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Author: Alfred Fowler
Publisher:
ISBN:
Category : Bookplates
Languages : en
Pages : 352
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Book Description
Author: Alfred Fowler
Publisher:
ISBN:
Category : Bookplates
Languages : en
Pages : 352
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Book Description
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 516
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Book Description
Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 620
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Book Description
Author: Raymond J. HaberskiJr.
Publisher: University Press of Kentucky
ISBN: 0813185211
Category : Performing Arts
Languages : en
Pages : 303
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Book Description
Once derided as senseless entertainment, movies have gradually assumed a place among the arts. Raymond Haberski's provocative and insightful book traces the trajectory of this evolution throughout the twentieth century, from nickelodeon amusements to the age of the financial blockbuster. Haberski begins by looking at the barriers to film's acceptance as an art form, including the Chicago Motion Picture Commission hearings of 1918–1920, one of the most revealing confrontations over the use of censorship in the motion picture industry. He then examines how movies overcame the stigma attached to popular entertainment through such watershed events as the creation of the Museum of Modern Art's Film Library in the 1920s. The arguments between Pauline Kael and Andrew Sarris's heralded a golden age of criticism, and Haberski focuses on the roles of Kael, Sarris, James Agee, Roger Ebert, and others, in the creation of "cinephilia." Described by Susan Sontag as "born of the conviction that cinema was an art unlike any other," this love of cinema centered on coffee houses, universities, art theaters, film festivals, and, of course, foreign films. The lively debates over the place of movies in American culture began to wane in the 1970s. Haberski places the blame on the loss of cultural authority and on the increasing irrelevance of the meaning of art. He concludes with a persuasive call for the re-emergence of a middle ground between art and entertainment, "something more complex, ambiguous, and vexing—something worth thought."
Author: Bruce C. Berndt
Publisher: Springer Science & Business Media
ISBN: 1461210887
Category : Mathematics
Languages : en
Pages : 368
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Book Description
Srinivasa Ramanujan is, arguably, the greatest mathematician that India has produced. His story is quite unusual: although he had no formal education inmathematics, he taught himself, and managed to produce many important new results. With the support of the English number theorist G. H. Hardy, Ramanujan received a scholarship to go to England and study mathematics. He died very young, at the age of 32, leaving behind three notebooks containing almost 3000 theorems, virtually all without proof. G. H. Hardy and others strongly urged that notebooks be edited and published, and the result is this series of books. This volume dealswith Chapters 1-9 of Book II; each theorem is either proved, or a reference to a proof is given.
Author: Alfred Fowler
Publisher:
ISBN:
Category : Bookplates
Languages : en
Pages : 40
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Book Description
Author: Sheldon Cheney
Publisher:
ISBN:
Category : Performing arts
Languages : en
Pages : 246
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Author:
Publisher: Information Gatekeepers Inc
ISBN:
Category :
Languages : en
Pages : 19
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Author:
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 876
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Book Description
Author: Aaron James Draplin
Publisher: Abrams
ISBN: 1613129963
Category : Design
Languages : en
Pages : 834
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Book Description
A funny, colorful, fascinating tour through the work and life of one of today’s most influential graphic designers. Esquire. Ford Motors. Burton Snowboards. The Obama Administration. While all of these brands are vastly different, they share at least one thing in common: a teeny little bit of Aaron James Draplin. Draplin is one of the new school of influential graphic designers who combine the power of design, social media, entrepreneurship, and DIY aesthetic to create a successful business and way of life. Pretty Much Everything is a mid-career survey of work, case studies, inspiration, road stories, lists, maps, how-tos, and advice. It includes examples of his work—posters, record covers, logos—and presents the process behind his design with projects like Field Notes and the “Things We Love” State Posters. Draplin also offers valuable advice and hilarious commentary that illustrates how much more goes into design than just what appears on the page. With Draplin’s humor and pointed observations on the contemporary design scene, Pretty Much Everything is the complete package.
