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Author: Seth C. Hawkins
Publisher: Cambridge Scholars Publishing
ISBN: 1527537994
Category : Literary Criticism
Languages : en
Pages : 299
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Book Description
Perhaps the most important, difficult, and unresolved issue in Shakespeare studies is the question of Lear’s last lines; the whole meaning of Shakespeare’s greatest and most controversial tragedy depends upon it. In the 1608 Quarto, it is “O,o,o,o”—that zero to which the Fool compares Lear himself. In the 1623 Folio, the King’s last words are “Look on her! Look, her lips! Look there, look there!” No one but Lear sees what he points us to envision. Is it epiphany or delusion? Is Lear’s tragedy nihilistic or redemptive? In search of an answer, Hawkins deploys a wide spectrum of critical approaches: close scrutiny of the rival texts and comparison with the play’s sources, the unique double structure of Lear, its symbols and imagery, its visual and verbal scriptural allusions, even its numerology. The book enlists its readers in a quest for final meaning, not unlike the movement of the play itself towards Dover and the extreme verge of its imagined cliff, that high place where life borders upon death and earth meets sky and sea.
Author: Seth C. Hawkins
Publisher: Cambridge Scholars Publishing
ISBN: 1527537994
Category : Literary Criticism
Languages : en
Pages : 299
Get Book Here
Book Description
Perhaps the most important, difficult, and unresolved issue in Shakespeare studies is the question of Lear’s last lines; the whole meaning of Shakespeare’s greatest and most controversial tragedy depends upon it. In the 1608 Quarto, it is “O,o,o,o”—that zero to which the Fool compares Lear himself. In the 1623 Folio, the King’s last words are “Look on her! Look, her lips! Look there, look there!” No one but Lear sees what he points us to envision. Is it epiphany or delusion? Is Lear’s tragedy nihilistic or redemptive? In search of an answer, Hawkins deploys a wide spectrum of critical approaches: close scrutiny of the rival texts and comparison with the play’s sources, the unique double structure of Lear, its symbols and imagery, its visual and verbal scriptural allusions, even its numerology. The book enlists its readers in a quest for final meaning, not unlike the movement of the play itself towards Dover and the extreme verge of its imagined cliff, that high place where life borders upon death and earth meets sky and sea.
Author: Paul S. Fiddes
Publisher: Wiley-Blackwell
ISBN: 9780631220848
Category : Religion
Languages : en
Pages : 320
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Book Description
This book brings Christian theology, creative literature, and literary critical theory into dialogue on the theme of 'the end'.
Author:
Publisher: BRILL
ISBN: 9004282289
Category : Art
Languages : en
Pages : 407
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Book Description
Modernism, Christianity and Apocalypse stages an encounter between the fields of ‘Modernism and Christianity’ and ‘Apocalypse Studies’. The modernist impulse to ‘make it new’, to transform and reform culture, is an incipiently apocalyptic one, poised between imaginative representations of an Old Era or civilization and the experimental promise of the New. Christianity figures in formative tension with the ‘new’, but its apocalyptic paradigms continued to impact modernist visions of cultural revitalization. In three sections tracing a rough chronology from the late nineteenth century fin de siècle, via interwar conflicts and the rise of ‘political religions’, to post-1945 anxieties such as the Bomb, this thematic is explored in nineteen far-ranging scholarly contributions, outlining a distinctive and fresh interdisciplinary field of study.
Author: William Shakespeare
Publisher: Classic Books Company
ISBN: 0742652866
Category :
Languages : en
Pages : 510
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Book Description
King Lear, one of Shakespeare's darkest and most savage plays, tells the story of the foolish and Job-like Lear, who divides his kingdom, as he does his affections, according to vanity and whim. Lear's failure as a father engulfs himself and his world in turmoil and tragedy.
Author: Nicholas Ansell
Publisher: Authentic Media Inc
ISBN: 1780783183
Category : Religion
Languages : en
Pages : 715
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Book Description
This work analyses and evaluates Jurgen Moltmann's model of universal salvation and its relation to his understanding of the redemption, or eschatological fulfilment, of time. For Jurgen Moltmann, Hell is the nemesis of Hope. The 'Annihilation of Hell' thus refers both to Hell's annihilative power in history and to the overcoming of that power as envisioned by Moltmann's distinctive theology of the cross in which God becomes 'all in all' through Christ's descent into Godforsakenness. The negation of Hell and the fulfilment of history are inseparable. Attentive to the overall contours and dynamics of Moltmann's thinking, especially his zimzum doctrine of creation, his eschatologically oriented philosophy of time, and his expanded understanding of the nature-grace relationship, this study asks whether the universal salvation that he proposes can honour human freedom, promise vindication for those who suffer, and do justice to biblical revelation. As well as providing an in-depth exposition of Moltmann's ideas, The Annihilation of Hell also explores how a 'covenantal universalism' might revitalise our web of beliefs in a way that is attuned to the authorising of Scripture and the spirituality of existence. If divine and human freedom are to be reconciled, as Moltmann believes, the confrontation between Hell and hope will entail rethinking issues that are not only at the centre of theology but at the heart of life itself.
Author: Joseph M. Lenz
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Drama
Languages : en
Pages : 172
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Book Description
Romance, sometimes described as an open-ended genre, can achieve closure through three methods: the successful completion of the narrative design, the establishment of a privileged locale to contain the narrative (thus enclosing it), or a revelation that releases the protagonist from that world and the reader from the text. The Promised End examines how Sir Gawain and the Green Knight, Le Morte Darthur, The Faerie Queene, and The Winter's Tale toy with these closural gestures in order to effect the transformational ending peculiar to romance.
Author: Jerry L. Walls Professor of Philosophy of Religion Asbury Theological Seminary
Publisher: Oxford University Press, USA
ISBN: 0199727635
Category : Religion
Languages : en
Pages : 744
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Book Description
Eschatology is the study of the last things: death, judgment, the afterlife, and the end of the world. Through centuries of Christian thoughtfrom the early Church fathers through the Middle Ages and the Reformationthese issues were of the utmost importance. In other religions, too, eschatological concerns were central. After the Enlightenment, though, many religious thinkers began to downplay the importance of eschatology which, in light of rationalism, came to be seen as something of an embarrassment. The twentieth century, however, saw the rise of phenomena that placed eschatology back at the forefront of religious thought. From the rapid expansion of fundamentalist forms of Christianity, with their focus on the end times; to the proliferation of apocalyptic new religious movements; to the recent (and very public) debates about suicide, martyrdom, and paradise in Islam, interest in eschatology is once again on the rise. In addition to its popular resurgence, in recent years some of the worlds most important theologians have returned eschatology to its former position of prominence. The Oxford Handbook of Eschatology will provide an important critical survey of this diverse body of thought and practice from a variety of perspectives: biblical, historical, theological, philosophical, and cultural. This volume will be the primary resource for students, scholars, and others interested in questions of our ultimate existence.
Author: R M Christofides
Publisher: Bloomsbury Publishing
ISBN: 1441183221
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
By connecting Shakespeare's language to the stunning artwork that depicted the end of the world, this study provides not only provides a new reading of Shakespeare but illustrates how apocalyptic art continues to influence popular culture today. Drawing on extant examples of medieval imagery, Roger Christofides uses poststructuralist and psychoanalytic accounts of how language works to shed new light on our understanding of Hamlet, Othello, Macbeth, and King Lear. He then links Shakespeare's dependence on his audience to appreciate the allusions made to the religious paintings to the present day. For instance, popular television series like Battlestar Galactica, seminal horror movies such as An American Werewolf in London and Carrie and recent novels like Cormac McCarthy's The Road. All draw on imagery that can be traced directly back to the depictions of the Doom, an indication of the cultural power these vivid imaginings of the end of the world have in Shakespeare's day and now.
Author: Zubin Meer
Publisher: Lexington Books
ISBN: 0739122649
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
Individualism: The Cultural Logic of Modernity explores ideas of the modern sovereign individual in the western cultural tradition. Divided into two sections, this volume surveys the history of western individualism in both its early and later forms: chiefly from the sixteenth to the eighteenth centuries, and then individualism in the twentieth century. These essays boldly challenge not only the exclusionary framework and self-assured teleology, but also the metaphysical certainty of that remarkablytenacious narrative on "the rise of the individual." Some essays question the correlation of realist characterization to the eighteenth-century British novel, while others champion the continuing political relevance of selfhood in modernist fiction overand against postmodern nihilism. Yet others move to the foreground underappreciated topics, such as the role of courtly cultures in the development of individualism. Taken together, the essays provocatively revise and enrich our understanding of individualism as the generative premise of modernity itself. Authors especially considered include Locke, Defoe, Freud, and Adorno. The essays in this volume first began as papers presented at a conference of the American Comparative Literature Association held atPrinceton University. Among the contributors are Nancy Armstrong, Deborah Cook, James Cruise, David Jenemann, Lucy McNeece, Vivasvan Soni, Frederick Turner, and Philip Weinstein.
Author: James P. Lusardi
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838633946
Category : Drama
Languages : en
Pages : 260
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Book Description
This work attempts to bring together the divided commitments of academics and theater people. Its method is threefold: scrutinizing the text for signals that may guide production, identifying and analyzing those moments that represent textual and performance cruces, and looking at ways in which performance interprets text by focusing on King Lear.
