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Author: Christopher Britt Arredondo
Publisher: SUNY Press
ISBN: 9780791462553
Category : Literary Criticism
Languages : en
Pages : 282
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Book Description
Exposes the cultural roots of Spanish fascism.
Author: Christopher Britt Arredondo
Publisher: SUNY Press
ISBN: 9780791462553
Category : Literary Criticism
Languages : en
Pages : 282
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Book Description
Exposes the cultural roots of Spanish fascism.
Author: S. Gordon
Publisher: Springer
ISBN: 0230601537
Category : Literary Criticism
Languages : en
Pages : 247
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Book Description
Using postmodern theory, The Practice of Quixotism explores eighteenth-century women's texts that use quixote narratives, which typically demand that individuals purge their minds of internalized fictions to insist instead that the reality we encounter is inevitably mediated by the texts we have read.
Author: Tabitha Tenney
Publisher:
ISBN:
Category : Young women
Languages : en
Pages : 724
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Book Description
Author: Tabitha Gilman Tenney
Publisher: BoD – Books on Demand
ISBN: 3368893947
Category : Fiction
Languages : en
Pages : 238
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Book Description
Reprint of the original, first published in 1841.
Author: Tabitha Tenney
Publisher: Scholars' Facsimiles & Reprints
ISBN:
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
An anti-romance satirizing the maudlin fiction of the latter part of the 18th century.
Author: Tabitha Tenney
Publisher:
ISBN:
Category :
Languages : en
Pages : 86
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Book Description
Author: Sally C. Hoople
Publisher:
ISBN:
Category : American fiction
Languages : en
Pages : 370
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Book Description
Author: Liesder Mayea
Publisher:
ISBN:
Category : Belief and doubt in literature
Languages : en
Pages : 448
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Book Description
Author: Aaron R. Hanlon
Publisher: University of Virginia Press
ISBN: 0813942179
Category : History
Languages : en
Pages : 316
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Book Description
Shortlist--Oscar Kenshur Book Prize From Jonathan Swift to Washington Irving, those looking to propose and justify exceptions to social and political norms turned to Cervantes’s notoriously mad comic hero as a model. A World of Disorderly Notions examines the literary and political effects of Don Quixote, arguing that what makes this iconic character so influential across oceans and cultures is not his madness but his logic. Aaron Hanlon contends that the logic of quixotism is in fact exceptionalism—the strategy of rendering oneself an exception to everyone else’s rules. As British and American societies of the Enlightenment developed the need to question the acceptance of various forms of imperialism and social contract theory—and to explain both the virtues and limitations of revolutions past and ongoing—it was Quixote’s exceptionalism, not his madness, that captured the imaginations of so many writers and statesmen. As a consequence, the eighteenth century witnessed an explosion of imitations of Quixote in fiction and polemical writing, by writers such as Jonathan Swift, Charlotte Lennox, Henry Fielding, and Washington Irving, among others. Combining literary history and political theory, Hanlon clarifies an ongoing and immediately relevant history of exceptionalism, of how states from Golden Age Spain to imperial Britain to the formative United States rendered themselves exceptions so they could act with impunity. In so doing, he tells the story of how Quixote became exceptional.
Author: Amelia Dale
Publisher: Rutgers University Press
ISBN: 168448104X
Category : Literary Criticism
Languages : en
Pages : 231
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Book Description
Shortlisted for the 2021 BARS First Book Prize (British Association for Romantic Studies) The Printed Reader explores the transformative power of reading in the eighteenth century, and how this was expressed in the fascination with Don Quixote and in a proliferation of narratives about quixotic readers, readers who attempt to reproduce and embody their readings. Through intersecting readings of quixotic narratives, including work by Charlotte Lennox, Laurence Sterne, George Colman, Richard Graves, and Elizabeth Hamilton, Amelia Dale argues that literature was envisaged as imprinting—most crucially, in gendered terms—the reader’s mind, character, and body. The Printed Reader brings together key debates concerning quixotic narratives, print culture, sensibility, empiricism, book history, and the material text, connecting developments in print technology to gendered conceptualizations of quixotism. Tracing the meanings of quixotic readers’ bodies, The Printed Reader claims the social and political text that is the quixotic reader is structured by the experiential, affective, and sexual resonances of imprinting and impressions. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
