Rāmāyaṇa Traditions in Eastern India PDF Download
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Author: William L. Smith
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
Description: Through the structure of the popular Ramayanas composed in Assamese, Bengali and Oriya based on the version of Valmiki, the poets are eclectic in their choice of material and freely select episodes from the Puranas, Sanskrit devotional Ramayanas, Sakta works and the oral tradition, as long as these are not in direct conflict with Valmiki. Unlike vernacular Ramayanas in some other regions of India, here poets do not allow the narrative to be overwhelmed by theological or sectarian concerns. Many apocryphal episodes common to all three literatures do not seem to be found outside Eastern India.
Author: William L. Smith
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
Description: Through the structure of the popular Ramayanas composed in Assamese, Bengali and Oriya based on the version of Valmiki, the poets are eclectic in their choice of material and freely select episodes from the Puranas, Sanskrit devotional Ramayanas, Sakta works and the oral tradition, as long as these are not in direct conflict with Valmiki. Unlike vernacular Ramayanas in some other regions of India, here poets do not allow the narrative to be overwhelmed by theological or sectarian concerns. Many apocryphal episodes common to all three literatures do not seem to be found outside Eastern India.
Author: Asit K. Banerjee
Publisher:
ISBN:
Category : Epic poetry, Indic
Languages : en
Pages : 171
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Book Description
Author: University of Calcutta. Department of Modern Indian Languages
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Krishna Chandra Mishra
Publisher:
ISBN:
Category :
Languages : en
Pages : 126
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Book Description
Author: Mandakranta Bose
Publisher:
ISBN: 9789385285554
Category : Folk art
Languages : en
Pages : 139
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Book Description
The images presented in this book take us into the heart of the rich folk tradition of India. Of that heritage, the display of paintings accompanied by comments recited or sung has been a part of since very early times, as attested by references and legends in Sanskrit sources, including the Harsacarita, a 7th century work by Banabhatta. Known as patacitras or patas in short, these illustrated narratives on rectangular fabric or paper as well as on scrolls are a type of performed art that reaches out to audiences, mostly rural, conveying the artists' responses to legends and social themes of common knowledge across a wide range of audiences from varied social and cultural bases. A particularly powerful class of such paintings that come from the Bengali-speaking region of eastern India comprise the depiction of events from the Ramayana in the form of scrolls that are unrolled as the painter displays and explicates them. The vividly colourful images presented in this book occupy a special niche in the history of Indian art, remarkable because they are not only visual objects but narrative expositions of a text that has been part of vast numbers of the Indian people and often their source of moral guidance. Especially remarkable is that these patas by Bengali folk painters diverge so often from the magisterial Ramayanas of adikavi "First Poet" Valmiki, leave out important parts of it and import into the Rama saga episodes from local narrative caches.
Author: Valmiki
Publisher: NYU Press
ISBN: 0814731635
Category : Literary Collections
Languages : en
Pages : 424
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Book Description
Rama, the crown prince of the City of Ayodhya, is a model son and warrior. He is sent by his father the king to rescue a sage from persecution by demons, but must first kill a fearsome ogress. That done, he drives out the demons, restores peace, and attends a tournament in the neighboring city of Mithila; here he bends the bow that no other warrior can handle, winning the prize and the hand of Sita, the princess of Mithila.Valm'ki's Ramßyana is one of the two great national epics of India, the source revered throughout South Asia as the original account of the career of Rama, ideal man and incarnation of the great god Vishnu. The first book, "Boyhood," introduces the young hero Rama and sets the scene for the adventures ahead. It begins with a fascinating excursus on the origins and function of poetry itself.For more on this title and other titles in the Clay Sanskrit series, please visit http://www.claysanskritlibrary.org
Author: Paula Richman
Publisher: Univ of California Press
ISBN: 052091175X
Category : Religion
Languages : en
Pages : 290
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Book Description
Throughout Indian history, many authors and performers have produced, and many patrons have supported, diverse tellings of the story of the exiled prince Rama, who rescues his abducted wife by battling the demon king who has imprisoned her. The contributors to this volume focus on these "many" Ramayanas. While most scholars continue to rely on Valmiki's Sanskrit Ramayana as the authoritative version of the tale, the contributors to this volume do not. Their essays demonstrate the multivocal nature of the Ramayana by highlighting its variations according to historical period, political context, regional literary tradition, religious affiliation, intended audience, and genre. Socially marginal groups in Indian society—Telugu women, for example, or Untouchables from Madhya Pradesh—have recast the Rama story to reflect their own views of the world, while in other hands the epic has become the basis for teachings about spiritual liberation or the demand for political separatism. Historians of religion, scholars of South Asia, folklorists, cultural anthropologists—all will find here refreshing perspectives on this tale.
Author:
Publisher: Rowman & Littlefield
ISBN: 1538113694
Category : Religion
Languages : en
Pages : 563
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Book Description
One of India’s greatest epics, the Ramayana pervades the country’s moral and cultural consciousness. For generations it has served as a bedtime story for Indian children, while at the same time engaging the interest of philosophers and theologians. Believed to have been composed by Valmiki sometime between the eighth and sixth centuries BCE, the Ramayana tells the tragic and magical story of Rama, the prince of Ayodhya, an incarnation of Lord Visnu, born to rid the earth of the terrible demon Ravana. An idealized heroic tale ending with the inevitable triumph of good over evil, the Ramayana is also an intensely personal story of family relationships, love and loss, duty and honor, of harem intrigue, petty jealousies, and destructive ambitions. All this played out in a universe populated by larger-than-life humans, gods and celestial beings, wondrous animals and terrifying demons. With her magnificent translation and superb introduction, Arshia Sattar has successfully bridged both time and space to bring this ancient classic to modern English readers.
Author: Chandrabati
Publisher: Zubaan
ISBN: 8194721873
Category : Fiction
Languages : en
Pages : 102
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Book Description
Chandrabati, the first woman poet in Bangla, lived in the sixteenth century in Mymensingh district in present day Bangladesh. She was also the first poet in the Bangla language to present a retelling of the Ram story from the point of view of Sita. Idolised as a model of marital obedience and chastity in Valmiki’s Ramayan, Chandrabati’s lyrical retelling of Sita’s story offers us a fresh perspective. Written in order to be sung before a non-courtly audience, mainly of womenfolk of rural Bengal, Chandrabati’s Ramayan adds new characters and situations to the story to provide new interpretations of already known events drawing richly on elements of existing genres. Its location in the tales of everyday life has ensured that Chandrabati’s Ramayan lives on in the hearts of village women of modern-day India.
Author: Mandakranta Bose
Publisher:
ISBN:
Category : Religion
Languages : en
Pages : 216
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Book Description
The Essays In This Volume Approach The Ramayana From Different Perspectives Textual Criticism, Art And Architecture, And Film To Understand Its Ideological And Aesthetic Meanings. They Address Critical Issues Like The Seminal Status Of Valmiki, Gender Representation In Ramayana And The Importance Of The So-Called Ramayana Derivatives.
