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Author: Ryan Wilson
Publisher:
ISBN: 9781736656129
Category : Poetry
Languages : en
Pages : 0
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Book Description
The translations - or ""conversions"" - in this book make available to contemporary readers of English-language poetry a wealth of poems that belong to what T.S. Eliot called ""the tradition."" From Homer, Sappho, and Archilochus to Catullus, Horace, and Virgil; from Dante, Villon, and Lope de Vega to Baudelaire, Rilke, and Pessoa; this book presents fresh versions of many of the best-loved poems in the Western European tradition in strikingly new versions, allowing readers without access to the originals the opportunity to possess, in some measure, both the sense and style of these monumental works. Ryan Wilson's first book of poems, The Stranger World - winner of the prestigious Donald Justice Poetry Prize - explored the ways in which human beings may discover themselves in life's unforseen and unpredictable phenomena. That book, described by poet and professor James Matthew Wilson as ""a most astonishing debut"" and ""maybe the best first book by a poet I've ever read,"" lays the groundwork for Proteus Bound, in which the author's practice of xenia, or ""hospitality,"" welcomes poems from more than a half dozen languages, spanning nearly three millennia, into English.
Author: Ryan Wilson
Publisher:
ISBN: 9781736656129
Category : Poetry
Languages : en
Pages : 0
Get Book Here
Book Description
The translations - or ""conversions"" - in this book make available to contemporary readers of English-language poetry a wealth of poems that belong to what T.S. Eliot called ""the tradition."" From Homer, Sappho, and Archilochus to Catullus, Horace, and Virgil; from Dante, Villon, and Lope de Vega to Baudelaire, Rilke, and Pessoa; this book presents fresh versions of many of the best-loved poems in the Western European tradition in strikingly new versions, allowing readers without access to the originals the opportunity to possess, in some measure, both the sense and style of these monumental works. Ryan Wilson's first book of poems, The Stranger World - winner of the prestigious Donald Justice Poetry Prize - explored the ways in which human beings may discover themselves in life's unforseen and unpredictable phenomena. That book, described by poet and professor James Matthew Wilson as ""a most astonishing debut"" and ""maybe the best first book by a poet I've ever read,"" lays the groundwork for Proteus Bound, in which the author's practice of xenia, or ""hospitality,"" welcomes poems from more than a half dozen languages, spanning nearly three millennia, into English.
Author: A. Mateo Cruz
Publisher: iUniverse
ISBN: 9780595916863
Category : Fiction
Languages : en
Pages : 232
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Book Description
Born into servitude, Jenna Riggs never knew what it was like to live a life of her choosing. When she is given the opportunity to do so, she learns a life of one's choosing is often a life paid for in blood. A soldier in the Great United Republic's space corps and trained to fight its most deadly adversaries, Riggs is now an ex-convict and wants nothing more than to put the past behind her. She finally, it seems, has the opportunity to do that; to live the life she only previously dreamed of living. There isn't much she wants, but for her, a woman created and raised to do the bidding of her government, that little bit is everything. Unfortunately, factions in the government believing she and her kind are a threat to their plans seek to rectify the situation and Riggs is forced to choose between a life lost and a life unwanted. Working for corporations in the de facto Commerce War, Riggs discovers that whatever decisions she makes only pulls her farther into an intergalactic intrigue where she is forced to question the very nature of her being while fighting for the survival of everything she cherishes.
Author: William R. Newman
Publisher: University of Chicago Press
ISBN: 0226575241
Category : Art
Languages : en
Pages : 351
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Book Description
In an age when the nature of reality is complicated daily by advances in bioengineering, cloning, and artificial intelligence, it is easy to forget that the ever-evolving boundary between nature and technology has long been a source of ethical and scientific concern: modern anxieties about the possibility of artificial life and the dangers of tinkering with nature more generally were shared by opponents of alchemy long before genetic science delivered us a cloned sheep named Dolly. In Promethean Ambitions, William R. Newman ambitiously uses alchemy to investigate the thinning boundary between the natural and the artificial. Focusing primarily on the period between 1200 and 1700, Newman examines the labors of pioneering alchemists and the impassioned—and often negative—responses to their efforts. By the thirteenth century, Newman argues, alchemy had become a benchmark for determining the abilities of both men and demons, representing the epitome of creative power in the natural world. Newman frames the art-nature debate by contrasting the supposed transmutational power of alchemy with the merely representational abilities of the pictorial and plastic arts—a dispute which found artists such as Leonardo da Vinci and Bernard Palissy attacking alchemy as an irreligious fraud. The later assertion by the Paracelsian school that one could make an artificial human being—the homunculus—led to further disparagement of alchemy, but as Newman shows, the immense power over nature promised by the field contributed directly to the technological apologetics of Francis Bacon and his followers. By the mid-seventeenth century, the famous "father of modern chemistry," Robert Boyle, was employing the arguments of medieval alchemists to support the identity of naturally occurring substances with those manufactured by "chymical" means. In using history to highlight the art-nature debate, Newman here shows that alchemy was not an unformed and capricious precursor to chemistry; it was an art founded on coherent philosophical and empirical principles, with vocal supporters and even louder critics, that attracted individuals of first-rate intellect. The historical relationship that Newman charts between human creation and nature has innumerable implications today, and he ably links contemporary issues to alchemical debates on the natural versus the artificial.
Author: Jenny C. Mann
Publisher: Princeton University Press
ISBN: 0691219230
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
A revealing look at how the Orpheus myth helped Renaissance writers and thinkers understand the force of eloquence In ancient Greek mythology, the lyrical songs of Orpheus charmed the gods, and compelled animals, rocks, and trees to obey his commands. This mythic power inspired Renaissance philosophers and poets as they attempted to discover the hidden powers of verbal eloquence. They wanted to know: How do words produce action? In The Trials of Orpheus, Jenny Mann examines the key role the Orpheus story played in helping early modern writers and thinkers understand the mechanisms of rhetorical force. Mann demonstrates that the forms and figures of ancient poetry indelibly shaped the principles of sixteenth- and seventeenth-century scientific knowledge. Mann explores how Ovid’s version of the Orpheus myth gave English poets and natural philosophers the lexicon with which to explain language’s ability to move individuals without physical contact. These writers and thinkers came to see eloquence as an aesthetic force capable of binding, drawing, softening, and scattering audiences. Bringing together a range of examples from drama, poetry, and philosophy by Bacon, Lodge, Marlowe, Montaigne, Shakespeare, and others, Mann demonstrates that the fascination with Orpheus produced some of the most canonical literature of the age. Delving into the impact of ancient Greek thought and poetry in the early modern era, The Trials of Orpheus sheds light on how the powers of rhetoric became a focus of English thought and literature.
Author:
Publisher:
ISBN:
Category : Maritime law
Languages : en
Pages : 914
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Book Description
Author:
Publisher:
ISBN:
Category : College students' writings, American
Languages : en
Pages : 332
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Book Description
Author: David O. Ross Jr.
Publisher: Princeton University Press
ISBN: 1400858623
Category : Literary Criticism
Languages : en
Pages : 269
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Book Description
Professor Ross presents the Georgics as a poem of science, of the power and ultimate failure of knowledge. Exploring the science that Virgil knew and used, he analyzes the oppositions and balances of lire and water, of the qualities of hot and cold, wet and dry, throughout the poem. These the farmer manipulates to create the balance necessary for growth, yet, in Virgil's universe, the potential for destruction inevitably results in a profound pessimism. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Michel Serres
Publisher: University of Michigan Press
ISBN: 9780472084357
Category : Literary Collections
Languages : en
Pages : 156
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Book Description
A lyrical, breathtaking exploration of the chaos and multiplicity that underlie imposed conventions of order
Author: Canada. Dept. of Marine
Publisher:
ISBN:
Category : Shipping
Languages : en
Pages : 548
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Book Description
Author: Lauren Silberman
Publisher: Univ of California Press
ISBN: 0520415450
Category : Literary Criticism
Languages : en
Pages : 202
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Book Description
The Faerie Queene anticipates postmodernist concerns with destabilizing language, and Lauren Silberman's stimulating study of Books III and IV of the poem proceeds from the assumption that Spenser has something important to say to us in the late twentieth century. In these books, Spenser exposes fictions of total control for what they are—fictions. The text affirms the value of risk and improvisation over the temptation to seek guarantees. The books examine the role of desire in moving us to function in an uncertain world and tempting us to foreclose that uncertainty by strategies that seek to frame knowledge through total mastery of it.
