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Author: Gregg Kreutz
Publisher: Watson-Guptill
ISBN: 9780823040971
Category : Art
Languages : en
Pages : 148
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Book Description
Finally - a book to help you solve all your painting problems! Inside you'll learn how to study a painting and correct problematic areas. Study topics include: Ideas - Is there a good abstract idea underlying the picture? - What details could be eliminated to strengthen the composition? - Does the painting have a focus? - Are the unessential parts subbordinated? - Does the painting "read"? - Could you finish any part of the painting? Shapes - Are the dominant shapes as strong and simple as possible? - Are the shapes too similiar? Value - Could the value range be increased? - Could the number of values be reduced? Light - Is the subject effectively lit? - Is the light area big enough? - Would the light look stronger with a suggestion of burnout? - Do the lights have a continuous flow? - Is the light gradiated? Shadows - Do the shadow shapes describe the form? - Are the shadows warm enough? Depth - Would the addition of foreground material deepen the space? - Does the background recede far enough? - Are the halftones properly related to the background? Solidity - Is the underlying form being communicated? - Is the symmetry in perspective? Color - Is there a color strategy? - Could a purer color be used? - Do the whites have enough color in them? - Are the colors overbended on the canvas? - would the color look brighter if it were saturated into its adjacent area? Paint - Is your palette efficiently organized? - Is the painting surface too absorbent? - Are you using the palette knife as much as you could? - Are you painting lines when you should be painting masses? - Are the edges dynamic enough? - Is there enough variation in the texture of the paint?
Author: Gregg Kreutz
Publisher: Watson-Guptill
ISBN: 9780823040971
Category : Art
Languages : en
Pages : 148
Get Book Here
Book Description
Finally - a book to help you solve all your painting problems! Inside you'll learn how to study a painting and correct problematic areas. Study topics include: Ideas - Is there a good abstract idea underlying the picture? - What details could be eliminated to strengthen the composition? - Does the painting have a focus? - Are the unessential parts subbordinated? - Does the painting "read"? - Could you finish any part of the painting? Shapes - Are the dominant shapes as strong and simple as possible? - Are the shapes too similiar? Value - Could the value range be increased? - Could the number of values be reduced? Light - Is the subject effectively lit? - Is the light area big enough? - Would the light look stronger with a suggestion of burnout? - Do the lights have a continuous flow? - Is the light gradiated? Shadows - Do the shadow shapes describe the form? - Are the shadows warm enough? Depth - Would the addition of foreground material deepen the space? - Does the background recede far enough? - Are the halftones properly related to the background? Solidity - Is the underlying form being communicated? - Is the symmetry in perspective? Color - Is there a color strategy? - Could a purer color be used? - Do the whites have enough color in them? - Are the colors overbended on the canvas? - would the color look brighter if it were saturated into its adjacent area? Paint - Is your palette efficiently organized? - Is the painting surface too absorbent? - Are you using the palette knife as much as you could? - Are you painting lines when you should be painting masses? - Are the edges dynamic enough? - Is there enough variation in the texture of the paint?
Author: Gregg Kreutz
Publisher: Watson-Guptill
ISBN: 9780823040971
Category : Art
Languages : en
Pages : 148
Get Book Here
Book Description
Finally - a book to help you solve all your painting problems! Inside you'll learn how to study a painting and correct problematic areas. Study topics include: Ideas - Is there a good abstract idea underlying the picture? - What details could be eliminated to strengthen the composition? - Does the painting have a focus? - Are the unessential parts subbordinated? - Does the painting "read"? - Could you finish any part of the painting? Shapes - Are the dominant shapes as strong and simple as possible? - Are the shapes too similiar? Value - Could the value range be increased? - Could the number of values be reduced? Light - Is the subject effectively lit? - Is the light area big enough? - Would the light look stronger with a suggestion of burnout? - Do the lights have a continuous flow? - Is the light gradiated? Shadows - Do the shadow shapes describe the form? - Are the shadows warm enough? Depth - Would the addition of foreground material deepen the space? - Does the background recede far enough? - Are the halftones properly related to the background? Solidity - Is the underlying form being communicated? - Is the symmetry in perspective? Color - Is there a color strategy? - Could a purer color be used? - Do the whites have enough color in them? - Are the colors overbended on the canvas? - would the color look brighter if it were saturated into its adjacent area? Paint - Is your palette efficiently organized? - Is the painting surface too absorbent? - Are you using the palette knife as much as you could? - Are you painting lines when you should be painting masses? - Are the edges dynamic enough? - Is there enough variation in the texture of the paint?
Author: Gregg Kreutz
Publisher: Watson-Guptill
ISBN: 0804185433
Category : Art
Languages : en
Pages : 162
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Book Description
An essential guide to the oil painting techniques that will allow artists to master a variety of subjects, including figures, portraits, still life, landscapes, and interiors. Many painters limit themselves to one type of subject matter, but in Oil Painting Essentials, artist and art instructor Gregg Kreutz shows how a multi-genre approach can dramatically improve your painting skills. Arranged by category, each chapter covers both the essentials specific to that subject matter and those that apply to all genres. Through step-by-step lessons and examples from his own oil paintings, Kreutz shows how you can strengthen your skillset for one genre by painting in another. This comprehensive exploration of the conceptual and practical issues behind oil painting provides all of the tools and encouragement you need to successfully take on any type of oil painting.
Author: Arthur Stern
Publisher: Echo Point Books & Media, LLC
ISBN:
Category : Art
Languages : en
Pages : 385
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Book Description
Learn to see and mix any color with extraordinary precision! Many painters don't paint what they see, but what they expect to see, what they think they see, what they remember, or what they imagine things are supposed to look like. Since "the mind stands in the way of the eye," the purpose of this revolutionary book is to train you to paint what your eye actually sees. Arthur Stern claims that color is key to painting what you see. After working with three generations of students, he developed a program of 22 painting projects that teach the artist to observe, identify, mix, match, and paint the colors of the world with remarkable accuracy. Using a painting knife and oil paint, you learn to analyze every painting subject as a series of distinct color areas—called color spots—and place each spot on the canvas as a unique and vivid mixture. The fundamental lesson of the book is that if you put the right color spot in the right place, you create a realistic image of form, space, surface texture, atmosphere, light, and shade. As you follow the painting projects in this book, you'll make the dramatic discovery that everything in nature is filled with luminous color. You'll learn to see glowing color in the "blackest" shadow and the "whitest" linen. You'll learn when a green can appear red; how to use paint to replicate metal, glass, wood, paper, porcelain, and other opaque, transparent, or textured surfaces. Before long, you'll be seeing a multitude of colors in a slice of bread, apples and oranges, and a mass of green leaves. You'll learn how to paint quickly enough to capture a "live" still life—a flower that moves and slowly dies as you paint it. You'll even practice with a setup outdoors to see how sunlight and skylight affect color. How to See Color and Paint It is a must for beginners and a valuable asset for intermediate artists who want to develop a more subtle perception of color. A final section contains beautiful paintings of many subjects that have grown out of projects and ideas taught in this book. 130 color plates; 40 black & white illustrations
Author: Michael Friel
Publisher: Watson-Guptill
ISBN: 0307828786
Category : Art
Languages : en
Pages : 194
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Book Description
The equivalent of a foundation course in traditional oil painting for beginning to intermediate level artists, this in-depth book uses the still life as a practical way to master oil techniques. The still life is a practical, forgiving genre as it does not require the likeness of a portrait or the accurate proportions of the figure and, unlike the landscape, it doesn’t change with the weather. Instead, it gives aspiring artists ample time to study and the opportunity to look closer. It can be used as a purely formal subject for drawing and painting techniques, or a platform for emotional expression using personal symbolism and imagery. However, though the still life is used throughout as a teaching tool, this is first and foremost a book about oil painting. It begins with simple compositions that build to more complex arrangements. Starting with essential information on how to best set up your studio—including lighting, equipment, materials (paints, solvents, brushes, mediums), and preparing your canvas and paper for oil painting—Still Life Painting Atelier then offers concrete lessons in a logical progressive sequence, with step-by-step illustrations, finished paintings, diagrams and tips. Chapters cover: • How to address composition through thumbnail sketches and line drawings • Using underpainting to study the characteristics of light and shade • The basics of color theory and color mixing • How to use a variety of brushes to create sharp and soft edges • Techniques that are helpful when painting metal and glass • How to apply glazing and scumbling to bring luminosity and texture
Author: Jeremy Galton
Publisher: Sterling Publishing Company, Inc.
ISBN: 9780806989099
Category : Art
Languages : en
Pages : 196
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Book Description
Find out what you can do with oil paints. Make brushwork more expressive and add shadows. Try a full complement of creative techniques. Breathtaking examples of finished paintings, analyzed in detail, guide you through a range of themes, including architecture, figures, and landscapes.
Author: Paul Graham
Publisher: "O'Reilly Media, Inc."
ISBN: 0596006624
Category : Computers
Languages : en
Pages : 272
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Book Description
The author examines issues such as the rightness of web-based applications, the programming language renaissance, spam filtering, the Open Source Movement, Internet startups and more. He also tells important stories about the kinds of people behind technical innovations, revealing their character and their craft.
Author: Daniel Burleigh Parkhurst
Publisher: Courier Corporation
ISBN: 0486135667
Category : Art
Languages : en
Pages : 434
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Book Description
A widely cited resource on painting in the style of the old masters, this classic guide contains a wealth of insights for amateur and professional artists. Daniel Burleigh Parkhurst, one of the foremost artist/instructors of the early 20th century, presents a master's course in the science and technique of painting that encourages the use of traditional tools and methods. Parkhurst's four-part treatment encompasses materials, general principles, technical principles, and practical applications. Topics include canvases, easels, brushes, paints, and other tools; attitude and originality; drawing, perspective, light and shade, composition, and color; and sketching, still life, flowers, portraits, landscapes, and figures. 64 illustrations enhance this informative manual.
Author: Leslie Frontz
Publisher: Watson-Guptill
ISBN: 0770435300
Category : Art
Languages : en
Pages : 194
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Book Description
A comprehensive and practical guide to watercolor painting from sought-after instructor and acclaimed artist Leslie Frontz that answers the two most common questions students at all levels want to know: What am I doing wrong? and How do I decide what to do instead? In the tradition of the eminently practical, top-selling guides such as How to Make a Watercolor Paint Itself, The Oil Painting Course You've Always Wanted, and Problem Solving for Oil Painters, this straightforward handbook offers a fresh approach to watercolor mastery that bridges the gap between theory and practice. Through thoughtful discussion, expert instruction, and in-depth step-by-step demonstrations, Leslie Frontz shows readers how to eliminate common barriers to achieve beautiful, captivating watercolor paintings. Beginning with teaching readers how to see with an artist's eye, Frontz then establishes how watercolor painters build on this skill by making timely decisions throughout the creation process.
Author: Foster Caddell
Publisher:
ISBN: 9781648371486
Category :
Languages : en
Pages : 148
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Book Description
In this fully illustrated book, Foster Caddell shares the secrets of his renowned use of color. Using his own landscapes as reference, Caddell gives his 49 keys to overcoming problems with color and bringing oil-painted landscapes to life.
