Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 108
Book Description
A Check-list of Music Serials in 18 Libraries of the Rocky Mountain Region
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 108
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 108
Book Description
Checklist of Writings on American Music, 1640-1992
Author: Guy A. Marco
Publisher: Scarecrow Press
ISBN: 9780810831339
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
Cumulative index to all three volumes of Literature of American Music in Books and Folk Music Collections.
Publisher: Scarecrow Press
ISBN: 9780810831339
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
Cumulative index to all three volumes of Literature of American Music in Books and Folk Music Collections.
Guide to Reference Material
Author: Albert John Walford
Publisher:
ISBN:
Category : Reference books
Languages : en
Pages : 730
Book Description
Publisher:
ISBN:
Category : Reference books
Languages : en
Pages : 730
Book Description
Guide to Reprints
Author: Albert James Diaz
Publisher:
ISBN:
Category : Editions
Languages : en
Pages : 1494
Book Description
Publisher:
ISBN:
Category : Editions
Languages : en
Pages : 1494
Book Description
Guide to Reference Material
Author: A. J. Walford
Publisher:
ISBN:
Category : Reference books
Languages : en
Pages : 730
Book Description
Publisher:
ISBN:
Category : Reference books
Languages : en
Pages : 730
Book Description
The Garland Encyclopedia of World Music
Author: Ellen Koskoff
Publisher: Routledge
ISBN: 1351544144
Category : Music
Languages : en
Pages : 2651
Book Description
This volume makes available the full range of the American/Canadian musical experience, covering-for the first time in print-all major regions, ethnic groups, and traditional and popular contexts. From musical comedy to world beat, from the songs of the Arctic to rap and house music, from Hispanic Texas to the Chinese communities of Vancouver, the coverage captures the rich diversity and continuities of the vibrant music we hear around us. Special attention is paid to recent immigrant groups, to Native American traditions, and to such socio-musical topics as class, race, gender, religion, government policy, media, and technology.
Publisher: Routledge
ISBN: 1351544144
Category : Music
Languages : en
Pages : 2651
Book Description
This volume makes available the full range of the American/Canadian musical experience, covering-for the first time in print-all major regions, ethnic groups, and traditional and popular contexts. From musical comedy to world beat, from the songs of the Arctic to rap and house music, from Hispanic Texas to the Chinese communities of Vancouver, the coverage captures the rich diversity and continuities of the vibrant music we hear around us. Special attention is paid to recent immigrant groups, to Native American traditions, and to such socio-musical topics as class, race, gender, religion, government policy, media, and technology.
A&R Pioneers
Author: Brian Ward
Publisher: Vanderbilt University Press
ISBN: 0826504043
Category : Music
Languages : en
Pages : 533
Book Description
Association for Recorded Sound Collections Certificate of Merit for the Best Historical Research in Recorded Roots or World Music, 2019 A&R Pioneers offers the first comprehensive account of the diverse group of men and women who pioneered artists-and-repertoire (A&R) work in the early US recording industry. In the process, they helped create much of what we now think of as American roots music. Resourceful, innovative, and, at times, shockingly unscrupulous, they scouted and signed many of the singers and musicians who came to define American roots music between the two world wars. They also shaped the repertoires and musical styles of their discoveries, supervised recording sessions, and then devised marketing campaigns to sell the resulting records. By World War II, they had helped redefine the canons of American popular music and established the basic structure and practices of the modern recording industry. Moreover, though their musical interests, talents, and sensibilities varied enormously, these A&R pioneers created the template for the job that would subsequently become known as "record producer." Without Ralph Peer, Art Satherley, Frank Walker, Polk C. Brockman, Eli Oberstein, Don Law, Lester Melrose, J. Mayo Williams, John Hammond, Helen Oakley Dance, and a whole army of lesser known but often hugely influential A&R representatives, the music of Bessie Smith and Bob Wills, of the Carter Family and Count Basie, of Robert Johnson and Jimmie Rodgers may never have found its way onto commercial records and into the heart of America's musical heritage. This is their story.
Publisher: Vanderbilt University Press
ISBN: 0826504043
Category : Music
Languages : en
Pages : 533
Book Description
Association for Recorded Sound Collections Certificate of Merit for the Best Historical Research in Recorded Roots or World Music, 2019 A&R Pioneers offers the first comprehensive account of the diverse group of men and women who pioneered artists-and-repertoire (A&R) work in the early US recording industry. In the process, they helped create much of what we now think of as American roots music. Resourceful, innovative, and, at times, shockingly unscrupulous, they scouted and signed many of the singers and musicians who came to define American roots music between the two world wars. They also shaped the repertoires and musical styles of their discoveries, supervised recording sessions, and then devised marketing campaigns to sell the resulting records. By World War II, they had helped redefine the canons of American popular music and established the basic structure and practices of the modern recording industry. Moreover, though their musical interests, talents, and sensibilities varied enormously, these A&R pioneers created the template for the job that would subsequently become known as "record producer." Without Ralph Peer, Art Satherley, Frank Walker, Polk C. Brockman, Eli Oberstein, Don Law, Lester Melrose, J. Mayo Williams, John Hammond, Helen Oakley Dance, and a whole army of lesser known but often hugely influential A&R representatives, the music of Bessie Smith and Bob Wills, of the Carter Family and Count Basie, of Robert Johnson and Jimmie Rodgers may never have found its way onto commercial records and into the heart of America's musical heritage. This is their story.
The Musician's Guide
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 668
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 668
Book Description
Report of the Committee of the Conference on Inter-American Relations in the Field of Music
Author: Conference on Inter-American Relations in the Field of Music Committee. : mn
Publisher:
ISBN:
Category : Latin America
Languages : en
Pages : 306
Book Description
Publisher:
ISBN:
Category : Latin America
Languages : en
Pages : 306
Book Description
Johanna Beyer
Author: Amy C. Beal
Publisher: University of Illinois Press
ISBN: 0252097130
Category : Biography & Autobiography
Languages : en
Pages : 153
Book Description
Composer Johanna Beyer's fascinating body of music and enigmatic life story constitute an important chapter in American music history. As a hard-working German émigré piano teacher and accompanist living in and around New York City during the New Deal era, she composed plentiful music for piano, percussion ensemble, chamber groups, choir, band, and orchestra. A one-time student of Ruth Crawford, Charles Seeger, and Henry Cowell, Beyer was an ultramodernist, and an active member of a community that included now-better-known composers and musicians. Only one of her works was published and only one recorded during her lifetime. But contemporary musicians who play Beyer's compositions are intrigued by her originality. Amy C. Beal chronicles Beyer's life from her early participation in New York's contemporary music scene through her performances at the Federal Music Project's Composers' Forum-Laboratory concerts to her unfortunate early death in 1944. This book is a portrait of a passionate and creative woman underestimated by her music community even as she tirelessly applied her gifts with compositional rigor. The first book-length study of the composer's life and music, Johanna Beyer reclaims a uniquely innovative artist and body of work for a new generation.
Publisher: University of Illinois Press
ISBN: 0252097130
Category : Biography & Autobiography
Languages : en
Pages : 153
Book Description
Composer Johanna Beyer's fascinating body of music and enigmatic life story constitute an important chapter in American music history. As a hard-working German émigré piano teacher and accompanist living in and around New York City during the New Deal era, she composed plentiful music for piano, percussion ensemble, chamber groups, choir, band, and orchestra. A one-time student of Ruth Crawford, Charles Seeger, and Henry Cowell, Beyer was an ultramodernist, and an active member of a community that included now-better-known composers and musicians. Only one of her works was published and only one recorded during her lifetime. But contemporary musicians who play Beyer's compositions are intrigued by her originality. Amy C. Beal chronicles Beyer's life from her early participation in New York's contemporary music scene through her performances at the Federal Music Project's Composers' Forum-Laboratory concerts to her unfortunate early death in 1944. This book is a portrait of a passionate and creative woman underestimated by her music community even as she tirelessly applied her gifts with compositional rigor. The first book-length study of the composer's life and music, Johanna Beyer reclaims a uniquely innovative artist and body of work for a new generation.