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Author: Deborah Cartmell
Publisher: Pluto Press (UK)
ISBN:
Category : Performing Arts
Languages : en
Pages : 176
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Book Description
New expanded edition of a classic anthropology title that examines ethnicity as a dynamic and shifting aspect of social relations.
Author: Deborah Cartmell
Publisher: Pluto Press (UK)
ISBN:
Category : Performing Arts
Languages : en
Pages : 176
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Book Description
New expanded edition of a classic anthropology title that examines ethnicity as a dynamic and shifting aspect of social relations.
Author: Deborah Cartmell
Publisher: Pluto Press
ISBN: 9780745312187
Category : Art
Languages : en
Pages : 220
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Book Description
Sisterhoods concentrates on portrayals of female relationships - communities, friends, lovers, sisters, daughters, mothers and enemies - and examines the positioning of the subject in different media for both male and female consumption.
Author: Kamilla Elliott
Publisher: Oxford University Press
ISBN: 0197511201
Category : Performing Arts
Languages : en
Pages : 377
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Book Description
From intertextuality to postmodern cultural studies, narratology to affect theory, poststructuralism to metamodernism, and postcolonialism to ecocriticism, humanities adaptation studies has engaged with a host of contemporary theories. Yet theorizing adaptation has been declared behind the theoretical times compared to other fields and charged with theoretical incorrectness by scholars from all theoretical camps. In this thorough and groundbreaking study, author Kamilla Elliott works to explain and redress the problem of theorizing adaptation. She offers the first cross-disciplinary history of theorizing adaptation in the humanities, extending back to the sixteenth century, revealing that until the late eighteenth century, adaptation was valued for its contributions to cultural progress, before its eventual and ongoing marginalization by humanities theories. The second half of the book offers ways to redress the troubled relationship between theorization and adaptation. Ultimately, Theorizing Adaptation proffers shared ground upon which adaptation scholars can debate productively across disciplinary, cultural, and theoretical borders.
Author: Dana Polan
Publisher: Bloomsbury Publishing
ISBN: 1838717668
Category : Performing Arts
Languages : en
Pages : 126
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Book Description
Dana Polan sets out to unlock the style and technique of 'Pulp Fiction'. He shows how broad Tarantino's points of reference are, and analyzes the narrative accomplishment and complexity. In addition, Polan argues that macho attitudes celebrated in film are much more complex than they seem.
Author: Peter Haining
Publisher:
ISBN: 9780760757246
Category : Detective and mystery stories, American
Languages : en
Pages : 331
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Book Description
Author: Peter Haining
Publisher:
ISBN: 9780760704301
Category : Crime
Languages : en
Pages : 336
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Book Description
Author: Brian Baker
Publisher: University of Chester
ISBN: 9781905929757
Category : English literature
Languages : en
Pages : 272
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Book Description
Textual Revisions is a collection of new essays which discusses adaptations for cinema and television of a variety of novels, plays and short stories. Works discussed include adaptations of novels by Austen, Stoker, Michael Cunningham, Fowles and Tolkien, plays by Shakespeare and Pinter, and a short story by Philip K. Dick.
Author: Maxim Jakubowski
Publisher: C & R Crime
ISBN: 147211180X
Category : Fiction
Languages : en
Pages : 671
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Book Description
Pulp fiction has been looked down on as a guilty pleasure, but it offers the perfect form of entertainment: the very best storytelling filled with action, surprises, sound and fury. In short, all the exhiliration of a roller-coaster ride. The 1920s in America saw the proliferation of hundreds of dubiously named but thrillingly entertaining pulp magazines in America – Black Mask, Amazing, Astounding, Spicy Stories, Ace-High, Detective Magazine, Dare-Devil Aces. It was in these luridly-coloured publications, printed on the cheapest pulp paper, that the first gems began to appear. The one golden rule for writers of pulp fiction was to adhere to the art of storytelling. Each story had to have a beginning, an end, economically-etched characters, but plenty going on, both in terms of action and emotions. Pulp magazines were the TV of their day, plucking readers from drab lives and planting them firmly in thrilling make-believe, successors to the Victorian penny dreadfuls of writers such as Sir Arthur Conan Doyle and Charles Dickens. These stories exemplify the best of crime and mystery pulp fiction – its zest, speed, rhythm, verve and commitment to straightforward storytelling – spanning seven decades of popular writing.
Author: Ken Gelder
Publisher: Psychology Press
ISBN: 9780415356473
Category : American fiction
Languages : en
Pages : 196
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Book Description
In this important book, Ken Gelder offers a lively and comprehensive account of popular fiction as a distinctive literary and cultural field, tied directly to the logics and practices of entertainment and industry.
Author: Dr Thomas Recchio
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409475573
Category : Literary Criticism
Languages : en
Pages : 292
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Book Description
Tracing the publishing history of Elizabeth Gaskell's Cranford from its initial 1851-53 serialization in Dickens's Household Words through its numerous editions and adaptations, Thomas Recchio focuses especially on how the text has been deployed to support ideas related to nation and national identity. Recchio maps Cranford's nineteenth-century reception in Britain and the United States through illustrated editions in England dating from 1864 and their subsequent re-publication in the United States, US school editions in the first two decades of the twentieth century, dramatic adaptations from 1899 to 2007, and Anglo-American literary criticism in the latter half of the twentieth century. Making extensive use of primary materials, Recchio considers Cranford within the context of the Victorian periodical press, contemporary reviews, theories of text and word relationships in illustrated books, community theater, and digital media. In addition to being a detailed publishing history that emphasizes the material forms of the book and its adaptations, Recchio's book is a narrative of Cranford's evolution from an auto-ethnography of a receding mid-Victorian English way of life to a novel that was deployed as a maternal model to define an American sensibility for early twentieth-century Mediterranean and Eastern European immigrants. While focusing on one novel, Recchio offers a convincing micro-history of the way English literature was positioned in England and the United States to support an Anglo-centric cultural project, to resist the emergence of multicultural societies, and to ensure an unchanging notion of a stable English culture on both sides of the Atlantic.
