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Author: Vanessa Martin
Publisher: I.B. Tauris
ISBN:
Category : History
Languages : en
Pages : 238
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Book Description
The Qajar Pact explores new perspectives on the nineteenth-century Iranian state and society, and is the first broad study of lower social groups in this period. Vanessa Martin argues that Qajar government was certainly despotic, but was also founded on a consensus based on the Islamic principles of consultation and negotiation. The author focuses on the role of the non-elite groups in urban society up to the years before the Constitutional Revolution.
Author: Vanessa Martin
Publisher: I.B. Tauris
ISBN: 9781788311151
Category : History
Languages : en
Pages : 224
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Book Description
The Qajar Pact explores new perspectives on the nineteenth-century Iranian state and society, and is the first broad study of lower social groups in this period. Vanessa Martin argues that Qajar government was certainly despotic, but was also founded on a consensus based on the Islamic principles of consultation and negotiation. The author focuses on the role of the non-elite groups in urban society up to the years before the Constitutional Revolution.
Author: Basil William Robinson
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 306
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Book Description
Iranian art of the Qajar period (1779-1925) has long been neglected and is little understood. This beautifully illustrated book for the first time comprehensively examines the flowering of Persian painting and the visual arts of this period. It focuses on the growth of a remarkable tradition of life-size figural painting, virtually unseen in the Islamic world. Exquisite historic manuscripts, lacquer works, calligraphies and enamels further illuminate the subject. The Qajar Epoch carries essays by leading scholars exploring the historical and social context of the period. Detailed entries describing and interpreting a wide variety of painting and artifacts, many hitherto unseen masterpieces from museums such as the Hermitage and private collections are virtually all illustrated in color and accompanied by translations of inscriptions, technical appendices and extensive bibliographies. A unique reference work, The Qajar Epoch will appeal to both specialist of pre-modern Iran and all those interested in non-Western artistic and cultural traditions.
Author: Yann Richard
Publisher: Cambridge University Press
ISBN: 110847683X
Category : History
Languages : en
Pages : 0
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Book Description
An introduction to the history of Iran since 1800, covering key events up to the current Islamic Republic.
Author: Roxane Farmanfarmaian
Publisher: Routledge
ISBN: 1134103085
Category : History
Languages : en
Pages : 247
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Book Description
With new and existing evidence being reconsidered, this edited collection takes a multidisciplinary approach to discussing the Qajar system within the context of the wars that engulfed it and the periods of peace that ensued. It throws new light on the decision-making processes, the restraints on action, and the political exigencies at play during the Qajar years.
Author: Ann K. S. Lambton
Publisher: London : Tauris
ISBN:
Category : History
Languages : en
Pages : 368
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Book Description
This book gathers for the first time Professor Lambton's essays, the fruits of more than thirty years of scholarship, into one volume. Together they provide an unparalleled introduction to Pesia's crucial early confrontation with the modern age.
Author: Willem M. Floor
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 236
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Book Description
Although in the last few years the study of painting in 19th century Iran has made considerable progress it still remains somewhat tradition bound. It would seem that art historians find it difficult to go beyond oil paintings, lacquer, and enamel. In 1998, Robinson, the doyen of Qajar art history, wrote: "Qajar painting found its most prestigious outlets in oil painting, lacquer, and enamel." In this study it is shown that paintings were probably the most important form of expression for painters for many centuries and as prestigious as the other forms of painting. Mural paintings were very popular and were to be found on various types of buildings ranging from the royal palaces, private homes, bath-houses to a religious shrine. Painting was a craft and a business that was actively pursued by artisans in most major towns in response to a general demand for-figurative art. As to the themes depicted these remained basically limited to (i) dynastic and epic (Qajar 'family portraits'; battles, hunts; Shahnameh scenes), (ii) sensual (flora, fauna, erotic), and (iii) religious (prophets, lmams, 'olama) subjects. These subjects occurred in any type of building irrespective of its function. The wide use of figurative representation in religious buildings and practice is of great interest. People almost invariably assume that Moslems until recent times did not tolerate paintings and the like of humans and animals adorning public and private buildings and publications. This study shows otherwise. There is even evidence of the use of paintings as religious icons, which is a totally neglected subject. Rock reliefs and other forms of sculptured works in and on buildings and its accessories such as doors show a similar development as mural paintings. Although information is even less copious than for wall paintings, it is clear that the depiction of living beings in the forms of sculptures was very widespread and pre-dates the Qajar period. The nature and form of murals were influenced by the increased contacts between Persia/Iran and the outside world, in particular Europe and India. This holds in particular for the use of prints and the occurrence of European scenes in frescos and other forms of paintings. Willem Floor has written extensively on many aspects of social, economic, and art history of Iran.
Author: Mangol Bayat
Publisher: Syracuse University Press
ISBN: 9780815628538
Category : History
Languages : en
Pages : 252
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Book Description
This history examines the complex origins of religious dissent in 19th-century Qajar Iran (known to Westerners as Persia), and how it provided a mood and attitude which led to far-reaching political dissent, culminating in the establishment of a new government in 1906.
Author: Julian Raby
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 108
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Book Description
Qajar Portraits is a beautifully-illustrated, comprehensive overview of Qajar imperial portraiture. The items, which include several of the most important works of early Qajar art, clearly depict the political role of portraiture under the Qajars and the influence of Napoleonic portraits on the development of Persia’s early-20th century imperial iconography under Fath ‘Ali Shah, and the use of portraiture in Qajar civil and military Orders of Merit. No other Muslim dynasty, except the Mughals, used portraiture as intensively to further dynastic and political ends.
Author: S. J. Falk
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 63
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Book Description
Author: GWENAELLE. FELLINGER
Publisher:
ISBN: 9781909942646
Category :
Languages : en
Pages : 216
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Book Description
Collected articles on Iranian art from the Qajar dynasty. The thirteen articles in this volume were originally given as presentations at the symposium of the same name organized in June 2018 by the Musée du Louvre and the Musée du Louvre-Lens in conjunction with the exhibition The Empire of Roses: Masterpieces of 19th Century Persian Art. The exhibition explored the art of Iran in the nineteenth and early twentieth centuries, while the nation was under the rule of the Qajar dynasty. The symposium set out to present research on previously unknown and unpublished objects from this rich period of art history. This volume, published with the Louvre Museum in France, is divided into four sections. The first, "Transitions and Transmissions," is dedicated to the arts of painting, illumination, and lithography. The focus of the second section, entitled "The Image Revealed," also considers works on paper, looking at new themes and techniques. "The Material World" examines the use of materials such as textiles, carpets, and armor. The articles in the final section discuss the history of two groups of artifacts acquired by their respective museums.
