Author: Society of Antiquaries of Scotland
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 742
Book Description
Includes List of members.
Proceedings of the Society of Antiquaries of Scotland
Author: Society of Antiquaries of Scotland
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 518
Book Description
Includes List of members.
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 518
Book Description
Includes List of members.
Medieval Art, Architecture and Archaeology in the Dioceses of Aberdeen and Moray
Author: Jane Geddes
Publisher: Routledge
ISBN: 1317248074
Category : Social Science
Languages : en
Pages : 264
Book Description
Exploring the medieval heritage of Aberdeenshire and Moray, the essays in this volume contain insights and recent work presented at the British Archaeological Association Conference of 2014, based at Aberdeen University. The opening, historical chapters establish the political, economic and administrative context of the region, looking at both the secular and religious worlds and include an examination of Elgin Cathedral and the bishops’ palaces. The discoveries at the excavations of the kirk of St Nicholas, which have revealed the early origins of religious life in Aberdeen city, are summarized and subsequent papers consider the role of patronage. Patronage is explored in terms of architecture, the dramas of the Reformation and its aftermath highlighted through essentially humble parish churches, assailed by turbulent events and personalities. The collegiate church at Cullen, particularly its tomb sculpture, provides an unusually detailed view of the spiritual and dynastic needs of its patrons. The decoration of spectacular ceilings, both carved and painted, at St Machar’s Cathedral, Provost Skene’s House and Crathes Castle, are surveyed through the eyes of their patrons and the viewers below. Saints and religious devotion feature in the last four chapters, focusing on the carved wooden panels from Fetteresso, which display both piety and a rare glimpse of Scottish medieval carnal humour, the illuminated manuscripts from Arbuthnott, the Aberdeen Breviary and Historia Gentis Scotorum. The medieval artistic culture of north-east Scotland is both battered by time and relatively little known. With discerning interpretation, this volume shows that much high-quality material still survives, while the lavish illustrations restore some glamour to this lost medieval world.
Publisher: Routledge
ISBN: 1317248074
Category : Social Science
Languages : en
Pages : 264
Book Description
Exploring the medieval heritage of Aberdeenshire and Moray, the essays in this volume contain insights and recent work presented at the British Archaeological Association Conference of 2014, based at Aberdeen University. The opening, historical chapters establish the political, economic and administrative context of the region, looking at both the secular and religious worlds and include an examination of Elgin Cathedral and the bishops’ palaces. The discoveries at the excavations of the kirk of St Nicholas, which have revealed the early origins of religious life in Aberdeen city, are summarized and subsequent papers consider the role of patronage. Patronage is explored in terms of architecture, the dramas of the Reformation and its aftermath highlighted through essentially humble parish churches, assailed by turbulent events and personalities. The collegiate church at Cullen, particularly its tomb sculpture, provides an unusually detailed view of the spiritual and dynastic needs of its patrons. The decoration of spectacular ceilings, both carved and painted, at St Machar’s Cathedral, Provost Skene’s House and Crathes Castle, are surveyed through the eyes of their patrons and the viewers below. Saints and religious devotion feature in the last four chapters, focusing on the carved wooden panels from Fetteresso, which display both piety and a rare glimpse of Scottish medieval carnal humour, the illuminated manuscripts from Arbuthnott, the Aberdeen Breviary and Historia Gentis Scotorum. The medieval artistic culture of north-east Scotland is both battered by time and relatively little known. With discerning interpretation, this volume shows that much high-quality material still survives, while the lavish illustrations restore some glamour to this lost medieval world.
Antiquity
Author: Osbert Guy Stanhope Crawford
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 272
Book Description
Includes section "Reviews."
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 272
Book Description
Includes section "Reviews."
The Selected Works of Andrew Lang
Author: Andrew Lang
Publisher: Library of Alexandria
ISBN: 1465527419
Category : Fiction
Languages : en
Pages : 18996
Book Description
When the learned first gave serious attention to popular ballads, from the time of Percy to that of Scott, they laboured under certain disabilities. The Comparative Method was scarcely understood, and was little practised. Editors were content to study the ballads of their own countryside, or, at most, of Great Britain. Teutonic and Northern parallels to our ballads were then adduced, as by Scott and Jamieson. It was later that the ballads of Europe, from the Faroes to Modern Greece, were compared with our own, with EuropeanMärchen, or children’s tales, and with the popular songs, dances, and traditions of classical and savage peoples. The results of this more recent comparison may be briefly stated. Poetry begins, as Aristotle says, in improvisation. Every man is his own poet, and, in moments of stronge motion, expresses himself in song. A typical example is the Song of Lamech in Genesis—“I have slain a man to my wounding, And a young man to my hurt.” Instances perpetually occur in the Sagas: Grettir, Egil, Skarphedin, are always singing. In Kidnapped, Mr. Stevenson introduces “The Song of the Sword of Alan,” a fine example of Celtic practice: words and air are beaten out together, in the heat of victory. In the same way, the women sang improvised dirges, like Helen; lullabies, like the lullaby of Danae in Simonides, and flower songs, as in modern Italy. Every function of life, war, agriculture, the chase, had its appropriate magical and mimetic dance and song, as in Finland, among Red Indians, and among Australian blacks. “The deeds of men” were chanted by heroes, as by Achilles; stories were told in alternate verse and prose; girls, like Homer’s Nausicaa, accompanied dance and ball play, priests and medicine-men accompanied rites and magical ceremonies by songs. These practices are world-wide, and world-old. The thoroughly popular songs, thus evolved, became the rude material of a professional class of minstrels, when these arose, as in the heroic age of Greece. A minstrel might be attached to a Court, or a noble; or he might go wandering with song and harp among the people. In either case, this class of men developed more regular and ample measures. They evolved the hexameter; the laisse of the Chansons de Geste; the strange technicalities of Scandinavian poetry; the metres of Vedic hymns; the choral odes of Greece. The narrative popular chant became in their hands the Epic, or the mediaeval rhymed romance. The metre of improvised verse changed into the artistic lyric. These lyric forms were fixed, in many cases, by the art of writing. But poetry did not remain solely in professional and literary hands. The mediaeval minstrels and jongleurs (who may best be studied in Léon Gautier’s Introduction to his Epopées Françaises) sang in Court and Camp. The poorer, less regular brethren of the art, harped and played conjuring tricks, in farm and grange, or at street corners. The foreign newer metres took the place of the old alliterative English verse. But unprofessional men and women did not cease to make and sing.
Publisher: Library of Alexandria
ISBN: 1465527419
Category : Fiction
Languages : en
Pages : 18996
Book Description
When the learned first gave serious attention to popular ballads, from the time of Percy to that of Scott, they laboured under certain disabilities. The Comparative Method was scarcely understood, and was little practised. Editors were content to study the ballads of their own countryside, or, at most, of Great Britain. Teutonic and Northern parallels to our ballads were then adduced, as by Scott and Jamieson. It was later that the ballads of Europe, from the Faroes to Modern Greece, were compared with our own, with EuropeanMärchen, or children’s tales, and with the popular songs, dances, and traditions of classical and savage peoples. The results of this more recent comparison may be briefly stated. Poetry begins, as Aristotle says, in improvisation. Every man is his own poet, and, in moments of stronge motion, expresses himself in song. A typical example is the Song of Lamech in Genesis—“I have slain a man to my wounding, And a young man to my hurt.” Instances perpetually occur in the Sagas: Grettir, Egil, Skarphedin, are always singing. In Kidnapped, Mr. Stevenson introduces “The Song of the Sword of Alan,” a fine example of Celtic practice: words and air are beaten out together, in the heat of victory. In the same way, the women sang improvised dirges, like Helen; lullabies, like the lullaby of Danae in Simonides, and flower songs, as in modern Italy. Every function of life, war, agriculture, the chase, had its appropriate magical and mimetic dance and song, as in Finland, among Red Indians, and among Australian blacks. “The deeds of men” were chanted by heroes, as by Achilles; stories were told in alternate verse and prose; girls, like Homer’s Nausicaa, accompanied dance and ball play, priests and medicine-men accompanied rites and magical ceremonies by songs. These practices are world-wide, and world-old. The thoroughly popular songs, thus evolved, became the rude material of a professional class of minstrels, when these arose, as in the heroic age of Greece. A minstrel might be attached to a Court, or a noble; or he might go wandering with song and harp among the people. In either case, this class of men developed more regular and ample measures. They evolved the hexameter; the laisse of the Chansons de Geste; the strange technicalities of Scandinavian poetry; the metres of Vedic hymns; the choral odes of Greece. The narrative popular chant became in their hands the Epic, or the mediaeval rhymed romance. The metre of improvised verse changed into the artistic lyric. These lyric forms were fixed, in many cases, by the art of writing. But poetry did not remain solely in professional and literary hands. The mediaeval minstrels and jongleurs (who may best be studied in Léon Gautier’s Introduction to his Epopées Françaises) sang in Court and Camp. The poorer, less regular brethren of the art, harped and played conjuring tricks, in farm and grange, or at street corners. The foreign newer metres took the place of the old alliterative English verse. But unprofessional men and women did not cease to make and sing.
The Clyde Mystery: A Study in Forgeries and Folklore
Author: Andrew Lang
Publisher: anboco
ISBN: 3736414404
Category : Fiction
Languages : en
Pages : 128
Book Description
The author would scarcely have penned this little specimen of what Scott called "antiquarian old womanries," but for the interest which he takes in the universally diffused archaic patterns on rocks and stones, which offer a singular proof of the identity of the working of the human mind.Anthropology and folklore are the natural companions and aids of prehistoric and proto-historic archaeology, and suggest remarks which may not be valueless, whatever view we may take of the disputed objects from the Clyde sites. While only an open verdict on these objects is at present within the competence of science, the author, speaking for himself, must record his private opinion that, as a rule, they are ancient though anomalous.He cannot pretend to certainty as to whether the upper parts of the marine structures were throughout built of stone, as in Dr. Munro's theory, which is used as the fundamental assumption in this book; or whether they were of wood, as in the hypothesis of Mr. Donnelly, illustrated by him in the Glasgow Evening Times (Sept. 11, 1905).The point seems unessential.The author learns from Mr. Donnelly that experiments in shaping piles with an ancient stone axe have been made by Mr. Joseph Downes, of Irvine, as by Monsieur Hippolyte Müller in France, with similar results, a fact which should have been mentioned in the book.It appears too, that a fragment of fallow deer horn at Dumbuck, mentioned by Dr. Munro, turned out to be "a decayed humerus of the Bos Longifrons," and therefore no evidence as to date, as post-Roman. Mr. Donnelly also protests that his records of his excavations "were exceptionally complete," and that he "took daily notes and sketches of all features and finds with measurements."I must mention these facts, as, in the book, I say that Mr. Donnelly "kept no minute and hourly dated log book of his explorations, with full details as to the precise positions of the objects discovered."...
Publisher: anboco
ISBN: 3736414404
Category : Fiction
Languages : en
Pages : 128
Book Description
The author would scarcely have penned this little specimen of what Scott called "antiquarian old womanries," but for the interest which he takes in the universally diffused archaic patterns on rocks and stones, which offer a singular proof of the identity of the working of the human mind.Anthropology and folklore are the natural companions and aids of prehistoric and proto-historic archaeology, and suggest remarks which may not be valueless, whatever view we may take of the disputed objects from the Clyde sites. While only an open verdict on these objects is at present within the competence of science, the author, speaking for himself, must record his private opinion that, as a rule, they are ancient though anomalous.He cannot pretend to certainty as to whether the upper parts of the marine structures were throughout built of stone, as in Dr. Munro's theory, which is used as the fundamental assumption in this book; or whether they were of wood, as in the hypothesis of Mr. Donnelly, illustrated by him in the Glasgow Evening Times (Sept. 11, 1905).The point seems unessential.The author learns from Mr. Donnelly that experiments in shaping piles with an ancient stone axe have been made by Mr. Joseph Downes, of Irvine, as by Monsieur Hippolyte Müller in France, with similar results, a fact which should have been mentioned in the book.It appears too, that a fragment of fallow deer horn at Dumbuck, mentioned by Dr. Munro, turned out to be "a decayed humerus of the Bos Longifrons," and therefore no evidence as to date, as post-Roman. Mr. Donnelly also protests that his records of his excavations "were exceptionally complete," and that he "took daily notes and sketches of all features and finds with measurements."I must mention these facts, as, in the book, I say that Mr. Donnelly "kept no minute and hourly dated log book of his explorations, with full details as to the precise positions of the objects discovered."...
The Secret History of the Roman Roads of Britain
Author: M.C. Bishop
Publisher: Pen and Sword
ISBN: 1848846150
Category : History
Languages : en
Pages : 234
Book Description
There have been many books on Britain's Roman roads, but none have considered in any depth their long-term strategic impact. Mike Bishop shows how the road network was vital not only in the Roman strategy of conquest and occupation, but influenced the course of British military history during subsequent ages. ??The author starts with the pre-Roman origins of the network (many Roman roads being built over prehistoric routes) before describing how the Roman army built, developed, maintained and used it. Then, uniquely, he moves on to the post-Roman history of the roads. He shows how they were crucial to medieval military history (try to find a medieval battle that is not near one) and the governance of the realm, fixing the itinerary of the royal progresses. Their legacy is still clear in the building of 18th century military roads and even in the development of the modern road network. Why have some parts of the network remained in use throughout??The text is supported with clear maps and photographs. ??Most books on Roman roads are concerned with cataloguing or tracing them, or just dealing with aspects like surveying. This one makes them part of military landscape archaeology.
Publisher: Pen and Sword
ISBN: 1848846150
Category : History
Languages : en
Pages : 234
Book Description
There have been many books on Britain's Roman roads, but none have considered in any depth their long-term strategic impact. Mike Bishop shows how the road network was vital not only in the Roman strategy of conquest and occupation, but influenced the course of British military history during subsequent ages. ??The author starts with the pre-Roman origins of the network (many Roman roads being built over prehistoric routes) before describing how the Roman army built, developed, maintained and used it. Then, uniquely, he moves on to the post-Roman history of the roads. He shows how they were crucial to medieval military history (try to find a medieval battle that is not near one) and the governance of the realm, fixing the itinerary of the royal progresses. Their legacy is still clear in the building of 18th century military roads and even in the development of the modern road network. Why have some parts of the network remained in use throughout??The text is supported with clear maps and photographs. ??Most books on Roman roads are concerned with cataloguing or tracing them, or just dealing with aspects like surveying. This one makes them part of military landscape archaeology.
The Waterloo Directory of Scottish Newspapers and Periodicals, 1800-1900
Author: John S. North
Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 1118
Book Description
Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 1118
Book Description
Review of Scottish Culture 20, 2008
Author: Alexander Fenton
Publisher:
ISBN: 9780859767095
Category :
Languages : en
Pages : 196
Book Description
Publisher:
ISBN: 9780859767095
Category :
Languages : en
Pages : 196
Book Description
The English Catalogue of Books [annual]
Author: Sampson Low
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 412
Book Description
Vols. for 1898-1968 include a directory of publishers.
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 412
Book Description
Vols. for 1898-1968 include a directory of publishers.
Macbeth
Author: Nicholas Boyter Aitchison
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 400
Book Description
Immortalised in Shakespeare's compelling tragedy, Macbeth (1040-1057) is perhaps Scotland's most famous king. But how much is known about the historical Macbeth and his reign? What was it about this king that intrigued later chroniclers and inspired Shakespeare? And how closely does Shakespeare's Macbeth correspond with historical reality?
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 400
Book Description
Immortalised in Shakespeare's compelling tragedy, Macbeth (1040-1057) is perhaps Scotland's most famous king. But how much is known about the historical Macbeth and his reign? What was it about this king that intrigued later chroniclers and inspired Shakespeare? And how closely does Shakespeare's Macbeth correspond with historical reality?