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Author: Arthur Redding
Publisher: Springer Nature
ISBN: 3031090543
Category : Literary Criticism
Languages : en
Pages : 192
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Book Description
This book interrogates the repertoire of masculine performance in popular crime fiction and cinema from the 1940s, 50s, and 60s. This critical survey of the back alleys of pulp culture reveals American masculinities to be unsettled, contentious, crisis-ridden, racially fraught, and sexually anxious. Libertarian in their sensibilities, self-aggrandizing in their sentiments, resistant to the lures of upper mobility, scornful of white collar and corporate culture, the protagonists of these popular and populist works viewed themselves as working-class heroes cast adrift. Pulp Virilities explores the enduring traditions of hard-boiled and noir literature, casting a critical eye on its depictions of urban life and representations of gender, crime, labor, and race. Demonstrating how anxieties and possibilities of American masculinity are hammered out in works of popular culture, Pulp Virilities provides a rich cultural genealogy of contemporary American social life.
Author: Arthur Redding
Publisher: Springer Nature
ISBN: 3031090543
Category : Literary Criticism
Languages : en
Pages : 192
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Book Description
This book interrogates the repertoire of masculine performance in popular crime fiction and cinema from the 1940s, 50s, and 60s. This critical survey of the back alleys of pulp culture reveals American masculinities to be unsettled, contentious, crisis-ridden, racially fraught, and sexually anxious. Libertarian in their sensibilities, self-aggrandizing in their sentiments, resistant to the lures of upper mobility, scornful of white collar and corporate culture, the protagonists of these popular and populist works viewed themselves as working-class heroes cast adrift. Pulp Virilities explores the enduring traditions of hard-boiled and noir literature, casting a critical eye on its depictions of urban life and representations of gender, crime, labor, and race. Demonstrating how anxieties and possibilities of American masculinity are hammered out in works of popular culture, Pulp Virilities provides a rich cultural genealogy of contemporary American social life.
Author: Arthur Redding
Publisher: Palgrave Macmillan
ISBN: 9783031090561
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
This book interrogates the repertoire of masculine performance in popular crime fiction and cinema from the 1940s, 50s, and 60s. This critical survey of the back alleys of pulp culture reveals American masculinities to be unsettled, contentious, crisis-ridden, racially fraught, and sexually anxious. Libertarian in their sensibilities, self-aggrandizing in their sentiments, resistant to the lures of upper mobility, scornful of white collar and corporate culture, the protagonists of these popular and populist works viewed themselves as working-class heroes cast adrift. Pulp Virilities explores the enduring traditions of hard-boiled and noir literature, casting a critical eye on its depictions of urban life and representations of gender, crime, labor, and race. Demonstrating how anxieties and possibilities of American masculinity are hammered out in works of popular culture, Pulp Virilities provides a rich cultural genealogy of contemporary American social life.
Author: Florian Klaeger
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110775883
Category : Literary Criticism
Languages : en
Pages : 290
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Book Description
Special Focus: "Omission", edited by Patrick Gill Throughout literary history and in many cultures, we encounter an astute use of conspicuous absences to conjure an imagined reality into a recipient’s mind. The term ‘omission’ as used in the present study, then, demarcates a common artistic phenomenon: a silence, blank, or absence, introduced against the recipient’s generic or experiential expectations, but which nonetheless frequently encapsulates the tenor of the work as a whole. Such omissions can be employed for their affective potential, when emotions represented or evoked by the text are deemed to be beyond words. They can be employed to raise epistemological questions, as when an omission marks the limits of what can be known. Ethical questions can also be approached by means of omissions, as when a character’s voice is omitted, for instance. Finally, omission always carries within it the potential to reflect on the media and genres on which it is brought to bear: as its efficacy depends on the recipient’s generic expectations, omission is frequently characterized by a high degree of meta-discursiveness. This volume investigates the various strategies with which the phenomenon of omission is employed across a range of textual forms and in different cultures to conclusively argue for its status as a highly effective and near-universal form of artistic signification.
Author: Catherine Spooner
Publisher: Cambridge University Press
ISBN: 1108652077
Category : Literary Criticism
Languages : en
Pages : 555
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Book Description
The third volume of The Cambridge History of the Gothic is the first book to provide an in-depth history of Gothic literature, film, television and culture in the twentieth and twenty-first centuries (c. 1896-present). Identifying key historical shifts from the birth of film to the threat of apocalypse, leading international scholars offer comprehensive coverage of the ideas, events, movements and contexts that shaped the Gothic as it entered a dynamic period of diversification across all forms of media. Twenty-three chapters plus an extended introduction provide in-depth accounts of topics including Modernism, war, postcolonialism, psychoanalysis, counterculture, feminism, AIDS, neo-liberalism, globalisation, multiculturalism, the war on terror and environmental crisis. Provocative and cutting edge, this will be an essential reference volume for anyone studying modern and contemporary Gothic culture.
Author: Catherine Spooner
Publisher: Cambridge History of the G
ISBN: 1108472729
Category : Architecture
Languages : en
Pages : 555
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Book Description
The first volume to provide an interdisciplinary, comprehensive history of twentieth and twenty-first century Gothic culture.
Author: Sharon Stockton
Publisher: Ohio State University Press
ISBN: 081421018X
Category : Literary Collections
Languages : en
Pages : 244
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Book Description
The author examines the evolution of the rape narrative in twentieth-century literature: What accounts for the persistence of the old story of male power and violence, and female passivity and penetrability? How has the story changed over the course of the twentieth century? She investigates the manner in which the violation of the female body serves as a metaphor for a synthesis of masculinity and political economy.
Author: Kriss Ravetto
Publisher: U of Minnesota Press
ISBN: 9780816637430
Category : Performing Arts
Languages : en
Pages : 310
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Book Description
In works by filmmakers from Bertolucci to Spielberg, debauched images of nazi and fascist eroticism, symbols of violence and immorality, often bear an uncanny resemblance to the images and symbols once used by the fascists themselves to demarcate racial, sexual, and political others. This book exposes the "madness" inherent in such a course, which attests to the impossibility of disengaging visual and rhetorical constructions from political, ideological, and moral codes. Kriss Ravetto argues that contemporary discourses using such devices actually continue unacknowledged rhetorical, moral, and visual analogies of the past. Against postwar fictional and historical accounts of World War II in which generic images of evil characterize the nazi and the fascist, Ravetto sets the more complex approach of such filmmakers as Pier Paolo Pasolini, Liliana Cavani, and Lina Wertmuller. Her book asks us to think deeply about what it means to say that we have conquered fascism, when the aesthetics of fascism still describe and determine how we look at political figures and global events. Book jacket.
Author: Arthur F. Redding
Publisher: University of Alabama Press
ISBN: 0817317465
Category : Fiction
Languages : en
Pages : 165
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Book Description
"In Haints, Arthur Redding examines the work of contemporary American authors who draw on the gothic tradition in their fiction, not as frivolous or supernatural entertainments, but to explore and memorialize the ghosts of their heritage. Ghosts, Redding argues, serve as lasting witnesses to the legacies of slaves and indigenous peoples whose stories were lost in the remembrance or mistranslation of history. No matter how much Americans willingly or unwillingly repress the true history of their ancestry, their ghosts remain unburied and restless. Such authors as Toni Morrison and Leslie Marmon Silko deploy the ghost as a means of reconciling their own violently repressed heritage with their identity as modern Americans. And just as our ancestors were haunted by ghosts of the past, today we are haunted by ghosts of contemporary crises: urban violence, racial hatred, and even terrorism. In other cases that Redding studies--such as James Baldwin's The Evidence of Things Not Seen and Toni Cade Bambara's Those Bones Are Not My Child--writers address similar crises to challenge traditional American claims of innocence and justice. Finally, Redding argues that ghosts emphasize a growing worry about a larger impending crisis: the apocalypse. Yet the despair the apocalypse inspires is vital to providing the grounds for new solutions to modern issues. In the end, the armies of the dispossessed enlist the forces of the spirit world to create a better future--by ensuring that mistakes of the past are not repeated, that Americans do not deny their heritage, and that accountability exists for any given crisis."--book jacket.
Author: Mattias Gardell
Publisher: Cambridge University Press
ISBN: 1108639852
Category : Religion
Languages : en
Pages : 187
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Book Description
When Brenton Tarrant live-streamed his massacre of fifty-one Muslims in Christchurch, New Zealand, in March 2019, he was but one in a series of lone-acting white men committing violent crime to further the radical white nationalist aim to save the white race from extinction and establish a white ethnostate. From where did white nationalists get the notion of an ongoing white genocide? Why should 'resistance' against a perceived invasion of 'white' territory be launched by individual 'lone wolves' massacring noncombatants they have no prior relation to? How could slaughtering children be construed as a heroic act that a perpetrator wants to broadcast to the world? Based on a unique collection of interviews with lone wolves, their victims, and their supporters, and a close reading of lone wolf, fascist, and radical nationalist material and communication, this Element provides solid answers to these and adjacent questions of importance.
Author: Arthur F. Redding
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
However one looks at violence -- as an instrument of bureaucracy or ideology; as a product of racial, gender, or class antagonisms; or as the inevitable result of power politics -- it is an integral part of every social system and is one of the most pressing problems of our tortured century. In Raids on Human Consciousness Arthur Redding examines the contention that violence, be it the mass product of revolutionary uprising or a private sadomasochistic indulgence, may be taken to instill in those who commit it the capacity for radical change. Conscious that mainstream theory considers violence deviant, a departure from the normal equilibrium of social and aesthetic structures, while other critiques take it to be integral to any dynamic system, Redding begins with the anarchist inquiry into the relationship of violence to the imaginary representation of modern communities. He explores the "public images" of anarchism in literature and popular culture and emphasizes the diverse strategies by which modern writers encounter, derive, deflect, and manipulate fantasies of political violence. Redding recognizes that language fails when confronted with the extreme suffering of human bodies. Acknowledging that flesh is subject to war, torture, and everyday brutality -- violations to which language can never do justice -- he nonetheless finds it urgent to reclaim language on the far side of suffering.
