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Author: Marissa K. López
Publisher: NYU Press
ISBN: 1479807729
Category : Literary Criticism
Languages : en
Pages : 202
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Book Description
Winner, 2021 NACCS Book Award, given by the National Association for Chicano and Chicana Studies Explores the how, why, and what of contemporary Chicanx culture, including punk rock, literary fiction, photography, mass graves, and digital and experimental installation art Racial Immanence attempts to unravel a Gordian knot at the center of the study of race and discourse: it seeks to loosen the constraints that the politics of racial representation put on interpretive methods and on our understanding of race itself. Marissa K. López argues that reading Chicanx literary and cultural texts primarily for the ways they represent Chicanxness only reinscribes the very racial logic that such texts ostensibly set out to undo. Racial Immanence proposes to read differently; instead of focusing on representation, it asks what Chicanx texts do, what they produce in the world, and specifically how they produce access to the ineffable but material experience of race. Intrigued by the attention to disease, disability, abjection, and sense experience that she sees increasing in Chicanx visual, literary, and performing arts in the late-twentieth century, López explores how and why artists use the body in contemporary Chicanx cultural production. Racial Immanence takes up works by writers like Dagoberto Gilb, Cecile Pineda, and Gil Cuadros, the photographers Ken Gonzales Day and Stefan Ruiz, and the band Piñata Protest to argue that the body offers a unique site for pushing back against identity politics. In so doing, the book challenges theoretical conversations around affect and the post-human and asks what it means to truly consider people of color as writersand artists. Moving beyond abjection, López models Chicanx cultural production as a way of fostering networks of connection that deepen our attachments to the material world.
Author: Marissa K. López
Publisher: NYU Press
ISBN: 1479807729
Category : Literary Criticism
Languages : en
Pages : 202
Get Book Here
Book Description
Winner, 2021 NACCS Book Award, given by the National Association for Chicano and Chicana Studies Explores the how, why, and what of contemporary Chicanx culture, including punk rock, literary fiction, photography, mass graves, and digital and experimental installation art Racial Immanence attempts to unravel a Gordian knot at the center of the study of race and discourse: it seeks to loosen the constraints that the politics of racial representation put on interpretive methods and on our understanding of race itself. Marissa K. López argues that reading Chicanx literary and cultural texts primarily for the ways they represent Chicanxness only reinscribes the very racial logic that such texts ostensibly set out to undo. Racial Immanence proposes to read differently; instead of focusing on representation, it asks what Chicanx texts do, what they produce in the world, and specifically how they produce access to the ineffable but material experience of race. Intrigued by the attention to disease, disability, abjection, and sense experience that she sees increasing in Chicanx visual, literary, and performing arts in the late-twentieth century, López explores how and why artists use the body in contemporary Chicanx cultural production. Racial Immanence takes up works by writers like Dagoberto Gilb, Cecile Pineda, and Gil Cuadros, the photographers Ken Gonzales Day and Stefan Ruiz, and the band Piñata Protest to argue that the body offers a unique site for pushing back against identity politics. In so doing, the book challenges theoretical conversations around affect and the post-human and asks what it means to truly consider people of color as writersand artists. Moving beyond abjection, López models Chicanx cultural production as a way of fostering networks of connection that deepen our attachments to the material world.
Author: Marissa K. López
Publisher: NYU Press
ISBN: 1479807729
Category : Literary Criticism
Languages : en
Pages : 202
Get Book Here
Book Description
Winner, 2021 NACCS Book Award, given by the National Association for Chicano and Chicana Studies Explores the how, why, and what of contemporary Chicanx culture, including punk rock, literary fiction, photography, mass graves, and digital and experimental installation art Racial Immanence attempts to unravel a Gordian knot at the center of the study of race and discourse: it seeks to loosen the constraints that the politics of racial representation put on interpretive methods and on our understanding of race itself. Marissa K. López argues that reading Chicanx literary and cultural texts primarily for the ways they represent Chicanxness only reinscribes the very racial logic that such texts ostensibly set out to undo. Racial Immanence proposes to read differently; instead of focusing on representation, it asks what Chicanx texts do, what they produce in the world, and specifically how they produce access to the ineffable but material experience of race. Intrigued by the attention to disease, disability, abjection, and sense experience that she sees increasing in Chicanx visual, literary, and performing arts in the late-twentieth century, López explores how and why artists use the body in contemporary Chicanx cultural production. Racial Immanence takes up works by writers like Dagoberto Gilb, Cecile Pineda, and Gil Cuadros, the photographers Ken Gonzales Day and Stefan Ruiz, and the band Piñata Protest to argue that the body offers a unique site for pushing back against identity politics. In so doing, the book challenges theoretical conversations around affect and the post-human and asks what it means to truly consider people of color as writersand artists. Moving beyond abjection, López models Chicanx cultural production as a way of fostering networks of connection that deepen our attachments to the material world.
Author: Marcos Gonsalez
Publisher: University of Texas Press
ISBN: 1477330518
Category : Social Science
Languages : en
Pages : 199
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Book Description
"Through the use and study of photography, archives, literature, television, film, and installation art, Marcos Gonsalez makes a case for the role that indolence plays in challenging a neoliberal capitalist economy that is deeply embedded with cis-heteronormative and white supremacist values. By focusing on the ways in which queer/trans Latinx people find ways to demonstrate their lack of willing participation in these systems, he finds that dozing, slacking, daydreaming, partying, and lounging revolt against these systems and in turn are treated as being "revolting." Everything from the trans ur-text that is Paris is Burning, and the subsequent controversies, conversations, and evaluations of it in the decades since its debut, to RuPaul's Drag Race, to documentary photography of queer and trans life in Chicanx Los Angeles to writings and remembrances of the Pulse nightclub shootings, visuality, memory, racial and sexual identity merge together to shape alternative paths of resistance and ways of living within this culture and its economy"--
Author: Joshua Javier Guzmán
Publisher: NYU Press
ISBN: 1479812854
Category : Literary Criticism
Languages : en
Pages : 162
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Book Description
How the queer Chicano punks of post-1960s Los Angeles developed a unique politics of style In this groundbreaking work, Joshua Javier Guzmán explores the queer punk and Chicano/Latino avant-garde art scenes in post-1968 Los Angeles from the rise of Ronald Reagan to the height of the AIDS epidemic. He demonstrates how style–as a cultural form and sensibility–becomes essential to Latino politics at the moment the utopian impulses of the 1960s begin to fade. Guzmán uncovers how queer Latinos in Los Angeles used performance, underground media, experimental art, and literature to interrogate the limits of Chicano nationalism and the burgeoning politics of gay liberation. These subcultural forms give rise to a theory of what he calls “stylized discontent,” expressed as nausea, lo-fi, ambivalence, and malaise. Each chapter of the book is framed by a specific stylized discontent, demonstrating how they were repurposed by queer punk Latinos as responses to the AIDS crisis and the rise of neoliberalisms. Dissatisfactions highlights the middle ranges of political agency strategically utilized by queer racialized historical actors to underscore how negative feelings become instrumental to social change. Revealing new forms of activism and art that continue to structure the way we understand systemic violence and survival, Dissatisfactions insists on the significance of both the politics of style and the different styles politics may take.
Author: David S. Dalton
Publisher: Vanderbilt University Press
ISBN: 0826505392
Category : Social Science
Languages : en
Pages : 392
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Book Description
Robo Sacer engages the digital humanities, critical race theory, border studies, biopolitical theory, and necropolitical theory to interrogate how technology has been used to oppress people of Mexican descent—both within Mexico and in the United States—since the advent of the North American Free Trade Agreement (NAFTA) in 1994. As the book argues, robo-sacer identity emerges as transnational flows of bodies, capital, and technology become an institutionalized state of exception that relegates people from marginalized communities to the periphery. And yet the same technology can be utilized by the oppressed in the service of resistance. The texts studied here represent speculative stories about this technological empowerment. These texts theorize different means of techno-resistance to key realities that have emerged within Mexican and Chicano/a/x communities under the rise and reign of neoliberalism. The first three chapters deal with dehumanization, the trafficking of death, and unbalanced access to technology. The final two chapters deal with the major forms of violence—feminicide and drug-related violence—that have grown exponentially in Mexico with the rise of neoliberalism. These stories theorize the role of technology both in oppressing and in providing the subaltern with necessary tools for resistance. Robo Sacer builds on the previous studies of Sayak Valencia, Irmgard Emmelhainz, Guy Emerson, Achille Mbembe, and of course Giorgio Agamben, but it differentiates itself from them through its theorization on how technology—and particularly cyborg subjectivity—can amend the reigning biopolitical and necropolitical structures of power in potentially liberatory ways. Robo Sacer shows how the cyborg can denaturalize constructs of zoē by providing an outlet through which the oppressed can tell their stories, thus imbuing the oppressed with the power to combat imperialist forces.
Author: Maia Gil'Adí
Publisher: Duke University Press
ISBN: 1478060182
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
In Doom Patterns, Maia Gil’Adí takes up speculative fiction as a site for theorizing Latinx identity across national and ethnic borders and shows the vital role of historical trauma in its formation. Her analysis moves beyond reparative modes of reading to consider how literary representations of violence, destruction, and pain also elicit pleasurable affective and aesthetic experiences. Gil’Adí theorizes the paradox of pleasurable violence through the notion of doom patterns—narrative devices that include thematic repetition, nonlinear narration, character fragmentation, and unresolved plots. Doom patterns return the reader to instances of historical violence and destruction, revealing them as excessive and otherworldly processes that require the tropes of speculative fiction. Examining novels by established Latinx authors such as Junot Díaz and Cristina García as well as multiethnic writers such as Colson Whitehead and Sesshu Foster, Gil’Adí challenges definitions of what constitutes Latinx literature and notions of the speculative by dismantling generic boundaries and entrenched definitions of race, ethnicity, and nationhood. In so doing, she allows for a more capacious consideration of the speculative, realism, history, and the role of violence in literature.
Author: Joseph Valente
Publisher: University of Illinois Press
ISBN: 9780252026966
Category : Fiction
Languages : en
Pages : 200
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Book Description
"An ingenious reappraisal of a classic text, Dracula's Crypt presents Stoker's novel as a subtly ironic commentary on England's preoccupation with racial purity. Probing psychobiographical, political, and cultural elements of Stoker's background and milieu, Joseph Valente distinguishes Stoker's viewpoint from that of his virulently racist, hypermasculine vampire hunters, showing how the author's dual Anglo-Celtic heritage and uncertain status as an Irish parvenu among London's theatrical elite led him to espouse a progressive racial ideology at odds with the dominant Anglo-Saxon supremacism. In the light of Stoker's experience, the shabby-genteel Count Dracula can be seen as a doppelganger, an ambiguous figure who is at once the blood-conscious landed aristocrat and the bloodthirsty foreign invader."--BOOK JACKET.
Author: B. V. Olguín
Publisher: Oxford University Press (UK)
ISBN: 0198863098
Category : History
Languages : en
Pages : 407
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Book Description
Violentologies explores how different forms of violence shape identity and political vision in both familiar and unexpected ways using Latina/o writers and performers as case-studies.
Author: Christian Ingrao
Publisher: John Wiley & Sons
ISBN: 0745678653
Category : History
Languages : en
Pages : 418
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Book Description
There were eighty of them. They were young, clever and cultivated; they were barely in their thirties when Adolf Hitler came to power. Their university studies in law, economics, linguistics, philosophy and history marked them out for brilliant careers. They chose to join the repressive bodies of the Third Reich, especially the Security Service (SD) and the Nazi Party’s elite protection unit, the SS. They theorized and planned the extermination of twenty million individuals of allegedly ‘inferior’ races. Most of them became members of the paramilitary death squads known as Einsatzgruppen and participated in the slaughter of over a million people. Based on extensive archival research, Christian Ingrao tells the gripping story of these children of the Great War, focusing on the networks of fellow activists, academics and friends in which they moved, studying the way in which they envisaged war and the ‘world of enemies’ which, in their view, threatened them. The mechanisms of their political commitment are revealed, and their roles in Nazism and mass murder. Thanks to this pioneering study, we can now understand how these men came to believe what they did, and how these beliefs became so destructive. The history of Nazism, shows Ingrao, is also a history of beliefs in which a powerful military machine was interwoven with personal experiences, fervour, anguish, utopia and cruelty.
Author: Nitzan Lebovic
Publisher: Springer
ISBN: 1137342064
Category : History
Languages : en
Pages : 507
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Book Description
Some of the first figures the Nazis conscripted in their rise to power were rhetoricians devoted to popularizing the German vocabulary of Leben (life). This fascinating study reexamines this movement through one of its most prominent exponents, Ludwig Klages, revealing the philosophical-cultural crises and political volatility of the Weimar era.
