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Author: Marjorie Perloff
Publisher: University of Chicago Press
ISBN: 0226657345
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
Explores the intricate relationships of postmodern poetics to the culture of network television, advertising layout, and the computer. Perloff argues that poetry today, like the visual arts and theater, is always "contaminated" by the language of mass media. Among the many poets Perloff discusses are John Ashbery, George Oppen, Susan Howe, Clark Coolidge, Lyn Hejinian, Leslie Scalapino, Charles Bernstein, Johanna Drucker, Steve McCaffery, and preeminently, John Cage--Publisher.
Author: Marjorie Perloff
Publisher: University of Chicago Press
ISBN: 0226657345
Category : Literary Criticism
Languages : en
Pages : 264
Get Book Here
Book Description
Explores the intricate relationships of postmodern poetics to the culture of network television, advertising layout, and the computer. Perloff argues that poetry today, like the visual arts and theater, is always "contaminated" by the language of mass media. Among the many poets Perloff discusses are John Ashbery, George Oppen, Susan Howe, Clark Coolidge, Lyn Hejinian, Leslie Scalapino, Charles Bernstein, Johanna Drucker, Steve McCaffery, and preeminently, John Cage--Publisher.
Author: Daniel Eugene Tobin
Publisher: University Press of Kentucky
ISBN: 9780813133423
Category : Literary Criticism
Languages : en
Pages : 356
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Book Description
Author: Roland Greene
Publisher: Princeton University Press
ISBN: 0691154910
Category : Literary Criticism
Languages : en
Pages : 1678
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Book Description
Rev. ed. of: The Princeton encyclopedia of poetry and poetics / Alex Preminger and T.V.F. Brogan, co-editors; Frank J. Warnke, O.B. Hardison, Jr., and Earl Miner, associate editors. 1993.
Author: Lori Emerson
Publisher: U of Minnesota Press
ISBN: 1452942196
Category : Social Science
Languages : en
Pages : 196
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Book Description
Lori Emerson examines how interfaces—from today’s multitouch devices to yesterday’s desktops, from typewriters to Emily Dickinson’s self-bound fascicle volumes—mediate between writer and text as well as between writer and reader. Following the threads of experimental writing from the present into the past, she shows how writers have long tested and transgressed technological boundaries. Reading the means of production as well as the creative works they produce, Emerson demonstrates that technologies are more than mere tools and that the interface is not a neutral border between writer and machine but is in fact a collaborative creative space. Reading Writing Interfaces begins with digital literature’s defiance of the alleged invisibility of ubiquitous computing and multitouch in the early twenty-first century and then looks back at the ideology of the user-friendly graphical user interface that emerged along with the Apple Macintosh computer of the 1980s. She considers poetic experiments with and against the strictures of the typewriter in the 1960s and 1970s and takes a fresh look at Emily Dickinson’s self-printing projects as a challenge to the coherence of the book. Through archival research, Emerson offers examples of how literary engagements with screen-based and print-based technologies have transformed reading and writing. She reveals the ways in which writers—from Emily Dickinson to Jason Nelson and Judd Morrissey—work with and against media interfaces to undermine the assumed transparency of conventional literary practice.
Author: Robert Sheppard
Publisher: Liverpool University Press
ISBN: 1781388091
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
In The Poetry of Saying Robert Sheppard explores an array of ‘experimental’ writers and styles of writing many of which have never secured a large audience in Britain, but which are often fascinatingly innovative. As a published poet in this tradition, Sheppard provides a detailed and thought provoking account of the development of the British poetry movement from the 1950s. As well as analysing the work of individual poets such as Roy Fisher, Lee Harwood and Tom Raworth The Poetry of Saying also examines the influence of the Poetry Society and poetry magazines on the evolution of British poetry throughout this period. The overriding virtue of the poetry of this period is its diversity, a fact that Sheppard has not ignored. As well as providing a fascinating into the work of these poets, The Poetry of Saying offers an ‘insider’s’ commentary on the social, political and historical background during this exciting period in British poetry.
Author: Albena Lutzkanova-Vassileva
Publisher: Bloomsbury Publishing USA
ISBN: 1501322664
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
This book challenges the belief in the purely linguistic nature of contemporary poetry and offers an interpretation of late twentieth-century Russian poetry as a testimony to the unforeseen annulment of communist reality and its overnight displacement by a completely unfathomable post-totalitarian order. Albena Lutzkanova-Vassileva argues that, because of the sudden invalidation of a reality that had been largely seen as unattained and everlasting, this shift remained secluded from the mind and totally resistant to cognition, thus causing a collectively traumatic psychological experience. The book proceeds by inquiring into a school of contemporary American poetry that has been likewise read as cut off from reality. Executing a comparative analysis, Vassileva advances a new understanding of this poetry as a testimony to the overwhelming and traumatic impact of contemporary media, which have assailed the mind with far more signals than it can register, digest and furnish with semantic weight.
Author: Paul Vincent Budra
Publisher: Indiana University Press
ISBN: 9780253216977
Category : Vietnam War, 1961-1975
Languages : en
Pages : 244
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Book Description
Essays explore the truth inside soldier talk about the Vietnam War
Author: Rebecca Roach
Publisher: Oxford University Press
ISBN: 019255932X
Category : Literary Criticism
Languages : en
Pages : 294
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Book Description
Today interviews proliferate everywhere: in newspapers, on television, and in anthologies; as a method they are a major tool of medicine, the law, the social sciences, oral history projects, and journalism; and in the book trade interviews with authors are a major promotional device. We live in an 'interview society'. How did this happen? What is it about the interview form that we find so appealing and horrifying? Are we all just gossips or is there something more to it? What are the implications of our reliance on this bizarre dynamic for publicity, subjectivity, and democracy? Literature and the Rise of the Interview addresses these questions from the perspective of literary culture. The book traces the ways in which the interview form has been conceived and deployed by writers, and interviewing has been understood as a literary-critical practice. It excavates what we might call a 'poetics' of the interview form and practice. In so doing it covers 150 years and four continents. It includes a diverse rostrum of well-known writers, such as Henry James, T. S. Eliot, Ezra Pound, Djuna Barnes, William Burroughs, Philip Roth, J. M. Coetzee and Toni Morrison, while reintroducing some individuals that history has forgotten, such as Betty Ross, 'Queen of Interviewers', and Julian Hawthorne, Nathaniel's profligate son. Together these stories expose the interview's position in the literary imagination and consider what this might tell us about conceptions of literature, authorship, and reading communities in modernity.
Author: Marjorie Perloff
Publisher: University of Chicago Press
ISBN: 0226660613
Category : Literary Criticism
Languages : en
Pages : 221
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Book Description
Marjorie Perloff here explores this intriguing development in contemporary poetry: the embrace of "unoriginal" writing. Paradoxically, she argues, such citational and often constraint-based poetry is more accessible and, in a sense, "personal" than was the hermetic poetry of the 1980's and 90's. --
Author: Brian M. Reed
Publisher: Cornell University Press
ISBN: 0801469589
Category : Literary Criticism
Languages : en
Pages : 245
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Book Description
Since the turn of the new millennium English-language verse has entered a new historical phase, but explanations vary as to what has actually happened and why. What might constitute a viable avant-garde poetics in the aftermath of such momentous developments as 9/11, globalization, and the financial crisis? Much of this discussion has taken place in ephemeral venues such as blogs, e-zines, public lectures, and conferences. Nobody's Business is the first book to treat the emergence of Flarf and Conceptual Poetry in a serious way. In his engaging account, Brian M. Reed argues that these movements must be understood in relation to the proliferation of digital communications technologies and their integration into the corporate workplace. Writers such as Andrea Brady, Craig Dworkin, Kenneth Goldsmith, Danny Snelson, and Rachel Zolf specifically target for criticism the institutions, skill sets, and values that make possible the smooth functioning of a postindustrial, globalized economy. Authorship comes in for particular scrutiny: how does writing a poem differ in any meaningful way from other forms of "content providing"? While often adept at using new technologies, these writers nonetheless choose to explore anachronism, ineptitude, and error as aesthetic and political strategies. The results can appear derivative, tedious, or vulgar; they can also be stirring, compelling, and even sublime. As Reed sees it, this new generation of writers is carrying on the Duchampian practice of generating antiart that both challenges prevalent definitions or art and calls into question the legitimacy of the institutions that define it.
