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Author: Geoffrey Haydon
Publisher: Macfarlane Walter & Ross
ISBN: 9781551991108
Category : Jazz
Languages : en
Pages : 0
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Book Description
The story of the greatest jazz concert ever It has entered musical legend as simply "the Massey Hall concert," the night in Toronto in May 1953 when five of the most creative and influential jazz musicians of all time took the stage together, for the only time in their lives: Charlie Parker, Dizzy Gillespie, Bud Powell, Charles Mingus, and Max Roach. The event did not have auspicious beginnings. There was no rehearsal not even a sound check. A world heavyweight title fight on the same night meant the hall was less than half full. Charlie Parker turned up with a white plastic saxophone. But a tape machine was running, and the recordings of the concert became an album that has been reissued over and over again for nearly fifty years - sometimes entitled, with little exaggeration, "The Greatest Jazz Concert Ever. "Quintet of the Year is the tale of that historic concert - but to fix its co-ordinates in history this groundbreaking book navigates decades of musical innovation and social change. Geoffrey Haydon traces the lives of these five jazzmen from their beginnings in music to the point where they boarded the plane to fly to Canada: the reckless excess of the world-famous Parker; the fragile and mercurial pianist Bud Powell; Gillespie, the high priest of bop; Mingus, the bassist from the West Coast; and Roach, the modern drummer supreme. And it follows their lives afterwards, whether to civil rights activism or tragically early death, to show how their stories dramatized for the world the condition of black artists in America. At its centre, "Quintet of the Year recreates the never-to-be-repeated occasion of that remarkable concert itself, from the backstage rows to theembarrassment of box-office receipts insufficient to pay the illustrious performers - and most importantly, the wonder of pieces like "Hot House," "Salt Peanuts," and "A Night in Tunisia" treated to the prodigious artistry of five of the finest American musicians of the twentieth century, for one night only.
Author: Geoffrey Haydon
Publisher: Macfarlane Walter & Ross
ISBN: 9781551991108
Category : Jazz
Languages : en
Pages : 0
Get Book Here
Book Description
The story of the greatest jazz concert ever It has entered musical legend as simply "the Massey Hall concert," the night in Toronto in May 1953 when five of the most creative and influential jazz musicians of all time took the stage together, for the only time in their lives: Charlie Parker, Dizzy Gillespie, Bud Powell, Charles Mingus, and Max Roach. The event did not have auspicious beginnings. There was no rehearsal not even a sound check. A world heavyweight title fight on the same night meant the hall was less than half full. Charlie Parker turned up with a white plastic saxophone. But a tape machine was running, and the recordings of the concert became an album that has been reissued over and over again for nearly fifty years - sometimes entitled, with little exaggeration, "The Greatest Jazz Concert Ever. "Quintet of the Year is the tale of that historic concert - but to fix its co-ordinates in history this groundbreaking book navigates decades of musical innovation and social change. Geoffrey Haydon traces the lives of these five jazzmen from their beginnings in music to the point where they boarded the plane to fly to Canada: the reckless excess of the world-famous Parker; the fragile and mercurial pianist Bud Powell; Gillespie, the high priest of bop; Mingus, the bassist from the West Coast; and Roach, the modern drummer supreme. And it follows their lives afterwards, whether to civil rights activism or tragically early death, to show how their stories dramatized for the world the condition of black artists in America. At its centre, "Quintet of the Year recreates the never-to-be-repeated occasion of that remarkable concert itself, from the backstage rows to theembarrassment of box-office receipts insufficient to pay the illustrious performers - and most importantly, the wonder of pieces like "Hot House," "Salt Peanuts," and "A Night in Tunisia" treated to the prodigious artistry of five of the finest American musicians of the twentieth century, for one night only.
Author: Nate Chinen
Publisher: Vintage
ISBN: 1101873493
Category : Music
Languages : en
Pages : 290
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Book Description
One of the Best Books of the Year: NPR, GQ, Billboard, JazzTimes In jazz parlance, “playing changes” refers to an improviser’s resourceful path through a chord progression. In this definitive guide to the jazz of our time, leading critic Nate Chinen boldly expands on that idea, taking us through the key changes, concepts, events, and people that have shaped jazz since the turn of the century—from Wayne Shorter and Henry Threadgill to Kamasi Washington and Esperanza Spalding; from the phrase “America’s classical music” to an explosion of new ideas and approaches; from claims of jazz’s demise to the living, breathing scene that exerts influence on mass culture, hip-hop, and R&B. Grounded in authority and brimming with style, packed with essential album lists and listening recommendations, Playing Changes takes the measure of this exhilarating moment—and the shimmering possibilities to come.
Author: Krin Gabbard
Publisher: Univ of California Press
ISBN: 0520963741
Category : Music
Languages : en
Pages : 334
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Book Description
Charles Mingus is one of the most important—and most mythologized—composers and performers in jazz history. Classically trained and of mixed race, he was an outspoken innovator as well as a bandleader, composer, producer, and record-label owner. His vivid autobiography, Beneath the Underdog, has done much to shape the image of Mingus as something of a wild man: idiosyncratic musical genius with a penchant for skirt-chasing and violent outbursts. But, as the autobiography reveals, he was also a hopeless romantic. After exploring the most important events in Mingus’s life, Krin Gabbard takes a careful look at Mingus as a writer as well as a composer and musician. He digs into how and why Mingus chose to do so much self-analysis, how he worked to craft his racial identity in a world that saw him simply as “black,” and how his mental and physical health problems shaped his career. Gabbard sets aside the myth-making and convincingly argues that Charles Mingus created a unique language of emotions—and not just in music. Capturing many essential moments in jazz history anew, Better Git It in Your Soul will fascinate anyone who cares about jazz, African American history, and the artist’s life.
Author: Micheal O'Siadhail
Publisher: Canterbury Press
ISBN: 1786221977
Category : Religion
Languages : en
Pages : 584
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Book Description
The Five Quintets is a mammoth poetic adventure undertaken by the celebrated poet Micheal O’Siadhail, attempting nothing less than an exploration of the predicaments of Western modernity. Drawing on inspiration from T S Eliot’s Four Quartets, The Five Quintets brings the premise of Dante’s Divine Comedy into the current day.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 394
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Book Description
Author:
Publisher: UM Libraries
ISBN:
Category : Education, Higher
Languages : en
Pages : 732
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Author:
Publisher:
ISBN:
Category : Audio equipment industry
Languages : en
Pages : 1020
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Book Description
Author: United States. Congress Senate
Publisher:
ISBN:
Category :
Languages : en
Pages : 2822
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Book Description
Author: Albert Charles Robinson Carter
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 392
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Book Description
Author: John Rink
Publisher: Oxford University Press
ISBN: 0190657278
Category : Music
Languages : en
Pages : 409
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Book Description
Musicians are continually 'in the making', tapping into their own creative resources while deriving inspiration from teachers, friends, family members and listeners. Amateur and professional performers alike tend not to follow fixed routes in developing a creative voice: instead, their artistic journeys are personal, often without foreseeable goals. The imperative to assess and reassess one's musical knowledge, understanding and aspirations is nevertheless a central feature of life as a performer. Musicians in the Making explores the creative development of musicians in both formal and informal learning contexts. It promotes a novel view of creativity, emphasizing its location within creative processes rather than understanding it as an innate quality. It argues that such processes may be learned and refined, and furthermore that collaboration and interaction within group contexts carry significant potential to inform and catalyze creative experiences and outcomes. The book also traces and models the ways in which creative processes evolve over time. Performers, music teachers and researchers will find the rich body of material assembled here engaging and enlightening. The book's three parts focus in turn on 'Creative learning in context', 'Creative processes' and 'Creative dialogue and reflection'. In addition to sixteen extended chapters written by leading experts in the field, the volume includes ten 'Insights' by internationally prominent performers, performance teachers and others. Practical aids include abstracts and lists of keywords at the start of each chapter, which provide useful overviews and guidance on content. Topics addressed by individual authors include intrapersonal and interpersonal dynamics, performance experience, practice and rehearsal, 'self-regulated performing', improvisation, self-reflection, expression, interactions between performers and audiences, assessment, and the role of academic study in performers' development.
