop information. This is an exhaustive, indispensable and completely irreverent bible of true hip hip knowledge.
Author: Paul Edwards
Publisher: Chicago Review Press
ISBN: 1569763771
Category : Music
Languages : en
Pages : 353
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Book Description
"A complete guide to the art and craft of the MC, anyone who's serious about becoming a rapper should read this first."--Hip Hop Connection magazine "A clever breakdown of the art form of hip-hop rhymes ... It's about time someone actually recognized this powerful music for its artistic integrity." -Speech, Arrested Development Examining the dynamics of hip-hop from every region and in every form-mainstream and underground, current and classic-this compelling how-to discusses everything from content and flow to rhythm and delivery. Compiled from the most extensive research on rapping to date, this first-of-its-kind guide delivers countless candid and exclusive insights from more than 100 of the most critically acclaimed artists in hip-hop-including Clipse, Cypress Hill, Nelly, Public Enemy, Remy Ma, Schoolly D, A Tribe Called Quest, and will.i.am-revealing the stories behind their art and preserving the genre's history through the words of the legends themselves. Beginners and pros alike will benefit from the wealth of rapping lore and insight in this remarkable collection."--
Author: Brian Coleman
Publisher: Villard
ISBN: 030749442X
Category : Music
Languages : en
Pages : 530
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Book Description
A Tribe Called Quest • Beastie Boys • De La Soul • Eric B. & Rakim • The Fugees • KRS-One • Pete Rock & CL Smooth • Public Enemy • The Roots • Run-DMC • Wu-Tang Clan • and twenty-five more hip-hop immortals It’s a sad fact: hip-hop album liners have always been reduced to a list of producer and sample credits, a publicity photo or two, and some hastily composed shout-outs. That’s a damn shame, because few outside the game know about the true creative forces behind influential masterpieces like PE’s It Takes a Nation of Millions. . ., De La’s 3 Feet High and Rising, and Wu-Tang’s Enter the Wu-Tang (36 Chambers). A longtime scribe for the hip-hop nation, Brian Coleman fills this void, and delivers a thrilling, knockout oral history of the albums that define this dynamic and iconoclastic art form. The format: One chapter, one artist, one album, blow-by-blow and track-by-track, delivered straight from the original sources. Performers, producers, DJs, and b-boys–including Big Daddy Kane, Muggs and B-Real, Biz Markie, RZA, Ice-T, and Wyclef–step to the mic to talk about the influences, environment, equipment, samples, beats, beefs, and surprises that went into making each classic record. Studio craft and street smarts, sonic inspiration and skate ramps, triumph, tragedy, and take-out food–all played their part in creating these essential albums of the hip-hop canon. Insightful, raucous, and addictive, Check the Technique transports you back to hip-hop’s golden age with the greatest artists of the ’80s and ’90s. This is the book that belongs on the stacks next to your wax. “Brian Coleman’s writing is a lot like the albums he covers: direct, uproarious, and more than six-fifths genius.” –Jeff Chang, author of Can’t Stop Won’t Stop “All producers and hip-hop fans must read this book. It really shows how these albums were made and touches the music fiend in everyone.” –DJ Evil Dee of Black Moon and Da Beatminerz “A rarity in mainstream publishing: a truly essential rap history.” –Ronin Ro, author of Have Gun Will Travel
Author: Martin E. Connor
Publisher: McFarland
ISBN: 1476630437
Category : Music
Languages : en
Pages : 228
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Book Description
For years Rap artists have met with mixed reception--acclaimed by fans yet largely overlooked by scholars. Focusing on 135 tracks from 56 artists, this survey appraises the artistry of the genre with updates to the traditional methods and measures of musicology. Rap synthesizes rhythmic vocals with complex beats, intonational systems, song structures, orchestration and instrumentalism. The author advances a rethinking of musical notation and challenges the conventional understanding of Rap through analysis of such artists as Eminem, Kanye West and Jean Grae.
Author: Martin E. Connor
Publisher: McFarland
ISBN: 0786498986
Category : Music
Languages : en
Pages : 228
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Book Description
For years Rap artists have met with mixed reception--acclaimed by fans yet largely overlooked by scholars. Focusing on 135 tracks from 56 artists, this survey appraises the artistry of the genre with updates to the traditional methods and measures of musicology. Rap synthesizes rhythmic vocals with complex beats, intonational systems, song structures, orchestration and instrumentalism. The author advances a rethinking of musical notation and challenges the conventional understanding of Rap through analysis of such artists as Eminem, Kanye West and Jean Grae.
Author: Hanif Abdurraqib
Publisher: University of Texas Press
ISBN: 1477318445
Category : Music
Languages : en
Pages : 216
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Book Description
A New York Times Best Seller 2019 National Book Award Longlist, Nonfiction 2019 Kirkus Book Prize Finalist, Nonfiction A February IndieNext Pick Named A Most Anticipated Book of 2019 by Buzzfeed, Nylon, The A. V. Club, CBC Books, and The Rumpus, and a Winter's Most Anticipated Book by Vanity Fair and The Week Starred Reviews: Kirkus and Booklist "Warm, immediate and intensely personal."—New York Times How does one pay homage to A Tribe Called Quest? The seminal rap group brought jazz into the genre, resurrecting timeless rhythms to create masterpieces such as The Low End Theory and Midnight Marauders. Seventeen years after their last album, they resurrected themselves with an intense, socially conscious record, We Got It from Here . . . Thank You 4 Your Service, which arrived when fans needed it most, in the aftermath of the 2016 election. Poet and essayist Hanif Abdurraqib digs into the group’s history and draws from his own experience to reflect on how its distinctive sound resonated among fans like himself. The result is as ambitious and genre-bending as the rap group itself. Abdurraqib traces the Tribe's creative career, from their early days as part of the Afrocentric rap collective known as the Native Tongues, through their first three classic albums, to their eventual breakup and long hiatus. Their work is placed in the context of the broader rap landscape of the 1990s, one upended by sampling laws that forced a reinvention in production methods, the East Coast–West Coast rivalry that threatened to destroy the genre, and some record labels’ shift from focusing on groups to individual MCs. Throughout the narrative Abdurraqib connects the music and cultural history to their street-level impact. Whether he’s remembering The Source magazine cover announcing the Tribe’s 1998 breakup or writing personal letters to the group after bandmate Phife Dawg’s death, Abdurraqib seeks the deeper truths of A Tribe Called Quest; truths that—like the low end, the bass—are not simply heard in the head, but felt in the chest.
Author: Erik Nielson
Publisher: The New Press
ISBN: 1620973413
Category : Social Science
Languages : en
Pages : 223
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Book Description
A groundbreaking exposé about the alarming use of rap lyrics as criminal evidence to convict and incarcerate young men of color Should Johnny Cash have been charged with murder after he sang, "I shot a man in Reno just to watch him die"? Few would seriously subscribe to this notion of justice. Yet in 2001, a rapper named Mac whose music had gained national recognition was convicted of manslaughter after the prosecutor quoted liberally from his album Shell Shocked. Mac was sentenced to thirty years in prison, where he remains. And his case is just one of many nationwide. Over the last three decades, as rap became increasingly popular, prosecutors saw an opportunity: they could present the sometimes violent, crime-laden lyrics of amateur rappers as confessions to crimes, threats of violence, evidence of gang affiliation, or revelations of criminal motive—and judges and juries would go along with it. Detectives have reopened cold cases on account of rap lyrics and videos alone, and prosecutors have secured convictions by presenting such lyrics and videos of rappers as autobiography. Now, an alarming number of aspiring rappers are imprisoned. No other form of creative expression is treated this way in the courts. Rap on Trial places this disturbing practice in the context of hip hop history and exposes what's at stake. It's a gripping, timely exploration at the crossroads of contemporary hip hop and mass incarceration.
Author: Macklin Smith
Publisher: University of Michigan Press
ISBN: 0472053892
Category : Literary Criticism
Languages : en
Pages : 303
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Book Description
Despite its global popularity, rap has received little scholarly attention in terms of its poetic features. Rhymes in the Flow systematically analyzes the poetics (rap beats, rhythms, rhymes, verse and song structures) of many notable rap songs to provide new insights on rap artistry and performance. Defining and describing the features of what rappers commonly call flow, the authors establish a theory of the rap line as they trace rap’s deepest roots and stylistic evolution—from Anglo-Saxon poetry to Lil Wayne—and contextualize its complex poetics. Rhymes in the Flow helps explain rap’s wide appeal by focusing primarily on its rhythmic and thematic power, while also claiming its historical, cultural, musical, and poetic importance.
