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Author: Nathaniel Tolle
Publisher:
ISBN: 9780764347238
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
"Recommends over 100 titles that are guaranteed to make your Halloween fun and frightening ... the films included here are fast-paced, have essences of autumn (if they aren't set at Halloween itself) and have a trim run time (under two hours). Avoiding mean-spirited and cruel movies more typical of the horror offerings, [this] also includes Halloween treats from multiple categories in addition to horror: comedy, animation, science fiction, silent era, and foreign films, all ranging in popularity from blockbusters to the obscure ... plenty of quirky trivia, various top 5 lists and a special chapter devoted to the greatest Halloween television episodes of all time"--Publisher's description
Author: Nathaniel Tolle
Publisher:
ISBN: 9780764347238
Category : Performing Arts
Languages : en
Pages : 0
Get Book Here
Book Description
"Recommends over 100 titles that are guaranteed to make your Halloween fun and frightening ... the films included here are fast-paced, have essences of autumn (if they aren't set at Halloween itself) and have a trim run time (under two hours). Avoiding mean-spirited and cruel movies more typical of the horror offerings, [this] also includes Halloween treats from multiple categories in addition to horror: comedy, animation, science fiction, silent era, and foreign films, all ranging in popularity from blockbusters to the obscure ... plenty of quirky trivia, various top 5 lists and a special chapter devoted to the greatest Halloween television episodes of all time"--Publisher's description
Author: Jay Ruby
Publisher: Routledge
ISBN: 1317762444
Category : Social Science
Languages : en
Pages : 291
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Book Description
The Cinema of John Marshall explores the life and art of the pioneering ethnographic filmmaker. Its centerpiece is an autobiographical essay in which Marshall assesses his forty-year involvement with the San peoples (Bushmen) of South Africa and his films, from the 1957 award winning The Hunters to his current work in progress, Death by Myth. The book weaves together the political economy of San dispossession, history and ethnography, personal narratives of historical importance, and expositions of film techniques and film language. The first English language study of the man and his work, The Cinema of John Marshall conveys the complex unity of Marshall's life: the filmic, the intellectual, the political, and the human.
Author: Robert Murphy
Publisher: Bloomsbury Publishing
ISBN: 1838718249
Category : Performing Arts
Languages : en
Pages : 524
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Book Description
British films of the 1960s are undervalued. Their search for realism has often been dismissed as drabness and their more frivolous efforts can now appear just empty-headed. Robert Murphy's Sixties British Cinema is the first study to challenge this view. He shows that the realist tradition of the late 50s and early 60s was anything but dreary and depressing, and gave birth to a clutch of films remarkable for their confidence and vitality: Saturday Night and Sunday Morning, A Kind of Loving, and A Taste of Honey are only the better known titles. Sixties British Cinema revalues key genres of the period - horror, crime and comedy - and takes a fresh look at the 'swinging London' films, finding disturbing undertones that reflect the cultural changes of the decade. Now that our cinematic past is constantly recycled on television, Murphy's informative, engaging and perceptive review of these films and their cultural and industrial context offers an invaluable guide to this neglected era of British cinema.
Author: Ailsa Grant Ferguson
Publisher: Routledge
ISBN: 1135041857
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
Addressing for the first time Shakespeare’s place in counter-cultural cinema, this book examines and theorizes counter-hegemonic, postmodern, and post-punk Shakespeare in late 20th and early 21st century film. Drawing on a diverse range of case studies, Grant Ferguson presents an interdisciplinary approach that offers new theories on the nature and application of Shakespearean appropriations in the light of postmodern modes of representation. The book considers the nature of the Shakespearean inter-text in subcultural political contexts concerning the politicized aesthetics of a Shakespearean ‘body in pieces,’ the carnivalesque, and notions of Shakespeare as counter-hegemonic weapon or source of empowerment. Representative films use Shakespeare (and his accompanying cultural capital) to challenge notions of capitalist globalization, dominant socio-cultural ideologies, and hegemonic modes of expression. In response to a post-modern culture saturated with logos and semiotic abbreviations, many such films play with the emblematic imagery and references of Shakespeare’s texts. These curious appropriations have much to reveal about the elusive nature of intertextuality in late postmodern culture and the battle for cultural ownership of Shakespeare. As there has yet to be a study that isolates and theorizes modes of Shakespearean production that specifically demonstrate resistance to the social, political, ideological, aesthetic, and cinematic norms of the Western world, this book expands the dialogue around such texts and interprets their patterns of appropriation, adaptation, and representation of Shakespeare.
Author: Christine Tomassini
Publisher: Saint James Press
ISBN: 9781558624597
Category : Performing Arts
Languages : en
Pages : 694
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Book Description
"Magill's Cinema Annual provides comprehensive information on the theatrical releases of each year. Featured are extensive essays, cast and character listings, production credits, running time, country of origin, MPAA rating, nine comprehensive indexes and more.
Author: Scott MacDonald
Publisher: Temple University Press
ISBN: 9781592134274
Category : Performing Arts
Languages : en
Pages : 332
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Book Description
Fascinating documentation of one of the most important film societies in American history.
Author: Johannes Schönherr
Publisher: McFarland
ISBN: 0786490527
Category : Performing Arts
Languages : en
Pages : 225
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Book Description
Like many ideological dictatorships of the twentieth century, North Korea has always considered cinema an indispensible propaganda tool. No other medium penetrated the whole of the population so thoroughly, and no other medium remained so strictly and exclusively under state control. Through movies, the two successive leaders Kim Il Sung and Kim Jong Il propagandized their policies and sought to rally the masses behind them, with great success. This volume chronicles the history of North Korean cinema from its beginnings to today, examining the obstacles the film industry faced as well as the many social problems the films themselves reveal. It provides detailed analyses of major and minor films and explores important developments in the industry within the context of the concurrent social and political atmosphere. Through the lens of cinema emerges a fresh perspective on the history of North Korean politics, culture, and ideology.
Author: Chris Fujiwara
Publisher:
ISBN: 9781844035908
Category : Motion picture
Languages : en
Pages : 0
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Book Description
Part expert selection of seminal moments, part glorious celebration of 100 years of cinema. The 1000 seminal moments will be divided into categories. The seminal films, the major players - actors, actresses, directors, producers - focusing on a moment that encompasses their contribution, great scenes, great lines and major events, from meetings and debuts to casting quirks and deaths. Whether dazzlingly inventive, technically breathtaking, shockingly simple or simply shocking, these moments took movies to their greatest heights. Some are legendary - the spectacular action sequence, awesome special effects, extraordinary performances, genius direction or unforgettable dialogue. Others are more subtle - groundbreaking films that inspired decades of imitators, the first screen appearance of a future star, the untimely death of a major player, or even the roll of the dice on the casting couch that gave us Brando's Godfather rather than Borgnine's.
Author: Neil Sinyard
Publisher: Manchester University Press
ISBN: 1526141493
Category : Performing Arts
Languages : en
Pages : 304
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Book Description
In François Truffaut’s opinion The Innocents was ‘the best English film after Hitchcock goes to America’. Tennessee Williams said of The Great Gatsby: ‘a film whose artistry even surpassed the original novel’. The maker of both films was Jack Clayton, one of the finest English directors of the post-war era and perhaps best remembered for the trail-blazing Room at the Top which brought a new sexual frankness and social realism to the British screen. This is the first full-length critical study of Clayton's work. The author has been able to consult and quote from the director's own private papers which illuminate Clayton’s creative practices and artistic intentions. In addition to fresh analyses of the individual films, the book contains new material on Clayton's many unrealised projects and valuably includes his previously unpublished short story ‘The Enchantment’ – as poignant and revealing as the films themselves. This is a personal and fascinating account of the career and achievement of an important, much-loved director that should appeal to students and film enthusiasts.
Author: Delphine Benezet
Publisher: Columbia University Press
ISBN: 0231850611
Category : Performing Arts
Languages : en
Pages : 169
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Book Description
Agnès Varda, a pioneer of the French New Wave, has been making radical films for over half a century. Many of these are considered by scholars, filmmakers, and audiences alike, as audacious, seminal, and unforgettable. This volume considers her production as a whole, revisiting overlooked films like Mur, Murs/Documenteur (1980–81), and connecting her cinema to recent installation work. This study demonstrates how Varda has resisted norms of representation and diktats of production. It also shows how she has elaborated a personal repertoire of images, characters, and settings, which all provide insight on their cultural and political contexts. The book thus offers new readings of this director's multifaceted rêveries, arguing that her work should be seen as an aesthetically influential and ethically-driven production where cinema is both a political and collaborative practice, and a synesthetic art form.
