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Author: Juan Crisóstomo de Arriaga
Publisher:
ISBN:
Category : String quartets
Languages : en
Pages : 102
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Book Description
Author: Joseph Haydn
Publisher:
ISBN:
Category : String quartets
Languages : en
Pages : 32
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Book Description
Author: Juan Crisóstomo de Arriaga
Publisher:
ISBN:
Category : String quartets
Languages : en
Pages : 102
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Book Description
Author: Harold Reeves (Firm)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 700
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Book Description
Author: David Rounds
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 222
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Book Description
Spotlighting the four women of the Lafayette Quartet, a leading Canadian ensemble, Rounds offers both a comprehensive history of the beloved instrumental form and an inside view of the complex world of professional quartet players, revealing the exultation and heatache that are the performing artists' daily fare. A treat for every music lover, whether player, listener or composer.
Author: Alberto Bachmann
Publisher:
ISBN:
Category : Cellists
Languages : en
Pages : 508
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 598
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Book Description
Author: Glasgow (Scotland). Public Libraries
Publisher:
ISBN:
Category : Classified catalogs (Dewey decimal)
Languages : en
Pages : 382
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Book Description
Author: Leander Jan De Bekker
Publisher: London : A. & C. Black, Limited
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 784
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Book Description
Author:
Publisher:
ISBN:
Category : Administrative law
Languages : en
Pages : 1102
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Book Description
Author: Pierre Baillot
Publisher: Northwestern University Press
ISBN: 0810133016
Category : Music
Languages : en
Pages : 658
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Book Description
Never before available in English, this classic work is a major contribution to the art and technique of violin playing and an important document in the history of performance practice. A contemporary of Kreutzer and Rode, Pierre Marie Francois de Sales Baillot provides in his treatise many insights into the style of nineteenth-century fingering, bowing, ornamentation, and expressiveness that are not apparent from the directions and markings found in scores of that time. Such information will be invaluable for performers interested in understanding the intentions of composers such as Viotti, Haydn, Mozart, Beethoven, and Mendelssohn. This complete, unabridged translation, which includes an extensive introduction by the translator, Louise Goldberg, and a foreword by Zvi Zeitlin, will be indispensable for musicologists, performers, and lovers of eighteenth- and nineteenth-century classical music.
