Jacques Offenbach and the Making of Modern Culture PDF Download
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Author: Laurence Senelick
Publisher: Cambridge University Press
ISBN: 0521871808
Category : Biography & Autobiography
Languages : en
Pages : 371
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Book Description
Provides a fresh and global perspective on the works and influence of a nineteenth-century musical and theatrical phenomenon.
Author: Laurence Senelick
Publisher: Cambridge University Press
ISBN: 0521871808
Category : Biography & Autobiography
Languages : en
Pages : 371
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Book Description
Provides a fresh and global perspective on the works and influence of a nineteenth-century musical and theatrical phenomenon.
Author: Henry A. Lytton
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 208
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Book Description
"The Secrets of a Savoyard" penned by Henry A. Lytton provides a charming and personal glimpse into the life and experiences of a Savoyard. With wit and warmth, Lytton's narrative captures the essence of being a Savoyard and the cultural nuances that define this group. From anecdotes to reflections, the author's engaging storytelling invites readers into a world that is both nostalgic and illuminating.
Author: P. G. Wodehouse
Publisher: Arcturus Publishing
ISBN: 1789506735
Category : Fiction
Languages : en
Pages : 250
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Book Description
In The Inimitable Jeeves, Bertie Wooster and his valet Jeeves embark on a series of riotous adventures. Among other things they involve Bertie's feeble attempts to stop his friend Bingo Little from falling in love with every girl he meets. But the amiable chump's main concern is to avoid the eagle eye and iron will of his merciless Aunt Agatha. In one of the funniest works in the English language, P. G. Wodehouse charms, delights, and occasionally surprises the reader with his shrewd parody of the carefree lives of the English elite.
Author: Bradley J. Irish
Publisher: Northwestern University Press
ISBN: 0810136414
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
Deploying literary analysis, theories of emotion from the sciences and humanities, and an archival account of Tudor history, Emotion in the Tudor Court examines how literature both reflects and constructs the emotional dynamics of life in the Renaissance court. In it, Bradley J. Irish argues that emotionality is a foundational framework through which historical subjects embody and engage their world, and thus can serve as a fundamental lens of social and textual analysis. Spanning the sixteenth century, Emotion in the Tudor Court explores Cardinal Thomas Wolsey and Henrician satire; Henry Howard, Earl of Surrey, and elegy; Sir Philip Sidney and Elizabethan pageantry; and Robert Devereux, Earl of Essex, and factional literature. It demonstrates how the dynamics of disgust,envy, rejection, and dread, as they are understood in the modern affective sciences, can be seen to guide literary production in the early modern court. By combining Renaissance concepts of emotion with modern research in the social and natural sciences, Emotion in the Tudor Court takes a transdisciplinary approach to yield fascinating and robust ways to illuminate both literary studies and cultural history.
Author: Robert Bigio
Publisher:
ISBN: 9780946113095
Category : Flute
Languages : en
Pages : 316
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Book Description
Author: Library of Congress
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 60
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Book Description
Author: Charles Larcom Graves
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 376
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Book Description
Author: Albert Charles Robinson Carter
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 390
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Book Description
Author: Aurelius O. Carpenter
Publisher:
ISBN:
Category : Lake County (Calif.)
Languages : en
Pages : 1072
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Book Description
Author: Dan H. Marek
Publisher: Rowman & Littlefield
ISBN: 1442235896
Category : Music
Languages : en
Pages : 259
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Book Description
Everyone is familiar with the words diva or prima donna, which have come to mean a (usually) outrageous operatic soprano, but there was a time when the star of the show was more often a contralto, or a soprano singing in today's mezzo-soprano range. This performer was referred to as an alto. In the 17th and 18th centuries, the male and female leading roles were likely to be sung by emasculated males, the alto castrati, although there were many great female altos during this period as well. The music for these fantastic artists, written by such composers as Porpora, Vinci, Hasse, and even Handel, has been largely forgotten. At the beginning of the 19th century, as the castrati died out, their roles were often assumed by female altos referred to as musici. New repertoire continued to be written for them by Rossini and others, but gradually, this musical tradition and technique was lost. Now, however, because of the talent and industry of such gifted artists as Marilyn Horne, Cecilia Bartoli, and Joyce DiDonato, and the sudden ease with which the performance of these forgotten works can be obtained, there is a resurgence of interest in the performance and preservation of this lost art. Alto: The Voice of Bel Canto examines the careers of nearly 320 great alto singers, including the great castrati, from the dawn of opera in 1597 to the present. The music of the composers who wrote for the alto voice is discussed along with musical examples and suggestions for listening. The exploration of the greatest altos’ careers and techniques offers inspiration for aspiring young singers as well as absorbing reading for the music lover who wants to know more about the fascinating world of opera.
