Author: Jean Racine
Publisher:
ISBN:
Category :
Languages : en
Pages : 50
Book Description
The Litigants
Author: Jean Racine
Publisher:
ISBN:
Category :
Languages : en
Pages : 50
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 50
Book Description
The Suitors
Author: Jean Racine
Publisher: Dramatists Play Service Inc
ISBN: 9780822218043
Category : Drama
Languages : en
Pages : 76
Book Description
THE STORY: One of the most hilarious French plays ever written, Racine's only comedy (1688) tells of a judge named Nigaud who has lost his mind from overwork and yet is possessed with the desire to go to court and try cases day and night. His son,
Publisher: Dramatists Play Service Inc
ISBN: 9780822218043
Category : Drama
Languages : en
Pages : 76
Book Description
THE STORY: One of the most hilarious French plays ever written, Racine's only comedy (1688) tells of a judge named Nigaud who has lost his mind from overwork and yet is possessed with the desire to go to court and try cases day and night. His son,
Jean Racine
Author: John Sayer
Publisher: Peter Lang
ISBN: 9783039109258
Category : Biography & Autobiography
Languages : en
Pages : 432
Book Description
This first biography of Racine in over half a century for an English-language readership also traces the impact of Racine over three centuries in England as well as France. The plays and their reception are reviewed, using contextual approaches as part of each phase of Racine's life-story, with excerpts and quotations translated. Racine's upbringing and work as poet and historiographer are related to the France of Louis XIV, to audiences and to advancement for this 'man from nowhere', with parallels in Britain and elsewhere. Changing attitudes to Racine are traced across the centuries, across literary movements and on stage, including recent productions. The book provides insights in the specialist field of Racine studies and seventeenth-century French literature and theatre, in comparative literary studies, particularly between France and Restoration England, and to the interaction of Racine and European cultural movements to the present day.
Publisher: Peter Lang
ISBN: 9783039109258
Category : Biography & Autobiography
Languages : en
Pages : 432
Book Description
This first biography of Racine in over half a century for an English-language readership also traces the impact of Racine over three centuries in England as well as France. The plays and their reception are reviewed, using contextual approaches as part of each phase of Racine's life-story, with excerpts and quotations translated. Racine's upbringing and work as poet and historiographer are related to the France of Louis XIV, to audiences and to advancement for this 'man from nowhere', with parallels in Britain and elsewhere. Changing attitudes to Racine are traced across the centuries, across literary movements and on stage, including recent productions. The book provides insights in the specialist field of Racine studies and seventeenth-century French literature and theatre, in comparative literary studies, particularly between France and Restoration England, and to the interaction of Racine and European cultural movements to the present day.
Racine’s Tragedies of Tyranny
Author:
Publisher: BRILL
ISBN: 9004695680
Category : Literary Criticism
Languages : en
Pages : 245
Book Description
In Bajazet and Mithridate Racine depicts the tragedies of characters who either wield tyrannic power or are subjected to tyranny. This international collection of essays deploys cutting-edge research to illuminate the plays and their contexts. The contributors to this volume examine Racine’s stagecraft, his exploration of space, sound and silence, his language, and the psychology of those who exercise power or who attempt to maintain their freedom in the face of oppression. The reception and reworking of his plays by contemporaries and subsequent generations round off this wide-ranging study.
Publisher: BRILL
ISBN: 9004695680
Category : Literary Criticism
Languages : en
Pages : 245
Book Description
In Bajazet and Mithridate Racine depicts the tragedies of characters who either wield tyrannic power or are subjected to tyranny. This international collection of essays deploys cutting-edge research to illuminate the plays and their contexts. The contributors to this volume examine Racine’s stagecraft, his exploration of space, sound and silence, his language, and the psychology of those who exercise power or who attempt to maintain their freedom in the face of oppression. The reception and reworking of his plays by contemporaries and subsequent generations round off this wide-ranging study.
1668
Author: Peter Sahlins
Publisher: MIT Press
ISBN: 1935408291
Category : History
Languages : en
Pages : 497
Book Description
When animals and their symbolic representations—in the Royal Menagerie, in art, in medicine, in philosophy—helped transform the French state and culture. Peter Sahlins's brilliant new book reveals the remarkable and understudied “animal moment” in and around 1668 in which authors (including La Fontaine, whose Fables appeared in that year), anatomists, painters, sculptors, and especially the young Louis XIV turned their attention to nonhuman beings. At the center of the Year of the Animal was the Royal Menagerie in the gardens of Versailles, dominated by exotic and graceful birds. In the unfolding of his original and sophisticated argument, Sahlins shows how the animal bodies of the menagerie and others were critical to a dramatic rethinking of governance, nature, and the human. The animals of 1668 helped to shift an entire worldview in France—what Sahlins calls Renaissance humanimalism toward more modern expressions of classical naturalism and mechanism. In the wake of 1668 came the debasement of animals and the strengthening of human animality, including in Descartes's animal-machine, highly contested during the Year of the Animal. At the same time, Louis XIV and his intellectual servants used the animals of Versailles to develop and then to transform the symbolic language of French absolutism. Louis XIV came to adopt a model of sovereignty after 1668 in which his absolute authority is represented in manifold ways with the bodies of animals and justified by the bestial nature of his human subjects. 1668 explores and reproduces the king's animal collections—in printed text, weaving, poetry, and engraving, all seen from a unique interdisciplinary perspective. Sahlins brings the animals of 1668 together and to life as he observes them critically in their native habitats—within the animal palace itself by Louis Le Vau, the paintings and tapestries of Charles Le Brun, the garden installations of André Le Nôtre, the literary work of Charles Perrault and the natural history of his brother Claude, the poetry of Madeleine de Scudéry, the philosophy of René Descartes, the engravings of Sébastien Leclerc, the transfusion experiments of Jean Denis, and others. The author joins the nonhuman and human agents of 1668—panthers and painters, swans and scientists, weasels and weavers—in a learned and sophisticated treatment that will engage scholars and students of early modern France and Europe and readers broadly interested in the subject of animals in human history.
Publisher: MIT Press
ISBN: 1935408291
Category : History
Languages : en
Pages : 497
Book Description
When animals and their symbolic representations—in the Royal Menagerie, in art, in medicine, in philosophy—helped transform the French state and culture. Peter Sahlins's brilliant new book reveals the remarkable and understudied “animal moment” in and around 1668 in which authors (including La Fontaine, whose Fables appeared in that year), anatomists, painters, sculptors, and especially the young Louis XIV turned their attention to nonhuman beings. At the center of the Year of the Animal was the Royal Menagerie in the gardens of Versailles, dominated by exotic and graceful birds. In the unfolding of his original and sophisticated argument, Sahlins shows how the animal bodies of the menagerie and others were critical to a dramatic rethinking of governance, nature, and the human. The animals of 1668 helped to shift an entire worldview in France—what Sahlins calls Renaissance humanimalism toward more modern expressions of classical naturalism and mechanism. In the wake of 1668 came the debasement of animals and the strengthening of human animality, including in Descartes's animal-machine, highly contested during the Year of the Animal. At the same time, Louis XIV and his intellectual servants used the animals of Versailles to develop and then to transform the symbolic language of French absolutism. Louis XIV came to adopt a model of sovereignty after 1668 in which his absolute authority is represented in manifold ways with the bodies of animals and justified by the bestial nature of his human subjects. 1668 explores and reproduces the king's animal collections—in printed text, weaving, poetry, and engraving, all seen from a unique interdisciplinary perspective. Sahlins brings the animals of 1668 together and to life as he observes them critically in their native habitats—within the animal palace itself by Louis Le Vau, the paintings and tapestries of Charles Le Brun, the garden installations of André Le Nôtre, the literary work of Charles Perrault and the natural history of his brother Claude, the poetry of Madeleine de Scudéry, the philosophy of René Descartes, the engravings of Sébastien Leclerc, the transfusion experiments of Jean Denis, and others. The author joins the nonhuman and human agents of 1668—panthers and painters, swans and scientists, weasels and weavers—in a learned and sophisticated treatment that will engage scholars and students of early modern France and Europe and readers broadly interested in the subject of animals in human history.
Corneille and Racine
Author: Henry Merivale Trollope
Publisher:
ISBN:
Category :
Languages : en
Pages : 242
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 242
Book Description
Delphi Complete Works of Jean Racine (Illustrated)
Author: Jean Racine
Publisher: Delphi Classics
ISBN: 1801701393
Category : Drama
Languages : en
Pages : 1434
Book Description
One of the three great playwrights of seventeenth century France, along with Molière and Corneille, Jean Racine is as a significant figure of world literature. Primarily a tragedian, producing neoclassical masterpieces such as ‘Phèdre’, ‘Andromaque’ and ‘Athalie’, Racine also composed the comedy ‘Les Plaideurs’. His works demonstrate a mastery of the 12-syllable French alexandrine — a verse form that influenced European literature for over two centuries. Renowned for their elegance, purity, speed and fury, Racine’s dramas are characterised by psychological insight, the prevailing passion of characters and the economy of both plot and stage. This eBook presents Racine’s complete plays, with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Racine’s life and works * Concise introductions to the dramas * All 12 plays, with individual contents tables * Translations by Robert Bruce Boswell, 1880 * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the play texts * Easily locate the scenes you want to read * Includes rare dramas – available in no other collection * Features four biographies – discover Racine’s intriguing life * Ordering of texts into chronological order and genres CONTENTS: The Tragedies The Thebaid (1664) Alexander the Great (1665) Andromache (1667) Britannicus (1669) Berenice (1670) Bajazet (1672) Mithridate (1673) Iphigenia (1674) Phaedre (1677) Esther (1689) Athaliah (1691) (tr. J. Donkersley, 1825) The Comedy The Litigants (1668) The Biographies Racine (1838) by Mary Wollstonecraft Shelley Racine (1900) by William Cleaver Wilkinson Racine (1908) by Lytton Strachey Jean Racine (1911) by George Saintsbury
Publisher: Delphi Classics
ISBN: 1801701393
Category : Drama
Languages : en
Pages : 1434
Book Description
One of the three great playwrights of seventeenth century France, along with Molière and Corneille, Jean Racine is as a significant figure of world literature. Primarily a tragedian, producing neoclassical masterpieces such as ‘Phèdre’, ‘Andromaque’ and ‘Athalie’, Racine also composed the comedy ‘Les Plaideurs’. His works demonstrate a mastery of the 12-syllable French alexandrine — a verse form that influenced European literature for over two centuries. Renowned for their elegance, purity, speed and fury, Racine’s dramas are characterised by psychological insight, the prevailing passion of characters and the economy of both plot and stage. This eBook presents Racine’s complete plays, with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Racine’s life and works * Concise introductions to the dramas * All 12 plays, with individual contents tables * Translations by Robert Bruce Boswell, 1880 * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the play texts * Easily locate the scenes you want to read * Includes rare dramas – available in no other collection * Features four biographies – discover Racine’s intriguing life * Ordering of texts into chronological order and genres CONTENTS: The Tragedies The Thebaid (1664) Alexander the Great (1665) Andromache (1667) Britannicus (1669) Berenice (1670) Bajazet (1672) Mithridate (1673) Iphigenia (1674) Phaedre (1677) Esther (1689) Athaliah (1691) (tr. J. Donkersley, 1825) The Comedy The Litigants (1668) The Biographies Racine (1838) by Mary Wollstonecraft Shelley Racine (1900) by William Cleaver Wilkinson Racine (1908) by Lytton Strachey Jean Racine (1911) by George Saintsbury
Jean Racine
Author: Geoffrey Brereton
Publisher: Taylor & Francis
ISBN: 1000588483
Category : Literary Criticism
Languages : en
Pages : 283
Book Description
Racine the practising dramatist had been in some danger of being crowded out from the numerous books on his psychology and style. In this critical study of the man and his work, first published in 1951 and this slightly revised edition originally in 1973, Dr Brereton’s guiding principle has been to make the factual basis as accurate as it can be in the light of modern research. The result is the portrait of a sensitive and attractive figure which is none the worse for being shorn of certain legends.
Publisher: Taylor & Francis
ISBN: 1000588483
Category : Literary Criticism
Languages : en
Pages : 283
Book Description
Racine the practising dramatist had been in some danger of being crowded out from the numerous books on his psychology and style. In this critical study of the man and his work, first published in 1951 and this slightly revised edition originally in 1973, Dr Brereton’s guiding principle has been to make the factual basis as accurate as it can be in the light of modern research. The result is the portrait of a sensitive and attractive figure which is none the worse for being shorn of certain legends.
The Complete Plays of Jean Racine
Author: Jean Racine
Publisher: Penn State Press
ISBN: 0271037318
Category : Literary Collections
Languages : en
Pages : 188
Book Description
This is the first volume of a planned translation into English of all twelve of Jean Racine&’s plays&—a project undertaken only three times in the three hundred years since Racine&’s death. For this new translation, Geoffrey Alan Argent has taken a fresh approach: he has rendered these plays in rhymed &"heroic&" couplets. While Argent&’s translation is faithful to Racine&’s text and tone, his overriding intent has been to translate a work of French literature into a work of English literature, substituting for Racine&’s rhymed alexandrines (hexameters) the English mode of rhymed iambic pentameters, a verse form particularly well suited to the highly charged urgency of Racine&’s drama and the coiled strength of his verse. Complementing the translations are the illuminating Discussions and the extensive Notes and Commentaries Argent has furnished for each play. The Discussions are not offered as definitive interpretations of these plays, but are intended to stimulate readers to form their own views and to explore further the inexhaustibly rich world of Racine&’s plays. Included in the Notes and Commentary section of this translation are passages that Racine deleted after the first edition and have never before appeared in English. The full title of Racine&’s first tragedy is La Th&éba&ïde ou les Fr&ères ennemis (The Saga of Thebes, or The Enemy Brothers). But Racine was far less concerned with recounting the struggle for Thebes than in examining those indomitable passions&—in this case, hatred&—that were to prove his lifelong focus of interest. For Oedipus&’s sons, Eteocles and Polynices (the titular brothers), vying for the throne is rather a symptom than a cause of their unquenchable hatred&—so unquenchable that by the end of the play it has not only destroyed these twin brothers, but has also claimed the lives of their mother, their sister, their uncle, and their two cousins as collateral damage. Indeed, as Racine acknowledges in his preface, &“There is hardly a character in it who does not die at the end.&”
Publisher: Penn State Press
ISBN: 0271037318
Category : Literary Collections
Languages : en
Pages : 188
Book Description
This is the first volume of a planned translation into English of all twelve of Jean Racine&’s plays&—a project undertaken only three times in the three hundred years since Racine&’s death. For this new translation, Geoffrey Alan Argent has taken a fresh approach: he has rendered these plays in rhymed &"heroic&" couplets. While Argent&’s translation is faithful to Racine&’s text and tone, his overriding intent has been to translate a work of French literature into a work of English literature, substituting for Racine&’s rhymed alexandrines (hexameters) the English mode of rhymed iambic pentameters, a verse form particularly well suited to the highly charged urgency of Racine&’s drama and the coiled strength of his verse. Complementing the translations are the illuminating Discussions and the extensive Notes and Commentaries Argent has furnished for each play. The Discussions are not offered as definitive interpretations of these plays, but are intended to stimulate readers to form their own views and to explore further the inexhaustibly rich world of Racine&’s plays. Included in the Notes and Commentary section of this translation are passages that Racine deleted after the first edition and have never before appeared in English. The full title of Racine&’s first tragedy is La Th&éba&ïde ou les Fr&ères ennemis (The Saga of Thebes, or The Enemy Brothers). But Racine was far less concerned with recounting the struggle for Thebes than in examining those indomitable passions&—in this case, hatred&—that were to prove his lifelong focus of interest. For Oedipus&’s sons, Eteocles and Polynices (the titular brothers), vying for the throne is rather a symptom than a cause of their unquenchable hatred&—so unquenchable that by the end of the play it has not only destroyed these twin brothers, but has also claimed the lives of their mother, their sister, their uncle, and their two cousins as collateral damage. Indeed, as Racine acknowledges in his preface, &“There is hardly a character in it who does not die at the end.&”
Racine
Author: Mary Reilly
Publisher: Peter Lang
ISBN: 9783039102860
Category : Drama
Languages : en
Pages : 144
Book Description
What is the nature of power in Racinian tragedy? This study looks beyond the conventional pageant of political power in the plays by exploring tensions inherent in the very concept of power, with each chapter elucidating how Racine's power relationships are concentrated in the question of language.
Publisher: Peter Lang
ISBN: 9783039102860
Category : Drama
Languages : en
Pages : 144
Book Description
What is the nature of power in Racinian tragedy? This study looks beyond the conventional pageant of political power in the plays by exploring tensions inherent in the very concept of power, with each chapter elucidating how Racine's power relationships are concentrated in the question of language.