Author: Christian Fuchs
Publisher:
ISBN: 9781840680256
Category : Murder in motion pictures
Languages : en
Pages : 0
Book Description
Mass-murderers, serial killers, spree killers, homicidal rapists, cannibals and other human predators; 20th century history is poxed with the atrocious, apparently motiveless acts of violence and mayhem perpetrated by these psychopathic outsiders. As the century progressed, cinema and TV played an increasingly important role in the enormous influence of the mass-murder phenomenon on contemporary popular culture. Bad Blood also reveals how life imitates art, examing those allegedly inspired to murder by exposure to violent movies.
Bad Blood
Author: Christian Fuchs
Publisher:
ISBN: 9781840680256
Category : Murder in motion pictures
Languages : en
Pages : 0
Book Description
Mass-murderers, serial killers, spree killers, homicidal rapists, cannibals and other human predators; 20th century history is poxed with the atrocious, apparently motiveless acts of violence and mayhem perpetrated by these psychopathic outsiders. As the century progressed, cinema and TV played an increasingly important role in the enormous influence of the mass-murder phenomenon on contemporary popular culture. Bad Blood also reveals how life imitates art, examing those allegedly inspired to murder by exposure to violent movies.
Publisher:
ISBN: 9781840680256
Category : Murder in motion pictures
Languages : en
Pages : 0
Book Description
Mass-murderers, serial killers, spree killers, homicidal rapists, cannibals and other human predators; 20th century history is poxed with the atrocious, apparently motiveless acts of violence and mayhem perpetrated by these psychopathic outsiders. As the century progressed, cinema and TV played an increasingly important role in the enormous influence of the mass-murder phenomenon on contemporary popular culture. Bad Blood also reveals how life imitates art, examing those allegedly inspired to murder by exposure to violent movies.
Psychocinematics
Author: Arthur P. Shimamura
Publisher: Oxford University Press
ISBN: 0199862133
Category : Performing Arts
Languages : en
Pages : 398
Book Description
How do movies engage us so thoroughly, capturing our sensations, thoughts, and emotions? This edited volume introduces psychocinematics, which brings together film theorists, philosophers, psychologists, and neuroscientists to consider the viability of a scientific approach to our movie experience.
Publisher: Oxford University Press
ISBN: 0199862133
Category : Performing Arts
Languages : en
Pages : 398
Book Description
How do movies engage us so thoroughly, capturing our sensations, thoughts, and emotions? This edited volume introduces psychocinematics, which brings together film theorists, philosophers, psychologists, and neuroscientists to consider the viability of a scientific approach to our movie experience.
The Poetics of Digital Media
Author: Paul Frosh
Publisher: John Wiley & Sons
ISBN: 1509532684
Category : Social Science
Languages : en
Pages : 172
Book Description
Media are poetic forces. They produce and reveal worlds, representing them to our senses and connecting them to our lives. While the poetic powers of media are perceptual, symbolic, social and technical, they are also profoundly moral and existential. They matter for how we reflect upon and act in a shared, everyday world of finite human existence. The Poetics of Digital Media explores the poetic work of media in digital culture. Developing an argument through close readings of overlooked or denigrated media objects – screenshots, tagging, selfies and more – the book reveals how media shape the taken-for-granted structures of our lives, and how they disclose our world through sudden moments of visibility and tangibility. Bringing us face to face with the conditions of our existence, it investigates how the ‘given’ world we inhabit is given through media. This book is important reading for students and scholars of media theory, philosophy of media, visual culture and media aesthetics.
Publisher: John Wiley & Sons
ISBN: 1509532684
Category : Social Science
Languages : en
Pages : 172
Book Description
Media are poetic forces. They produce and reveal worlds, representing them to our senses and connecting them to our lives. While the poetic powers of media are perceptual, symbolic, social and technical, they are also profoundly moral and existential. They matter for how we reflect upon and act in a shared, everyday world of finite human existence. The Poetics of Digital Media explores the poetic work of media in digital culture. Developing an argument through close readings of overlooked or denigrated media objects – screenshots, tagging, selfies and more – the book reveals how media shape the taken-for-granted structures of our lives, and how they disclose our world through sudden moments of visibility and tangibility. Bringing us face to face with the conditions of our existence, it investigates how the ‘given’ world we inhabit is given through media. This book is important reading for students and scholars of media theory, philosophy of media, visual culture and media aesthetics.
Confinia psychiatrica
Author:
Publisher:
ISBN:
Category : Art and mental illness
Languages : en
Pages : 302
Book Description
Publisher:
ISBN:
Category : Art and mental illness
Languages : en
Pages : 302
Book Description
Post-Comedy
Author: Alfie Bown
Publisher: John Wiley & Sons
ISBN: 1509563407
Category : Social Science
Languages : en
Pages : 80
Book Description
Not so long ago, comedy and laughter were a shared experience of relief, as Freud famously argued. At their best, ribbing, roasting, piss-taking and insulting were the foundation of a kind of universal culture from which friendship, camaraderie and solidarity could emerge. Now, comedy is characterized by edgy humour and misplaced jokes that provoke personal and social anxiety, causing divisive cultural warfare in the media and among people. Our comedy is fraught with tension like never before, and so too is our social life. We often hear the claim that no one can take a joke anymore. But what if we really can’t take jokes anymore? This book argues that the spirit of comedy is the first step in the building of society, but that it has been lost in the era of divisive identity politics. Comedy flares up debates about censorship and cancellation, keeping us divided from one other. This goes against the true universalist spirit of comedy, which is becoming a thing of the past and must be recovered.
Publisher: John Wiley & Sons
ISBN: 1509563407
Category : Social Science
Languages : en
Pages : 80
Book Description
Not so long ago, comedy and laughter were a shared experience of relief, as Freud famously argued. At their best, ribbing, roasting, piss-taking and insulting were the foundation of a kind of universal culture from which friendship, camaraderie and solidarity could emerge. Now, comedy is characterized by edgy humour and misplaced jokes that provoke personal and social anxiety, causing divisive cultural warfare in the media and among people. Our comedy is fraught with tension like never before, and so too is our social life. We often hear the claim that no one can take a joke anymore. But what if we really can’t take jokes anymore? This book argues that the spirit of comedy is the first step in the building of society, but that it has been lost in the era of divisive identity politics. Comedy flares up debates about censorship and cancellation, keeping us divided from one other. This goes against the true universalist spirit of comedy, which is becoming a thing of the past and must be recovered.
Oxford Bibliographies
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Rumors
Author: Mladen Dolar
Publisher: John Wiley & Sons
ISBN: 1509561714
Category : Philosophy
Languages : en
Pages : 53
Book Description
When Socrates was standing before the Athenian tribunal in 399 BC, he said in his defence that the opponents he feared most were the invisible ones, those who had been spreading rumors against him for years but none of whom were being brought to court – it was like fighting shadows. The moment was iconic: Socrates, the harbinger of logos and true knowledge, was eventually defeated by rumors and mendacious slander. Where does the strange power of rumors come from? Everyone knows that rumors are unfounded and based on thin air, but still they pass them on: rumors spread, and what appeared as a small breeze can grow into a mighty whirlwind and produce serious effects, ruin people’s lives and change the course of events. This book scrutinizes the mysterious power of rumors and seeks to analyse it philosophically, examining along the way some key moments of our cultural history concerning rumors, from Shakespeare and Cervantes to Gogol and Kafka. It also underlines the fact that, although rumors are as old as humankind, the advent of the internet and social media has raised the spreading of rumors to an entirely new level, to the point where we could speak of the rumorization of the social. The more communication there is, the more the social fabric threatens to fall apart – and the more urgent it becomes to find strategies to counteract this.
Publisher: John Wiley & Sons
ISBN: 1509561714
Category : Philosophy
Languages : en
Pages : 53
Book Description
When Socrates was standing before the Athenian tribunal in 399 BC, he said in his defence that the opponents he feared most were the invisible ones, those who had been spreading rumors against him for years but none of whom were being brought to court – it was like fighting shadows. The moment was iconic: Socrates, the harbinger of logos and true knowledge, was eventually defeated by rumors and mendacious slander. Where does the strange power of rumors come from? Everyone knows that rumors are unfounded and based on thin air, but still they pass them on: rumors spread, and what appeared as a small breeze can grow into a mighty whirlwind and produce serious effects, ruin people’s lives and change the course of events. This book scrutinizes the mysterious power of rumors and seeks to analyse it philosophically, examining along the way some key moments of our cultural history concerning rumors, from Shakespeare and Cervantes to Gogol and Kafka. It also underlines the fact that, although rumors are as old as humankind, the advent of the internet and social media has raised the spreading of rumors to an entirely new level, to the point where we could speak of the rumorization of the social. The more communication there is, the more the social fabric threatens to fall apart – and the more urgent it becomes to find strategies to counteract this.
Neobaroque in the Americas
Author: Monika Kaup
Publisher: University of Virginia Press
ISBN: 0813933145
Category : Literary Criticism
Languages : en
Pages : 434
Book Description
In a comparative and interdisciplinary analysis of modern and postmodern literature, film, art, and visual culture, Monika Kaup examines the twentieth century's recovery of the baroque within a hemispheric framework embracing North America, Latin America, and U.S. Latino/a culture. As "neobaroque" comes to the forefront of New World studies, attention to transcultural dynamics is overturning the traditional scholarship that confined the baroque to a specific period, class, and ideology in the seventeenth century. Reflecting on the rich, nonlinear genealogy of baroque expression, Neobaroque in the Americas envisions the baroque as an anti-proprietary expression that brings together seemingly disparate writers and artists and contributes to the new studies in global modernity.
Publisher: University of Virginia Press
ISBN: 0813933145
Category : Literary Criticism
Languages : en
Pages : 434
Book Description
In a comparative and interdisciplinary analysis of modern and postmodern literature, film, art, and visual culture, Monika Kaup examines the twentieth century's recovery of the baroque within a hemispheric framework embracing North America, Latin America, and U.S. Latino/a culture. As "neobaroque" comes to the forefront of New World studies, attention to transcultural dynamics is overturning the traditional scholarship that confined the baroque to a specific period, class, and ideology in the seventeenth century. Reflecting on the rich, nonlinear genealogy of baroque expression, Neobaroque in the Americas envisions the baroque as an anti-proprietary expression that brings together seemingly disparate writers and artists and contributes to the new studies in global modernity.
Paranoid Finance
Author: Fabian Muniesa
Publisher: John Wiley & Sons
ISBN: 1509561188
Category : Social Science
Languages : en
Pages : 72
Book Description
There is a link between finance and paranoia, and that link may well be inescapable. At the core of financial imagination lies a notion of value – of ‘value creation’ – that is loaded with trouble. This is the trouble of a fragile metaphor: a metaphor of fecund money and future return, of true value and false value, of true value that should be protected from the perils of dilapidation, expropriation and speculation, but whose substance is in fact nowhere to be found. Contemporary conspiratorial, millennialist discourse on money, banking and wealth does not embody a delirious misrepresentation of the logic of finance: rather, it exacerbates the paranoid potentials inherent in mainstream financial imagination. This is the radical hypothesis developed in this book: that of paranoid finance as a sedimentation of the demons that haunt the conventional categories of financial value. Tutorials abound today that guarantee access to secret knowledge about the financial system, to magical currencies that release eternal returns, to legal schemes conducive to personal sovereignty, and to a way out of economic enslavement. They often combine disparate elements of esotericism, conspiratorialism, antisemitism, populism, libertarianism or spiritualism. But as Muniesa shows, they also provide a testbed for a critique of the limits of financial imagination.
Publisher: John Wiley & Sons
ISBN: 1509561188
Category : Social Science
Languages : en
Pages : 72
Book Description
There is a link between finance and paranoia, and that link may well be inescapable. At the core of financial imagination lies a notion of value – of ‘value creation’ – that is loaded with trouble. This is the trouble of a fragile metaphor: a metaphor of fecund money and future return, of true value and false value, of true value that should be protected from the perils of dilapidation, expropriation and speculation, but whose substance is in fact nowhere to be found. Contemporary conspiratorial, millennialist discourse on money, banking and wealth does not embody a delirious misrepresentation of the logic of finance: rather, it exacerbates the paranoid potentials inherent in mainstream financial imagination. This is the radical hypothesis developed in this book: that of paranoid finance as a sedimentation of the demons that haunt the conventional categories of financial value. Tutorials abound today that guarantee access to secret knowledge about the financial system, to magical currencies that release eternal returns, to legal schemes conducive to personal sovereignty, and to a way out of economic enslavement. They often combine disparate elements of esotericism, conspiratorialism, antisemitism, populism, libertarianism or spiritualism. But as Muniesa shows, they also provide a testbed for a critique of the limits of financial imagination.
Film and Video Editing Theory
Author: Michael Frierson
Publisher: Taylor & Francis
ISBN: 1315474999
Category : Art
Languages : en
Pages : 446
Book Description
Film and Video Editing Theory offers an accessible, introductory guide to the practices used to create meaning through editing. In this book, Michael Frierson synthesizes the theories of the most prominent film editors and scholars, from Herbert Zettl, Sergei Eisenstein, and Noël Burch to the work of landmark Hollywood editors like Walter Murch and Edward Dmytryk. In so doing, he maps out a set of craft principles for readers, whether one is debating if a flashback reveals too much, if a certain cut clarifies or obscures the space of a scene, or if a shot needs to be trimmed. The book is grounded in the unity of theory and practice, looking beyond technical proficiency in a specific software to explain to readers how and why certain cuts work or don’t work.
Publisher: Taylor & Francis
ISBN: 1315474999
Category : Art
Languages : en
Pages : 446
Book Description
Film and Video Editing Theory offers an accessible, introductory guide to the practices used to create meaning through editing. In this book, Michael Frierson synthesizes the theories of the most prominent film editors and scholars, from Herbert Zettl, Sergei Eisenstein, and Noël Burch to the work of landmark Hollywood editors like Walter Murch and Edward Dmytryk. In so doing, he maps out a set of craft principles for readers, whether one is debating if a flashback reveals too much, if a certain cut clarifies or obscures the space of a scene, or if a shot needs to be trimmed. The book is grounded in the unity of theory and practice, looking beyond technical proficiency in a specific software to explain to readers how and why certain cuts work or don’t work.