A Guide to Pseudonyms on American Recordings, 1892-1942 PDF Download
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Author:
Publisher: Greenwood
ISBN: 0313290601
Category : Music
Languages : en
Pages : 0
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Book Description
Louis Armstrong performed under the pseudonym Ted Shawne while Fats Waller took the name Flip Wallace. Recordings by Duke Ellington and his Cotton Club orchestra are to be found under 22 different pseudonyms. These are among the more than 3,000 pseudonyms unearthed by Allan Sutton in his pioneering guide to pseudonyms used on American recordings between 1892 and 1942. Organized into sections dealing with vocal artists and instrumental groups, the volume has indexes for legal names, label groups, and vocal and instrumental names. Encompassing all musical styles, from opera to pop vocals, from jazz and blues to country music, and covering both vocal and instrumental performers, this is an invaluable research tool for discographers and music and theatre historians alike.
Author:
Publisher: Greenwood
ISBN: 0313290601
Category : Music
Languages : en
Pages : 0
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Book Description
Louis Armstrong performed under the pseudonym Ted Shawne while Fats Waller took the name Flip Wallace. Recordings by Duke Ellington and his Cotton Club orchestra are to be found under 22 different pseudonyms. These are among the more than 3,000 pseudonyms unearthed by Allan Sutton in his pioneering guide to pseudonyms used on American recordings between 1892 and 1942. Organized into sections dealing with vocal artists and instrumental groups, the volume has indexes for legal names, label groups, and vocal and instrumental names. Encompassing all musical styles, from opera to pop vocals, from jazz and blues to country music, and covering both vocal and instrumental performers, this is an invaluable research tool for discographers and music and theatre historians alike.
Author:
Publisher: Denver : Mainspring Press
ISBN:
Category : Music
Languages : en
Pages : 438
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Book Description
Thousands of 78-rpm and cylinder records were once issued with artist aliases - names that are often unknown even to advanced collectors. "Pseudonyms on American Records" unmasks these name, with more than 12,000 detailed entries covering all styles - from operatic and classical to pop, jazz, blues, country, and gospel. Includes a listing of birth and legal names, and a complete performer index.
Author:
Publisher: Greenwood
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 176
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Book Description
Louis Armstrong performed under the pseudonym Ted Shawne while Fats Waller took the name Flip Wallace. Recordings by Duke Ellington and his Cotton Club orchestra are to be found under 22 different pseudonyms. These are among the more than 3,000 pseudonyms unearthed by Allan Sutton in his pioneering guide to pseudonyms used on American recordings between 1892 and 1942. Organized into sections dealing with vocal artists and instrumental groups, the volume has indexes for legal names, label groups, and vocal and instrumental names. Encompassing all musical styles, from opera to pop vocals, from jazz and blues to country music, and covering both vocal and instrumental performers, this is an invaluable research tool for discographers and music and theatre historians alike.
Author: Frank Hoffmann
Publisher: Routledge
ISBN: 1136592296
Category : Music
Languages : en
Pages : 454
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Book Description
Encounter the trailblazers whose recordings expanded the boundaries of technology and brought “popular” music into America's living rooms! Popular American Recording Pioneers: 1895--1925 (winner of the 2001 Association for Recorded Sound Collections Award of Excellence in Historical Recorded Sound Research) covers the lives and careers of over one hundred musical artists who were especially important to the recording industry in its early years. Here are the men and women who brought into American homes the hits of the day--Tin Pan Alley numbers, Broadway show tunes, ragtime, parlor ballads, early jazz, and dance music of all kinds. Popular American Recording Pioneers: 1895--1925 compiles rare information that was scattered in hundreds of record catalogs, hobbyist magazines, newspaper clippings, phonograph trade journals, and other sources. Look no further! This volume is the ultimate resource on the subject! You will increase your knowledge in these areas: the recording industry's formative years artists’personalities and musical styles popular music history history of recording technology Popular American Recording Pioneers: 1895--1925 provides a unique “who's who” approach to popular music history. It is the definitive work on the music that was popular during America's coming of age. No music historian should be without this volume.
Author: Allan Sutton
Publisher:
ISBN: 9780985200497
Category : Anonyms and pseudonyms, American
Languages : en
Pages : 496
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Book Description
The third enlarged and expanded edition of "Pseudonyms on American Records" (2013) unmasks more than 2,600 artist aliases on over 17,000 cylinder records, 78-rpm records, and radio transcriptions. Compiled from a combination of original company recording files, database correlation to non-pseudonymous issues, and aural evidence by Allan Sutton, winner of the Association for Recorded Sound Collections' 2013 Lifetime Achievement Award,
Author:
Publisher: McFarland
ISBN: 0786472383
Category : Music
Languages : en
Pages : 499
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Book Description
This annotated discography covers the first 50 years of audio recordings by black artists in chronological order, music made in the "acoustic era" of recording technology. The book has cross-referenced bibliographical information on recording sessions, including audio sources for extant material, and appendices on field recordings; Caribbean, Mexican and South American recordings; piano rolls performed by black artists; and a filmography detailing the visual record of black performing artists from the period. Indexes contain all featured artists, titles recorded and labels.
Author: Brian Rust
Publisher:
ISBN:
Category : Jazz
Languages : en
Pages : 992
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Book Description
Author: Guy A. Marco
Publisher: Scarecrow Press
ISBN: 9780810831339
Category : Literary Criticism
Languages : en
Pages : 258
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Book Description
Cumulative index to all three volumes of Literature of American Music in Books and Folk Music Collections.
Author:
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 368
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Book Description
Author: Tim Brooks
Publisher: University of Illinois Press
ISBN: 0252090632
Category : Music
Languages : en
Pages : 656
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Book Description
A groundbreaking history of African Americans in the early recording industry, Lost Sounds examines the first three decades of sound recording in the United States, charting the surprising roles black artists played in the period leading up to the Jazz Age and the remarkably wide range of black music and culture they preserved. Drawing on more than thirty years of scholarship, Tim Brooks identifies key black recording artists and profiles forty audio pioneers. Brooks assesses the careers and recordings of George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, plus a host of lesser-known voices. Many of these pioneers struggled to be heard in an era of rampant discrimination. Their stories detail the forces––black and white––that gradually allowed African Americans to enter the mainstream entertainment industry. Lost Sounds includes Brooks's selected discography of CD reissues and an appendix by Dick Spottswood describing early recordings by black artists in the Caribbean and South America.
