Raleigh, North Carolina. North Carolina Museum of Art. Catalogues. 1967-78 PDF Download
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Languages : en
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Author: Museum of Modern Art (New York, N.Y.). Library
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Category : Art
Languages : en
Pages : 698
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Author: North Carolina Museum of Art Staff
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ISBN: 9780882590226
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Languages : en
Pages :
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Author: North Carolina Museum of Art
Publisher: Forgotten Books
ISBN: 9781527791695
Category : Art
Languages : en
Pages : 288
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Excerpt from North Carolina Museum of Art Bulletin, Vol. 1: Spring 1957 But there is one more proof for this dating of our painting. Three times has Tintoretto made use of the forge motive. One of the four paintings which he executed for the Salotto Dorato of the Ducal Palace, in 1578, shows. The Forge of Vulcan again. As in our painting, four figures surround the anvil, but no story is told. All emphasis is on the melodious rhythm of the action of forging. There is no interest in the descrip tion of the Cyclopes, who appear here as normal human beings. Placed in an even distribution around the anvil, the rise and fall of their hammers conveys the feeling of an incessant circulating motion, a dynamic manifestation of movement in space and time. This version of the motive is certainly a long way from the graceful, decorative arrangement of our painting. The motive appears for the third time in one of Tintoretto's most mature paintings, the Gathering of the Manna in San Giorgio Maggiore, from about 1594. In the upper left corner of this wonderfully exuberant symphony to the praise of this life on earth are three men gathered around an anvil. The almost jubilant intensity of their movements seems to rotate around the anvil in a frenzy' of action. Thus, the three versions of our motive really sum up the whole course of Tintoretto's transfor mation from a graceful representative of the dying High Renaissance to the forceful innovator of the baroque. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Claude Howell
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 98
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Author: National Gallery of Canada. Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 782
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Author: Metropolitan Museum of Art (New York, N.Y.). Library
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Category : Art
Languages : en
Pages : 788
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Author: North Carolina Museum of Art
Publisher:
ISBN:
Category :
Languages : en
Pages : 3
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Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
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Category : Art
Languages : en
Pages : 696
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Author: Bernardo Bellotto
Publisher: Yale University Press
ISBN: 0300091818
Category : Art
Languages : en
Pages : 308
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Book Description
Bernardo Bellotto is considered to be one of the greatest topographical and landscape painters of the eighteenth century. Trained as a painter of cityscapes, he produced vivid and memorable images of many of the greatest cities of Europe, including Venice, Florence, Rome, Dresden, Munich, Vienna, and Warsaw. He also ventured successfully into genre, portraiture, allegory, and history painting. This beautiful book, written by leading specialists on Bellotto, examines his career and artistic development, places his work in the context of the political needs of central European monarchs, and presents a selection of his major paintings from each of his principal periods and genres. Bellotto began as a painter of conventional views of Venice in the manner of his more famous uncle, Canaletto. However, his quest for new subject matter led him to visit half a dozen cities in northern and central Italy in the early 1740s, and at twenty-five he left Italy for northern Europe, where he spent the rest of his life working for royal and aristocratic patrons. In Dresden he was engaged in the service of Augustus III, where he created many glorious canvases and was awarded the title of Court Painter. He then moved to Vienna and recorded its attractions for Empress Maria Theresa. He ended his career as Court Painter in Warsaw, and his detailed paintings of the city played an important role in its reconstruction after the Second World War. The book demonstrates that in each of the places Bellotto lived, he was able to capture the particular light and life with sensitivity and imagination.
