Author: Michael Syrotinski
Publisher: SUNY Press
ISBN: 9780791436394
Category : Literary Criticism
Languages : en
Pages : 222
Book Description
Defying Gravity is a major reassessment of the work of Jean Paulhan within the context of his own times, as well as in the light of contemporary debates in literary theory. Best known for his long-serving editorship of the influential Parisian literary review, La Nouvelle Revue Française, Paulhan is now widely acknowledged as one of the most central yet least understood figures of twentieth-century French intellectual and literary history. Syrotinski's study admirably performs the dual purpose of introducing a genuinely innovative and distinctive writer to a general anglophone readership, while engaging critically with his texts and their reception. Syrotinski's readings of Paulhan are both original and provocative, and firmly establish him as an unavoidable point of reference for twentieth-century French literary history and theory.
Defying Gravity
Author: Michael Syrotinski
Publisher: SUNY Press
ISBN: 9780791436394
Category : Literary Criticism
Languages : en
Pages : 222
Book Description
Defying Gravity is a major reassessment of the work of Jean Paulhan within the context of his own times, as well as in the light of contemporary debates in literary theory. Best known for his long-serving editorship of the influential Parisian literary review, La Nouvelle Revue Française, Paulhan is now widely acknowledged as one of the most central yet least understood figures of twentieth-century French intellectual and literary history. Syrotinski's study admirably performs the dual purpose of introducing a genuinely innovative and distinctive writer to a general anglophone readership, while engaging critically with his texts and their reception. Syrotinski's readings of Paulhan are both original and provocative, and firmly establish him as an unavoidable point of reference for twentieth-century French literary history and theory.
Publisher: SUNY Press
ISBN: 9780791436394
Category : Literary Criticism
Languages : en
Pages : 222
Book Description
Defying Gravity is a major reassessment of the work of Jean Paulhan within the context of his own times, as well as in the light of contemporary debates in literary theory. Best known for his long-serving editorship of the influential Parisian literary review, La Nouvelle Revue Française, Paulhan is now widely acknowledged as one of the most central yet least understood figures of twentieth-century French intellectual and literary history. Syrotinski's study admirably performs the dual purpose of introducing a genuinely innovative and distinctive writer to a general anglophone readership, while engaging critically with his texts and their reception. Syrotinski's readings of Paulhan are both original and provocative, and firmly establish him as an unavoidable point of reference for twentieth-century French literary history and theory.
Progress in Love on the Slow Side
Author: Jean Paulhan
Publisher: U of Nebraska Press
ISBN: 9780803237056
Category : Literary Collections
Languages : en
Pages : 178
Book Description
Five short stories by a French essayist (1884-1968).
Publisher: U of Nebraska Press
ISBN: 9780803237056
Category : Literary Collections
Languages : en
Pages : 178
Book Description
Five short stories by a French essayist (1884-1968).
Paralyses
Author: John Culbert
Publisher: U of Nebraska Press
ISBN: 0803234198
Category : Literary Criticism
Languages : en
Pages : 455
Book Description
Modernity has long been equated with motion, travel, and change, from Marx's critical diagnoses of economic instability to the Futurists' glorification of speed. Likewise, metaphors of travel serve widely in discussions of empire, cultural contact, translation, and globalization, from Deleuze's "nomadology" to James Clifford's "traveling cultures." John Culbert, in contrast, argues that the key texts of modernity and postmodernity may be approached through figures and narratives of paralysis: motion is no more defining of modern travel than fixations, resistance, and impasse; concepts and figures of travel, he posits, must be rethought in this more static light. Focusing on the French and Francophone context, in which paralyzed travel is a persistent motif, Culbert also offers new insights into French critical theory and its often paradoxical figures of mobility, from Blanchot'spas au-delaand Barthes'sderiveto Derrida'saporiasand Glissant'sdiversions. Here we see that paralysis is not merely the failure of transport but rather the condition in which travel, by coming to a crisis, calls into question both mobility and stasis in the language of desire and the order of knowledge.Paralysesprovides a close analysis of the rhetoric of empire and the economy of tourism precisely at their points of breakdown, which in turn enables a deconstruction of master narratives of exploration, conquest, and exoticism. A reassessment of key authors of French modernity--from Nerval and Gautier to Fromentin, Paulhan, Beckett, Leiris, and Boudjedra--Paralysesalso constitutes a new theoretical intervention in debates on travel, translation, ethics, and postcoloniality.
Publisher: U of Nebraska Press
ISBN: 0803234198
Category : Literary Criticism
Languages : en
Pages : 455
Book Description
Modernity has long been equated with motion, travel, and change, from Marx's critical diagnoses of economic instability to the Futurists' glorification of speed. Likewise, metaphors of travel serve widely in discussions of empire, cultural contact, translation, and globalization, from Deleuze's "nomadology" to James Clifford's "traveling cultures." John Culbert, in contrast, argues that the key texts of modernity and postmodernity may be approached through figures and narratives of paralysis: motion is no more defining of modern travel than fixations, resistance, and impasse; concepts and figures of travel, he posits, must be rethought in this more static light. Focusing on the French and Francophone context, in which paralyzed travel is a persistent motif, Culbert also offers new insights into French critical theory and its often paradoxical figures of mobility, from Blanchot'spas au-delaand Barthes'sderiveto Derrida'saporiasand Glissant'sdiversions. Here we see that paralysis is not merely the failure of transport but rather the condition in which travel, by coming to a crisis, calls into question both mobility and stasis in the language of desire and the order of knowledge.Paralysesprovides a close analysis of the rhetoric of empire and the economy of tourism precisely at their points of breakdown, which in turn enables a deconstruction of master narratives of exploration, conquest, and exoticism. A reassessment of key authors of French modernity--from Nerval and Gautier to Fromentin, Paulhan, Beckett, Leiris, and Boudjedra--Paralysesalso constitutes a new theoretical intervention in debates on travel, translation, ethics, and postcoloniality.
What is There to Say?
Author: Ann Smock
Publisher: U of Nebraska Press
ISBN: 9780803242982
Category : Literary Collections
Languages : en
Pages : 224
Book Description
Herman Melville?s Bartleby, asked to account for himself, ?would prefer not to.? Tongue-tied Billy Budd, urged to defend his innocence, responds with a murderous blow. The Bavard, by Louis-Renä des For?ts, concerns a man whose power to speak is replaced by an inability to shut up. In these and other literary examples a call for speech throws the possibility of speaking into doubt. What Is There to Say? uses the ideas of Maurice Blanchot to clarify puzzling works by Melville, des For?ts, and Beckett. Ann Smock's energetic readings of texts about talking, listening, and recording cast an equally welcome light on Blanchot?s paradoxical thought.
Publisher: U of Nebraska Press
ISBN: 9780803242982
Category : Literary Collections
Languages : en
Pages : 224
Book Description
Herman Melville?s Bartleby, asked to account for himself, ?would prefer not to.? Tongue-tied Billy Budd, urged to defend his innocence, responds with a murderous blow. The Bavard, by Louis-Renä des For?ts, concerns a man whose power to speak is replaced by an inability to shut up. In these and other literary examples a call for speech throws the possibility of speaking into doubt. What Is There to Say? uses the ideas of Maurice Blanchot to clarify puzzling works by Melville, des For?ts, and Beckett. Ann Smock's energetic readings of texts about talking, listening, and recording cast an equally welcome light on Blanchot?s paradoxical thought.
The Marquis de Sade and the Avant-Garde
Author: Alyce Mahon
Publisher: Princeton University Press
ISBN: 0691141614
Category : Art
Languages : en
Pages : 299
Book Description
"This is the first book to examine the cultural history of Marquis de Sade's (1740-1814) philosophical ideas and their lasting influence on political and artistic debates. An icon of free expression, Sade lived through France's Reign of Terror, and his writings offer both a pitiless mirror on humanity and a series of subversive metaphors that allow for the exploration of political, sexual, and psychological terror. Generations of avant-garde writers and artists have responded to Sade's philosophy as a means of liberation and as a radical engagement with social politics and sexual desire, writing fiction modelled on Sade's novels, illustrating luxury editions of his works, and translating his ideas into film, photography, and painting. In The Sadean Imagination, Alyce Mahon examines how Sade used images and texts as forms that could explore and dramatize the concept of terror on political, physical, and psychic levels, and how avant-garde artists have continued to engage in a complex dialogue with his works. Studying Sade's influence on art from the French Revolution through the twentieth century, Mahon examines works ranging from Anne Desclos's The Story of O, to images, texts, and films by Man Ray, Pier Paolo Pasolini, Guillaume Apollinaire, Jean-Jacques Lebel, and Peter Brook. She also discusses writings and responses to Sade by feminist theorists including Angela Carter and Judith Butler. Throughout, she shows how Sade's work challenged traditional artistic expectations and pushed the boundaries of the body and the body politic, inspiring future artists, writers, and filmmakers to imagine and portray the unthinkable"--
Publisher: Princeton University Press
ISBN: 0691141614
Category : Art
Languages : en
Pages : 299
Book Description
"This is the first book to examine the cultural history of Marquis de Sade's (1740-1814) philosophical ideas and their lasting influence on political and artistic debates. An icon of free expression, Sade lived through France's Reign of Terror, and his writings offer both a pitiless mirror on humanity and a series of subversive metaphors that allow for the exploration of political, sexual, and psychological terror. Generations of avant-garde writers and artists have responded to Sade's philosophy as a means of liberation and as a radical engagement with social politics and sexual desire, writing fiction modelled on Sade's novels, illustrating luxury editions of his works, and translating his ideas into film, photography, and painting. In The Sadean Imagination, Alyce Mahon examines how Sade used images and texts as forms that could explore and dramatize the concept of terror on political, physical, and psychic levels, and how avant-garde artists have continued to engage in a complex dialogue with his works. Studying Sade's influence on art from the French Revolution through the twentieth century, Mahon examines works ranging from Anne Desclos's The Story of O, to images, texts, and films by Man Ray, Pier Paolo Pasolini, Guillaume Apollinaire, Jean-Jacques Lebel, and Peter Brook. She also discusses writings and responses to Sade by feminist theorists including Angela Carter and Judith Butler. Throughout, she shows how Sade's work challenged traditional artistic expectations and pushed the boundaries of the body and the body politic, inspiring future artists, writers, and filmmakers to imagine and portray the unthinkable"--
Encyclopedia of Modern French Thought
Author: Christopher John Murray
Publisher: Routledge
ISBN: 1135455643
Category : History
Languages : en
Pages : 748
Book Description
In this wide-ranging guide to twentieth-century French thought, leading scholars offer an authoritative multi-disciplinary analysis of one of the most distinctive and influential traditions in modern thought. Unlike any other existing work, this important work covers not only philosophy, but also all the other major disciplines, including literary theory, sociology, linguistics, political thought, theology, and more.
Publisher: Routledge
ISBN: 1135455643
Category : History
Languages : en
Pages : 748
Book Description
In this wide-ranging guide to twentieth-century French thought, leading scholars offer an authoritative multi-disciplinary analysis of one of the most distinctive and influential traditions in modern thought. Unlike any other existing work, this important work covers not only philosophy, but also all the other major disciplines, including literary theory, sociology, linguistics, political thought, theology, and more.
Aesthetics of Negativity
Author: William S. Allen
Publisher: Fordham Univ Press
ISBN: 0823269302
Category : Philosophy
Languages : en
Pages : 349
Book Description
Maurice Blanchot and Theodor W. Adorno are among the most difficult but also the most profound thinkers in twentieth-century aesthetics. While their methods and perspectives differ widely, they share a concern with the negativity of the artwork conceived in terms of either its experience and possibility or its critical expression. Such negativity is neither nihilistic nor pessimistic but concerns the status of the artwork and its autonomy in relation to its context or its experience. For both Blanchot and Adorno negativity is the key to understanding the status of the artwork in post-Kantian aesthetics and, although it indicates how art expresses critical possibilities, albeit negatively, it also shows that art bears an irreducible ambiguity such that its meaning can always negate itself. This ambiguity takes on an added material significance when considered in relation to language as the negativity of the work becomes aesthetic in the further sense of being both sensible and experimental, and in doing so the language of the literary work becomes a form of thinking that enables materiality to be thought in its ambiguity. In a series of rich and compelling readings, William S. Allen shows how an original and rigorous mode of thinking arises within Blanchot’s early writings and how Adorno’s aesthetics depends on a relation between language and materiality that has been widely overlooked. Furthermore, by reconsidering the problem of the autonomous work of art in terms of literature, a central issue in modernist aesthetics is given a greater critical and material relevance as a mode of thinking that is abstract and concrete, rigorous and ambiguous. While examples of this kind of writing can be found in the works of Blanchot and Beckett, the demands that such texts place on readers only confirm the challenges and the possibilities that literary autonomy poses to thought.
Publisher: Fordham Univ Press
ISBN: 0823269302
Category : Philosophy
Languages : en
Pages : 349
Book Description
Maurice Blanchot and Theodor W. Adorno are among the most difficult but also the most profound thinkers in twentieth-century aesthetics. While their methods and perspectives differ widely, they share a concern with the negativity of the artwork conceived in terms of either its experience and possibility or its critical expression. Such negativity is neither nihilistic nor pessimistic but concerns the status of the artwork and its autonomy in relation to its context or its experience. For both Blanchot and Adorno negativity is the key to understanding the status of the artwork in post-Kantian aesthetics and, although it indicates how art expresses critical possibilities, albeit negatively, it also shows that art bears an irreducible ambiguity such that its meaning can always negate itself. This ambiguity takes on an added material significance when considered in relation to language as the negativity of the work becomes aesthetic in the further sense of being both sensible and experimental, and in doing so the language of the literary work becomes a form of thinking that enables materiality to be thought in its ambiguity. In a series of rich and compelling readings, William S. Allen shows how an original and rigorous mode of thinking arises within Blanchot’s early writings and how Adorno’s aesthetics depends on a relation between language and materiality that has been widely overlooked. Furthermore, by reconsidering the problem of the autonomous work of art in terms of literature, a central issue in modernist aesthetics is given a greater critical and material relevance as a mode of thinking that is abstract and concrete, rigorous and ambiguous. While examples of this kind of writing can be found in the works of Blanchot and Beckett, the demands that such texts place on readers only confirm the challenges and the possibilities that literary autonomy poses to thought.
The Progress of Love
Author: Alice Munro
Publisher: Vintage
ISBN: 0307814564
Category : Fiction
Languages : en
Pages : 321
Book Description
Eleven stunning stories that explore the most intimate and transforming moments of existence, from Nobel Prize–winning author Alice Munro, “one of the foremost practitioners of the short story” (Michiko Kakutani, The New York Times). “Throughout this remarkable collection moments of insight flash from the pages like lightning, not necessarily providing answers—more like showing the way to new questions.”—The Philadelphia Inquirer A divorced woman returns to her childhood home where she confronts the memory of her parents’ confounding yet deep bond. The accidental near-drowning of a child exposes to the shaken mother the fragility between children and parents. A young man, remembering a terrifying childhood incident, wrestles with the responsibility he has always felt for his hapless younger brother. A man brings his lover on a visit to his ex-wife, only to feel unexpectedly closer to his estranged partner. In these and other stories, Alice Munro proves once again a sensitive and compassionate chronicler of our times. Drawing us into the most intimate corners of ordinary lives, she reveals much about ourselves, our choices, and our experiences of love.
Publisher: Vintage
ISBN: 0307814564
Category : Fiction
Languages : en
Pages : 321
Book Description
Eleven stunning stories that explore the most intimate and transforming moments of existence, from Nobel Prize–winning author Alice Munro, “one of the foremost practitioners of the short story” (Michiko Kakutani, The New York Times). “Throughout this remarkable collection moments of insight flash from the pages like lightning, not necessarily providing answers—more like showing the way to new questions.”—The Philadelphia Inquirer A divorced woman returns to her childhood home where she confronts the memory of her parents’ confounding yet deep bond. The accidental near-drowning of a child exposes to the shaken mother the fragility between children and parents. A young man, remembering a terrifying childhood incident, wrestles with the responsibility he has always felt for his hapless younger brother. A man brings his lover on a visit to his ex-wife, only to feel unexpectedly closer to his estranged partner. In these and other stories, Alice Munro proves once again a sensitive and compassionate chronicler of our times. Drawing us into the most intimate corners of ordinary lives, she reveals much about ourselves, our choices, and our experiences of love.
Journal of Literary Studies
Author:
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 732
Book Description
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 732
Book Description
Translation Review
Author:
Publisher:
ISBN:
Category : Translating and interpreting
Languages : en
Pages : 540
Book Description
Publisher:
ISBN:
Category : Translating and interpreting
Languages : en
Pages : 540
Book Description