Author: William Gallois
Publisher: Penn State Press
ISBN: 0271096160
Category : Art
Languages : en
Pages : 209
Book Description
In the last years of the nineteenth century, the Tunisian city of Qayrawān suddenly found itself covered in murals. Concentrated on and around the city’s Great Mosque, these monumental artworks were only visible for about fifty years, from the 1880s through the 1930s. This book investigates the fascinating history of who created these outdoor paintings and why. Using visual archaeological methods, William Gallois reconstructs the visual history of these works and vividly brings them back to life. He locates pictorial records of the murals from the backdrops of photographs, postcards, and other forms of European ephemera. In Qayrawān, he identifies a form of religious painting that transposed traditional aesthetic forms such as house decoration, embroidery, and tattooing—which lay exclusively within the domains of women—onto the body of a conquered city. Gallois argues that these works were created by women as a form of “emergency art,” intended to offer amuletic protection for the community, and demonstrates how they differ markedly from “classical” Islamic antecedents and modern modes of Arab cultural production in the Middle East and North Africa. Based on extensive archival research, this study is both a record of a unique moment in the history of art and a challenge to rethink the spiritual force and agency of a group of anonymous female artists whose paintings aspired to help save the world at a time of great peril. It will be welcomed by scholars of art history, Islamic studies, Middle East studies, and the history of magic.
Qayrawān
Author: William Gallois
Publisher: Penn State Press
ISBN: 0271096160
Category : Art
Languages : en
Pages : 209
Book Description
In the last years of the nineteenth century, the Tunisian city of Qayrawān suddenly found itself covered in murals. Concentrated on and around the city’s Great Mosque, these monumental artworks were only visible for about fifty years, from the 1880s through the 1930s. This book investigates the fascinating history of who created these outdoor paintings and why. Using visual archaeological methods, William Gallois reconstructs the visual history of these works and vividly brings them back to life. He locates pictorial records of the murals from the backdrops of photographs, postcards, and other forms of European ephemera. In Qayrawān, he identifies a form of religious painting that transposed traditional aesthetic forms such as house decoration, embroidery, and tattooing—which lay exclusively within the domains of women—onto the body of a conquered city. Gallois argues that these works were created by women as a form of “emergency art,” intended to offer amuletic protection for the community, and demonstrates how they differ markedly from “classical” Islamic antecedents and modern modes of Arab cultural production in the Middle East and North Africa. Based on extensive archival research, this study is both a record of a unique moment in the history of art and a challenge to rethink the spiritual force and agency of a group of anonymous female artists whose paintings aspired to help save the world at a time of great peril. It will be welcomed by scholars of art history, Islamic studies, Middle East studies, and the history of magic.
Publisher: Penn State Press
ISBN: 0271096160
Category : Art
Languages : en
Pages : 209
Book Description
In the last years of the nineteenth century, the Tunisian city of Qayrawān suddenly found itself covered in murals. Concentrated on and around the city’s Great Mosque, these monumental artworks were only visible for about fifty years, from the 1880s through the 1930s. This book investigates the fascinating history of who created these outdoor paintings and why. Using visual archaeological methods, William Gallois reconstructs the visual history of these works and vividly brings them back to life. He locates pictorial records of the murals from the backdrops of photographs, postcards, and other forms of European ephemera. In Qayrawān, he identifies a form of religious painting that transposed traditional aesthetic forms such as house decoration, embroidery, and tattooing—which lay exclusively within the domains of women—onto the body of a conquered city. Gallois argues that these works were created by women as a form of “emergency art,” intended to offer amuletic protection for the community, and demonstrates how they differ markedly from “classical” Islamic antecedents and modern modes of Arab cultural production in the Middle East and North Africa. Based on extensive archival research, this study is both a record of a unique moment in the history of art and a challenge to rethink the spiritual force and agency of a group of anonymous female artists whose paintings aspired to help save the world at a time of great peril. It will be welcomed by scholars of art history, Islamic studies, Middle East studies, and the history of magic.
The Jewish Quarterly Review
Author:
Publisher:
ISBN:
Category : Jews
Languages : en
Pages : 248
Book Description
Publisher:
ISBN:
Category : Jews
Languages : en
Pages : 248
Book Description
The Cultivators of Islam
Author: John Ralph Willis
Publisher:
ISBN:
Category : Islam
Languages : en
Pages : 354
Book Description
Publisher:
ISBN:
Category : Islam
Languages : en
Pages : 354
Book Description
BAR International Series
Author:
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 426
Book Description
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 426
Book Description
ليبيا البيزنطية و اندفاع العرب نحو شمال أفريقيا
Author: Vassilios Christides
Publisher: British Archaeological Reports Oxford Limited
ISBN:
Category : History
Languages : en
Pages : 172
Book Description
A detailed study of Byzantine Africa and its conquest by the Arabs beginning in 641/642. Professor Christides assesses the political situation on the eve of the first Arab raid, the raids themselves and the sources available for studying them, as well as the causes and consequences of the Byzantine loss of North Africa and the integration of Arabic and Islamic cultures. The study focuses primarily on the regions of Cyrenaica, Tripolitania and Fezzan (roughly modern-day Libya).
Publisher: British Archaeological Reports Oxford Limited
ISBN:
Category : History
Languages : en
Pages : 172
Book Description
A detailed study of Byzantine Africa and its conquest by the Arabs beginning in 641/642. Professor Christides assesses the political situation on the eve of the first Arab raid, the raids themselves and the sources available for studying them, as well as the causes and consequences of the Byzantine loss of North Africa and the integration of Arabic and Islamic cultures. The study focuses primarily on the regions of Cyrenaica, Tripolitania and Fezzan (roughly modern-day Libya).
The History of an Islamic School of Law
Author: Nurit Tsafrir
Publisher: Islamic Legal Studies Program @ Harvard Law School
ISBN:
Category : History
Languages : en
Pages : 224
Book Description
So closely is the early development of the Hanafi school interwoven with non-legal spheres--the political, social, and theological--that its study is essential to a proper understanding of medieval Islamic history. Tsafrir offers a thorough examination of the first century and a half of the school's existence, the period during which it took shape.
Publisher: Islamic Legal Studies Program @ Harvard Law School
ISBN:
Category : History
Languages : en
Pages : 224
Book Description
So closely is the early development of the Hanafi school interwoven with non-legal spheres--the political, social, and theological--that its study is essential to a proper understanding of medieval Islamic history. Tsafrir offers a thorough examination of the first century and a half of the school's existence, the period during which it took shape.
African Architecture
Author: Nnamdi Elleh
Publisher: McGraw-Hill Professional Publishing
ISBN:
Category : Architecture
Languages : en
Pages : 410
Book Description
Provides an extraordinary account of the evolution, transformation and development of architecture across this continent. It is examined and evaluated from a wide range of ethnic, climatic, political economic and religious factors.
Publisher: McGraw-Hill Professional Publishing
ISBN:
Category : Architecture
Languages : en
Pages : 410
Book Description
Provides an extraordinary account of the evolution, transformation and development of architecture across this continent. It is examined and evaluated from a wide range of ethnic, climatic, political economic and religious factors.
Anuari de Filologia
Author:
Publisher:
ISBN:
Category : Arab countries
Languages : en
Pages : 316
Book Description
Publisher:
ISBN:
Category : Arab countries
Languages : en
Pages : 316
Book Description
Archives polonaises d'etudes orientales
Author:
Publisher:
ISBN:
Category : Asia
Languages : en
Pages : 698
Book Description
Publisher:
ISBN:
Category : Asia
Languages : en
Pages : 698
Book Description
Minaret, Symbol of Islam
Author: Jonathan M. Bloom
Publisher: Oxford University Press, USA
ISBN:
Category : Architecture
Languages : en
Pages : 224
Book Description
Using buildings, archaeological reports, medieval histories, geographies and early Arabic poetry, this book reinterprets the origin, development and meanings of the minaret. explaining how the tower became identified with Islam. Bloom shows how the introduction of the tower into the mosque marked a major shift in the iconography of architecture and how the tower, once a sign of political and royal power, became associated with religious architecture. Charting the spread of the minaret throughout the Islamic lands until its universal acceptance as a sign, Bloom concludes with an overview of subsequent developments once the minaret had become the symbol of Islam.
Publisher: Oxford University Press, USA
ISBN:
Category : Architecture
Languages : en
Pages : 224
Book Description
Using buildings, archaeological reports, medieval histories, geographies and early Arabic poetry, this book reinterprets the origin, development and meanings of the minaret. explaining how the tower became identified with Islam. Bloom shows how the introduction of the tower into the mosque marked a major shift in the iconography of architecture and how the tower, once a sign of political and royal power, became associated with religious architecture. Charting the spread of the minaret throughout the Islamic lands until its universal acceptance as a sign, Bloom concludes with an overview of subsequent developments once the minaret had become the symbol of Islam.