Author: James Thomas Terry
Publisher:
ISBN:
Category :
Languages : en
Pages : 100
Book Description
Psalm&Hymn Tunes, Chants, etc. ... selected from the best ... masters ... adapted, partly composed, and the whole arranged with a separate accompaniment for the Organ or Piano Forte by J. T. Terry, etc
Author: James Thomas Terry
Publisher:
ISBN:
Category :
Languages : en
Pages : 100
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 100
Book Description
Charles Seeger
Author: Ann Pescatello
Publisher: University of Pittsburgh Pre
ISBN: 0822976854
Category : Biography & Autobiography
Languages : en
Pages : 359
Book Description
Ann M. Pescatello presents the first biography of Charles Seeger, who was a force in American music for most of the twentieth century. Part composer, teacher, performer, musicologist, bureaucrat, and inventor-Seeger's ninety-two year life touched many people and many areas of American music. As both a traditionalist and champion of the new, he established the University of California's music department and the nation's first curriculum in musicology, and taught at the Institute of Musical Arts (later Julliard), and at the New School in New York. He was also a music activist-defending the artistic value of American folk music, and seeking global cooperation for musical enterprise at the Resettlement administraion, the WPA, and the Pan American Union.
Publisher: University of Pittsburgh Pre
ISBN: 0822976854
Category : Biography & Autobiography
Languages : en
Pages : 359
Book Description
Ann M. Pescatello presents the first biography of Charles Seeger, who was a force in American music for most of the twentieth century. Part composer, teacher, performer, musicologist, bureaucrat, and inventor-Seeger's ninety-two year life touched many people and many areas of American music. As both a traditionalist and champion of the new, he established the University of California's music department and the nation's first curriculum in musicology, and taught at the Institute of Musical Arts (later Julliard), and at the New School in New York. He was also a music activist-defending the artistic value of American folk music, and seeking global cooperation for musical enterprise at the Resettlement administraion, the WPA, and the Pan American Union.
China and the West
Author: Michael Saffle
Publisher: University of Michigan Press
ISBN: 0472122711
Category : Music
Languages : en
Pages : 345
Book Description
Western music reached China nearly four centuries ago, with the arrival of Christian missionaries, yet only within the last century has Chinese music absorbed its influence. As China and the West demonstrates, the emergence of “Westernized” music from China—concurrent with the technological advances that have made global culture widely accessible—has not established a prominent presence in the West. China and the West brings together essays on centuries of Sino-Western musical exchange by musicologists, ethnomusicologists, and music theorists from around the world. It opens with a look at theoretical approaches of prior studies of musical encounters and a comprehensive survey of the intercultural and cross-cultural theoretical frameworks—exoticism, orientalism, globalization, transculturation, and hybridization—that inform these essays. Part I focuses on the actual encounters between Chinese and European musicians, their instruments and institutions, and the compositions inspired by these encounters, while Part II examines theatricalized and mediated East-West cultural exchanges, which often drew on stereotypical tropes, resulting in performances more inventive than accurate. Part III looks at the musical language, sonority, and subject matters of “intercultural” compositions by Eastern and Western composers. Essays in Part IV address reception studies and consider the ways in which differences are articulated in musical discourse by actors serving different purposes, whether self-promotion, commercial marketing, or modes of nationalistic—even propagandistic—expression. The volume’s extensive bibliography of secondary sources will be invaluable to scholars of music, contemporary Chinese culture, and the globalization of culture.
Publisher: University of Michigan Press
ISBN: 0472122711
Category : Music
Languages : en
Pages : 345
Book Description
Western music reached China nearly four centuries ago, with the arrival of Christian missionaries, yet only within the last century has Chinese music absorbed its influence. As China and the West demonstrates, the emergence of “Westernized” music from China—concurrent with the technological advances that have made global culture widely accessible—has not established a prominent presence in the West. China and the West brings together essays on centuries of Sino-Western musical exchange by musicologists, ethnomusicologists, and music theorists from around the world. It opens with a look at theoretical approaches of prior studies of musical encounters and a comprehensive survey of the intercultural and cross-cultural theoretical frameworks—exoticism, orientalism, globalization, transculturation, and hybridization—that inform these essays. Part I focuses on the actual encounters between Chinese and European musicians, their instruments and institutions, and the compositions inspired by these encounters, while Part II examines theatricalized and mediated East-West cultural exchanges, which often drew on stereotypical tropes, resulting in performances more inventive than accurate. Part III looks at the musical language, sonority, and subject matters of “intercultural” compositions by Eastern and Western composers. Essays in Part IV address reception studies and consider the ways in which differences are articulated in musical discourse by actors serving different purposes, whether self-promotion, commercial marketing, or modes of nationalistic—even propagandistic—expression. The volume’s extensive bibliography of secondary sources will be invaluable to scholars of music, contemporary Chinese culture, and the globalization of culture.
A Book of Operas
Author: Henry Edward Krehbiel
Publisher:
ISBN:
Category : Opera
Languages : en
Pages : 442
Book Description
Publisher:
ISBN:
Category : Opera
Languages : en
Pages : 442
Book Description
Phonophotography in Folk Music
Author: Milton Franklin Metfessel
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 236
Book Description
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 236
Book Description
The World's Great Men of Music
Author: Harriette Brower
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 230
Book Description
This is a biographical account of the lives of 25 of the world's best known classical composers. The book was written in 1922 so does not include modern composers. It's original intended readership was young music students, but the author herself acknowledges that it could appeal to a wider audience.
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 230
Book Description
This is a biographical account of the lives of 25 of the world's best known classical composers. The book was written in 1922 so does not include modern composers. It's original intended readership was young music students, but the author herself acknowledges that it could appeal to a wider audience.
Beyond Memory
Author: Max Mojapelo
Publisher: African Minds
ISBN: 1920299289
Category : Biography & Autobiography
Languages : en
Pages : 377
Book Description
South Africa possesses one of the richest popular music traditions in the world - from marabi to mbaqanga, from boeremusiek to bubblegum, from kwela to kwaito. Yet the risk that future generations of South Africans will not know their musical roots is very real. Of all the recordings made here since the 1930s, thousands have been lost for ever, for the powers-that-be never deemed them worthy of preservation. And if one peruses the books that exist on South African popular music, one still fi nds that their authors have on occasion jumped to conclusions that were not as foregone as they had assumed. Yet the fault lies not with them, rather in the fact that there has been precious little documentation in South Africa of who played what, or who recorded what, with whom, and when. This is true of all music-making in this country, though it is most striking in the musics of the black communities. Beyond Memory: Recording the History, Moments and Memories of South African Music is an invaluable publication because it offers a first-hand account of the South African music scene of the past decades from the pen of a man, Max Thamagana Mojapelo, who was situated in the very thick of things, thanks to his job as a deejay at the South African Broadcasting Corporation. This book - astonishing for the breadth of its coverage - is based on his diaries, on interviews he conducted and on numerous other sources, and we find in it not only the well-known names of recent South African music but a countless host of others whose contribution must be recorded if we and future generations are to gain an accurate picture of South African music history of the late 20th and early 21st centuries.
Publisher: African Minds
ISBN: 1920299289
Category : Biography & Autobiography
Languages : en
Pages : 377
Book Description
South Africa possesses one of the richest popular music traditions in the world - from marabi to mbaqanga, from boeremusiek to bubblegum, from kwela to kwaito. Yet the risk that future generations of South Africans will not know their musical roots is very real. Of all the recordings made here since the 1930s, thousands have been lost for ever, for the powers-that-be never deemed them worthy of preservation. And if one peruses the books that exist on South African popular music, one still fi nds that their authors have on occasion jumped to conclusions that were not as foregone as they had assumed. Yet the fault lies not with them, rather in the fact that there has been precious little documentation in South Africa of who played what, or who recorded what, with whom, and when. This is true of all music-making in this country, though it is most striking in the musics of the black communities. Beyond Memory: Recording the History, Moments and Memories of South African Music is an invaluable publication because it offers a first-hand account of the South African music scene of the past decades from the pen of a man, Max Thamagana Mojapelo, who was situated in the very thick of things, thanks to his job as a deejay at the South African Broadcasting Corporation. This book - astonishing for the breadth of its coverage - is based on his diaries, on interviews he conducted and on numerous other sources, and we find in it not only the well-known names of recent South African music but a countless host of others whose contribution must be recorded if we and future generations are to gain an accurate picture of South African music history of the late 20th and early 21st centuries.
A Change Is Gonna Come
Author: Craig Werner
Publisher: University of Michigan Press
ISBN: 0472129627
Category : Music
Languages : en
Pages : 489
Book Description
". . . extraordinarily far-reaching. . . . highly accessible." —Notes "No one has written this way about music in a long, long time. Lucid, insightful, with real spiritual, political, intellectual, and emotional grasp of the whole picture. A book about why music matters, and how, and to whom." —Dave Marsh, author of Louie, Louie and Born to Run: The Bruce Springsteen Story "This book is urgently needed: a comprehensive look at the various forms of black popular music, both as music and as seen in a larger social context. No one can do this better than Craig Werner." —Henry Louis Gates, Jr., W.E.B. Du Bois Professor of the Humanities, Harvard University "[Werner has] mastered the extremely difficult art of writing about music as both an aesthetic and social force that conveys, implies, symbolizes, and represents ideas as well as emotion, but without reducing its complexities and ambiguities to merely didactic categories." —African American Review A Change Is Gonna Come is the story of more than four decades of enormously influential black music, from the hopeful, angry refrains of the Freedom movement, to the slick pop of Motown; from the disco inferno to the Million Man March; from Woodstock's "Summer of Love" to the war in Vietnam and the race riots that inspired Marvin Gaye to write "What's Going On." Originally published in 1998, A Change Is Gonna Come drew the attention of scholars and general readers alike. This new edition, featuring four new and updated chapters, will reintroduce Werner's seminal study of black music to a new generation of readers. Craig Werner is Professor of Afro-American Studies at the University of Wisconsin, and author of many books, including Playing the Changes: From Afro-Modernism to the Jazz Impulse and Up Around the Bend: An Oral History of Creedence Clearwater Revival. His most recent book is Higher Ground: Stevie Wonder, Aretha Franklin, Curtis Mayfield, and the Rise and Fall of American Soul.
Publisher: University of Michigan Press
ISBN: 0472129627
Category : Music
Languages : en
Pages : 489
Book Description
". . . extraordinarily far-reaching. . . . highly accessible." —Notes "No one has written this way about music in a long, long time. Lucid, insightful, with real spiritual, political, intellectual, and emotional grasp of the whole picture. A book about why music matters, and how, and to whom." —Dave Marsh, author of Louie, Louie and Born to Run: The Bruce Springsteen Story "This book is urgently needed: a comprehensive look at the various forms of black popular music, both as music and as seen in a larger social context. No one can do this better than Craig Werner." —Henry Louis Gates, Jr., W.E.B. Du Bois Professor of the Humanities, Harvard University "[Werner has] mastered the extremely difficult art of writing about music as both an aesthetic and social force that conveys, implies, symbolizes, and represents ideas as well as emotion, but without reducing its complexities and ambiguities to merely didactic categories." —African American Review A Change Is Gonna Come is the story of more than four decades of enormously influential black music, from the hopeful, angry refrains of the Freedom movement, to the slick pop of Motown; from the disco inferno to the Million Man March; from Woodstock's "Summer of Love" to the war in Vietnam and the race riots that inspired Marvin Gaye to write "What's Going On." Originally published in 1998, A Change Is Gonna Come drew the attention of scholars and general readers alike. This new edition, featuring four new and updated chapters, will reintroduce Werner's seminal study of black music to a new generation of readers. Craig Werner is Professor of Afro-American Studies at the University of Wisconsin, and author of many books, including Playing the Changes: From Afro-Modernism to the Jazz Impulse and Up Around the Bend: An Oral History of Creedence Clearwater Revival. His most recent book is Higher Ground: Stevie Wonder, Aretha Franklin, Curtis Mayfield, and the Rise and Fall of American Soul.
Bytes and Backbeats
Author: Steve Savage
Publisher: University of Michigan Press
ISBN: 0472901184
Category : Music
Languages : en
Pages : 437
Book Description
From Attali's "cold social silence" to Baudrillard's hallucinatory reality, reproduced music has long been the target of critical attack. In Bytes and Backbeats, however, Steve Savage deploys an innovative combination of designed recording projects, ethnographic studies of contemporary music practice, and critical analysis to challenge many of these traditional attitudes about the creation and reception of music. Savage adopts the notion of "repurposing" as central to understanding how every aspect of musical activity, from creation to reception, has been transformed, arguing that the tension within production between a naturalizing "art" and a self-conscious "artifice" reflects and feeds into our evolving notions of creativity, authenticity, and community. At the core of the book are three original audio projects, drawing from rock & roll, jazz, and traditional African music, through which Savage is able to target areas of contemporary practice that are particularly significant in the cultural evolution of the musical experience. Each audio project includes a studio study providing context for the social and cultural analysis that follows. This work stems from Savage's experience as a professional recording engineer and record producer.
Publisher: University of Michigan Press
ISBN: 0472901184
Category : Music
Languages : en
Pages : 437
Book Description
From Attali's "cold social silence" to Baudrillard's hallucinatory reality, reproduced music has long been the target of critical attack. In Bytes and Backbeats, however, Steve Savage deploys an innovative combination of designed recording projects, ethnographic studies of contemporary music practice, and critical analysis to challenge many of these traditional attitudes about the creation and reception of music. Savage adopts the notion of "repurposing" as central to understanding how every aspect of musical activity, from creation to reception, has been transformed, arguing that the tension within production between a naturalizing "art" and a self-conscious "artifice" reflects and feeds into our evolving notions of creativity, authenticity, and community. At the core of the book are three original audio projects, drawing from rock & roll, jazz, and traditional African music, through which Savage is able to target areas of contemporary practice that are particularly significant in the cultural evolution of the musical experience. Each audio project includes a studio study providing context for the social and cultural analysis that follows. This work stems from Savage's experience as a professional recording engineer and record producer.
The Jazz Republic
Author: Jonathan O. Wipplinger
Publisher: University of Michigan Press
ISBN: 047205340X
Category : History
Languages : en
Pages : 325
Book Description
Reveals the wide-ranging influence of American jazz on German discussions of music, race, and culture in the early twentieth century
Publisher: University of Michigan Press
ISBN: 047205340X
Category : History
Languages : en
Pages : 325
Book Description
Reveals the wide-ranging influence of American jazz on German discussions of music, race, and culture in the early twentieth century