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Author: Francis Quarles
Publisher:
ISBN:
Category : Emblem books
Languages : en
Pages : 406
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Book Description
Author: Francis Quarles
Publisher:
ISBN:
Category : Emblem books
Languages : en
Pages : 406
Get Book Here
Book Description
Author: Francis Quarles
Publisher:
ISBN:
Category : Bookbinding
Languages : en
Pages : 346
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Book Description
Author: Francis Quarles
Publisher:
ISBN:
Category : Emblem books
Languages : en
Pages : 496
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Book Description
Author: William E. Engel
Publisher: Cambridge University Press
ISBN: 1107086817
Category : Art
Languages : en
Pages : 397
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Book Description
Anthology of a selection of early modern works on memory.
Author: Michael Bath
Publisher: BRILL
ISBN: 9004364064
Category : History
Languages : en
Pages : 374
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Book Description
Emblems in the visual arts use motifs which have meanings, and in Emblems in Scotland Michael Bath, leading authority on Renaissance emblem books, shows how such symbolic motifs address major historical issues of Anglo-Scottish relations, the Reformation of the Church and the Union of the Crowns. Emblems are enigmas, and successive chapters ask for instance: Why does a late-medieval rood-screen show a jester at the Crucifixion? Why did Elizabeth I send Mary Queen of Scots tapestries showing the power of women to build a feminist City of God? Why did a presbyterian minister of Stirling decorate his manse with hieroglyphics? And why in the twentieth-century did Ian Hamilton Finlay publish a collection of Heroic Emblems?
Author: Francis Quarles
Publisher:
ISBN:
Category : Conduct of life
Languages : en
Pages : 300
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Book Description
Author: Pauline Reid
Publisher: University of Toronto Press
ISBN: 1487511639
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
Renaissance readers perceived the print book as both a thing and a medium - a thing that could be broken or reassembled, and a visual medium that had the power to reflect, transform, or deceive. At the same historical moment that print books remediated the visual and material structures of manuscript and oral rhetoric, the relationship between vision and perception was fundamentally called into question. Investigating this crisis of perception, Pauline Reid argues that the visual crisis that suffuses early modern English thought also imbricates sixteenth- and seventeenth-century print materials. These vision troubles in turn influenced how early modern books and readers interacted. Platonic, Aristotelian, and empirical models of sight vied with one another in a culture where vision had a tenuous relationship to external reality. Through situating early modern books’ design elements, such as woodcuts, engravings, page borders, and layouts, as important rhetorical components of the text, Reading by Design articulates how the early modern book responded to epistemological crises of perception and competing theories of sight.
Author: Karl Josef Höltgen
Publisher: Edition Reichenberger
ISBN: 9783923593354
Category : Devices (Heraldry)
Languages : en
Pages : 216
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Book Description
Author: George Wither
Publisher:
ISBN:
Category : Emblems
Languages : en
Pages : 0
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Book Description
Author: Peter Goodrich
Publisher: Cambridge University Press
ISBN: 1107035996
Category : Art
Languages : en
Pages : 313
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Book Description
The emblem book was invented by the humanist lawyer Andrea Alciato in 1531. The preponderance of juridical and normative themes, of images of rule and infraction, of obedience and error in the emblem books is critical to their purpose and interest. This book outlines the history of the emblem tradition as a juridical genre, along with the concept of, and training in, obiter depicta, in things seen along the way to judgment. It argues that these books depict norms and abuses in classically derived forms that become the visual standards of governance. Despite the plethora of vivid figures and virtual symbols that define and transmit law, contemporary lawyers are not trained in the critical apprehension of the visible. This book is the first to reconstruct the history of the emblem tradition, evidencing the extent to which a gallery of images of law already exists and structuring how the public realm is displayed, made present and viewed.
