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Author: Anselm Haverkamp
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311048496X
Category : Literary Criticism
Languages : en
Pages : 366
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Book Description
Productive Digression is a translation of the ancient term poetics: as a practice of theory. The products produced in the mode of poiesis are ‘digressive’ in that they operate off track; they resist the main stream of every day prose. They do so for various reasons and in various respects. Mostly, they are explained historically, relative to historical contexts and, that is, contrary to what they are meant to resist. Instead, this book investigates the modes of resistance, their epistemology of production, in short, the logic of digression. The method addresses the singular exemplarity of art and literature; it elucidates the impact of poiesis as an epistemological challenge and redefines the analysis of literature and art as branches of an Historical Epistemology. Proceeding from the state of affairs in 20th century criticism and aesthetics (Benjamin, Adorno, Blumenberg, Merleau-Ponty), the epistemology of representation (Whitehead, Canguilhem, Bachelard, Rheinberger) is revised in, and with respect to critical consequences (Derrida, Marin, de Man, Agamben). From literary criticism and critical legal studies to the scenario of the life sciences, the essays collected here redirect the logic of research towards the epistemological grounds of an aesthetics underneath the hermeneutics of every day life.
Author: Anselm Haverkamp
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311048496X
Category : Literary Criticism
Languages : en
Pages : 366
Get Book Here
Book Description
Productive Digression is a translation of the ancient term poetics: as a practice of theory. The products produced in the mode of poiesis are ‘digressive’ in that they operate off track; they resist the main stream of every day prose. They do so for various reasons and in various respects. Mostly, they are explained historically, relative to historical contexts and, that is, contrary to what they are meant to resist. Instead, this book investigates the modes of resistance, their epistemology of production, in short, the logic of digression. The method addresses the singular exemplarity of art and literature; it elucidates the impact of poiesis as an epistemological challenge and redefines the analysis of literature and art as branches of an Historical Epistemology. Proceeding from the state of affairs in 20th century criticism and aesthetics (Benjamin, Adorno, Blumenberg, Merleau-Ponty), the epistemology of representation (Whitehead, Canguilhem, Bachelard, Rheinberger) is revised in, and with respect to critical consequences (Derrida, Marin, de Man, Agamben). From literary criticism and critical legal studies to the scenario of the life sciences, the essays collected here redirect the logic of research towards the epistemological grounds of an aesthetics underneath the hermeneutics of every day life.
Author: Anselm Haverkamp
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110486210
Category : Literary Criticism
Languages : en
Pages : 246
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Book Description
Productive Digression is a translation of the ancient term poetics: as a practice of theory. The products produced in the mode of poiesis are ‘digressive’ in that they operate off track; they resist the main stream of every day prose. They do so for various reasons and in various respects. Mostly, they are explained historically, relative to historical contexts and, that is, contrary to what they are meant to resist. Instead, this book investigates the modes of resistance, their epistemology of production, in short, the logic of digression. The method addresses the singular exemplarity of art and literature; it elucidates the impact of poiesis as an epistemological challenge and redefines the analysis of literature and art as branches of an Historical Epistemology. Proceeding from the state of affairs in 20th century criticism and aesthetics (Benjamin, Adorno, Blumenberg, Merleau-Ponty), the epistemology of representation (Whitehead, Canguilhem, Bachelard, Rheinberger) is revised in, and with respect to critical consequences (Derrida, Marin, de Man, Agamben). From literary criticism and critical legal studies to the scenario of the life sciences, the essays collected here redirect the logic of research towards the epistemological grounds of an aesthetics underneath the hermeneutics of every day life.
Author: Michèle Lowrie
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111334805
Category : Literary Criticism
Languages : en
Pages : 360
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Book Description
However shared the Roman inheritance may be, it hardly unifies. Which Rome is the model, the Republic or the Empire? The Rome of imperial conquest or of civil war? By whom is it ruled? By the glorious conqueror who extended universal peace, the rule of law, and infrastructure – roads and aqueducts – or by the detested tyrant who imposed domination? Or worse, the corruptor of republican liberty and source of putrefying decadence? Rome always returns, but which Rome? France presents itself as a privileged locus for Rome’s return since the beginnings of its history. The perennial recourse to ancient Rome – as model or anti-model – binds together a cohesive tradition. The logic of this gesture asserts a unity beyond modern identity politics, which depend on defining a “them” against “us,” to resist nativist assumptions about national character, French, German, Italian, American, etc. All share the same polysemous inheritance, for good or ill. All are Roman and all resist Rome without needing to agree on what exactly is shared. The unity underlying the discourse, however, no longer depends on defining Rome as an origin. Instead, Rome’s figuration persists discursively, as a translation: to be translated time and time again.
Author: Katie Eelman
Publisher: Inkshares
ISBN: 1942645007
Category : Fiction
Languages : en
Pages : 273
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Book Description
At Papercuts, “the tiny Boston icon” (The Guardian), we’re passionate about great books and we’re delighted to present our own. Inside you’ll find rare works of fiction, nonfiction, and poetry from the distinct authors we hosted in our first year. From New York Times bestselling to hometown treasures, this book of cutting-edge writing encapsulates what happened here. PAPERCUTS J.P. is an award-winning independent bookstore located in Boston, Massachusetts, established in 2014 by former publishing professional Kate Layte. Katie Eelman has been the media and events coordinator since the store opened.
Author: A. Grohmann
Publisher: Springer
ISBN: 0230292526
Category : Literary Criticism
Languages : en
Pages : 228
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Book Description
With studies of, amongst others, Miguel de Cervantes, Anton Chekhov, Charles Baudelaire and Henry James, this landmark collection of essays is a unique and wide-ranging exploration and celebration of the many forms of digression in major works by fifteen of the finest European writers from the early modern period to the present day.
Author: Maksymilian Del Mar
Publisher: Bloomsbury Publishing
ISBN: 1509936181
Category : Law
Languages : en
Pages : 400
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Book Description
What is the value of fictions, metaphors, figures and scenarios in adjudication? This book develops three models to help answer that question: inquiry, artefacts and imagination. Legal language, it is argued, contains artefacts – forms that signal their own artifice and call upon us to do things with them. To imagine, in turn, is to enter a distinctive epistemic frame where we temporarily suspend certain epistemic norms and commitments and participate actively along a spectrum of affective, sensory and kinesic involvement. The book argues that artefacts and related processes of imagination are valuable insofar as they enable inquiry in adjudication, ie the social (interactive and collective) process of making insight into what values, vulnerabilities and interests might be at stake in a case and in similar cases in the future. Artefacts of Legal Inquiry is structured in two parts, with the first offering an account of the three models of inquiry, artefacts and imagination, and the second examining four case studies (fictions, metaphors, figures and scenarios). Drawing on a broad range of theoretical traditions – including philosophy of imagination and emotion, the theory and history of rhetoric, and the cognitive humanities – this book offers an interdisciplinary defence of the importance of artefactual language and imagination in adjudication.
Author: Allen Oakley
Publisher: Routledge
ISBN: 1136509747
Category : Business & Economics
Languages : en
Pages : 356
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Book Description
Volume Two covers the years 1861-1863, when Marx consolidated and refined the arguments of his critique of political economy in his relatively neglected manuscripts Theories of Surplus Value. * Special attention is paid to the nature, scope and limitations of Marx's critique and to the critique of Ricardo's Principles.
Author: Simon Kemp
Publisher: University of Wales Press
ISBN: 0708322743
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
Explores the state of French fiction through an examination of the work of five major French writers, Annie Ernaux, Pascal Quignard, Marie Darrieussecq, Jean Echenoz and Patrick Modiano. This book deals with some of the writers on British and American university French courses.
Author: Julia McCord Chavez
Publisher:
ISBN:
Category :
Languages : en
Pages : 376
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Book Description
Author: Joseph Drury
Publisher: Oxford University Press
ISBN: 0192510800
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
Eighteenth-century fiction is full of mechanical devices and contrivances: Robinson Crusoe uses his gun and compass to master his island and its inhabitants; Tristram Shandy's conception is interrupted by a question about a clock and he has his nose damaged at birth by a man-midwife's forceps; Ann Radcliffe's gothic heroines play musical instruments to soothe their troubled minds. In Novel Machines, however, Joseph Drury argues that the most important machine in any eighteenth-century novel is the narrative itself. Like other kinds of machine, a narrative is an artificial construction composed of different parts that combine to produce a sequence of causally linked actions. Like other machines, a narrative is designed to produce predictable effects and can therefore be put to certain uses. Such affinities had been apparent to critics since Aristotle, but they began to assume a particular urgency in the eighteenth century as authors sought to organize their narratives according to the new ideas about nature, art, and the human subject that emerged out of the Scientific Revolution. Reading works by Eliza Haywood, Henry Fielding, Laurence Sterne, and Ann Radcliffe, Novel Machines tracks the consequences of the effort to transform the novel into an Enlightenment machine. On the one hand, the rationalization of the novel's narrative machinery helped establish its legitimacy, such that by the end of the century it could be celebrated as a modern 'invention' that provided valuable philosophical knowledge about human nature. On the other hand, conceptualizing the novel as a machine opened up a new line of attack for the period's moralists, whose polemics against the novel were often framed in the same terms used to reflect on the uses and effects of machines in other contexts. Eighteenth-century novelists responded by adapting the novel's narrative machinery, devising in the process some of the period's most characteristic and influential formal innovations.
