Prints and Related Drawings by the Carracci Family PDF Download
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Author: Diane DeGrazia
Publisher: Indiana University Press
ISBN:
Category : Art
Languages : en
Pages : 536
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Author: Diane DeGrazia
Publisher: Indiana University Press
ISBN:
Category : Art
Languages : en
Pages : 536
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Book Description
Author: Daniele Benati
Publisher: Lund Humphries Publishers
ISBN: 9780853317647
Category : Art
Languages : en
Pages : 304
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Book Description
Widely regarded as one of the greatest draughtsmen of all time, Annibale Carracci (1560-1609) is celebrated for his naturalism. Born in a time when the elegant deformations and exaggerations of Italian mannerism were still in vogue, Carracci turned instead to nature as his principal inspiration. Much attuned to the everyday world around him, he took as much interest in studying a man bowling, a butcher weighing a piece of meat, or a street entertainer with his monkey as he did in the preparatory studies for his grand mythological and religious paintings. The fruit of this intensive study is abundantly evident in his magnificent drawings of the human figure - from his early works in Bologna to those made in preparation for his greatest commission, the decoration of the Farnese Gallery in Rome. This stunning publication brings together a plethora of Carracci's masterful drawings to provide a unique insight into the technique and skill of one of the premier artists of his time.
Author: Anne Bloemacher
Publisher: BRILL
ISBN: 9004445862
Category : Art
Languages : en
Pages : 392
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Book Description
In this first in-depth study dedicated to the intriguing history of the translation of statues and reliefs into print, the essays in this volume reflect the printmakers’ various approaches and challenges of translating antique or contemporary artworks, underlining their highly creative handling.
Author: Marco Musillo
Publisher: Getty Publications
ISBN: 1606064746
Category : Art
Languages : en
Pages : 196
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Book Description
During Qing dynasty China, Italian artists were hired through Jesuit missionaries by the imperial workshops in Beijing. In The Shining Inheritance: Italian Painters at the Qing Court, 1699–1812, Marco Musillo considers the professional adaptations and pictorial modifications to Chinese traditions that allowed three of these Italian painters — Giovanni Gherardini (1655– ca. 1729), Giuseppe Castiglione (1688–1766), and Giuseppe Panzi (1734–1812) — to work within the Chinese cultural sphere from 1699, when Gherardini arrived in China, to 1812, the year of Panzi’s death. Musillo focuses especially on the long career and influence of Castiglione (whose Chinese name was Lang Shining), who worked in Beijing for more than fifty years. Serving three Qing emperors, he was actively engaged in the pictorial discussions at court. The Shining Inheritance perceptively explores how each painter’s level of professional artistic training affected his understanding, selection, and translation of the Chinese pictorial traditions. Musillo further demonstrates how this East-West artistic exchange challenged the dogma of European universality through a professional dialogue that became part of established workshop routines. The cultural elements, procedures, and artistic languages of both China and Italy were strategically played against each other in negotiating the successes and failures of the Italian painters in Beijing. Musillo’s subtle analysis offers a compelling methodological model for an increasingly global field of art history.
Author: Noel Malcolm
Publisher: Oxford University Press
ISBN: 0198886381
Category : History
Languages : en
Pages : 601
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Book Description
Until quite recently, the history of male-male sexual relations was a taboo topic. But when historians eventually explored the archives of Florence, Venice and elsewhere, they brought to light an extraordinary world of early modern sexual activity, extending from city streets and gardens to taverns, monasteries and Mediterranean galleys. Typically, the sodomites (as they were called) were adult men seeking sex with teenage boys. This was something intriguingly different from modern homosexuality: the boys ceased to be desired when they became fully masculine. And the desire for them was seen as natural; no special sexual orientation was assumed. The rich evidence from Southern Europe in the Renaissance period was not matched in the Northern lands; historians struggled to apply this new knowledge to countries such as England or its North American colonies. And when good Northern evidence did appear, from after 1700, it presented a very different picture. So the theory was formed - and it has dominated most standard accounts until now - that the 'emergence of modern homosexuality' happened suddenly, but inexplicably, at the beginning of the eighteenth century. Noel Malcolm's masterly study solves this and many other problems, by doing something which no previous scholar has attempted: giving a truly pan-European account of the whole phenomenon of male-male sexual relations in the early modern period. It includes the Ottoman Empire, as well as the European colonies in the Americas and Asia; it describes the religious and legal norms, both Christian and Muslim; it discusses the literary representations in both Western Europe and the Ottoman world; and it presents a mass of individual human stories, from New England to North Africa, from Scandinavia to Peru. Original, critical, lucidly written and deeply researched, this work will change the way we think about the history of homosexuality in early modern Europe.
Author: John Peacock
Publisher: Cambridge University Press
ISBN: 9780521418126
Category : Architecture
Languages : en
Pages : 432
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Book Description
A full-length study of Inigo Jones as a stage-designer.
Author: Giorgio Ghisi
Publisher: Metropolitan Museum of Art
ISBN: 0870993976
Category : Engraving, Italian
Languages : en
Pages : 250
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Book Description
Catalogue raisonné.
Author: Timothy McCall
Publisher: Penn State Press
ISBN: 0271091142
Category : Art
Languages : en
Pages : 250
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Book Description
Secrets in all their variety permeated early modern Europe, from the whispers of ambassadors at court to the emphatically publicized books of home remedies that flew from presses and booksellers’ shops. This interdisciplinary volume draws on approaches from art history and cultural studies to investigate the manifestations of secrecy in printed books and drawings, staircases and narrative paintings, ecclesiastical furnishings and engravers’ tools. Topics include how patrons of art and architecture deployed secrets to construct meanings and distinguish audiences, and how artists and patrons manipulated the content and display of the subject matter of artworks to create an aura of exclusive access and privilege. Essays examine the ways in which popes and princes skillfully deployed secrets in works of art to maximize social control, and how artists, printers, and folk healers promoted their wares through the impression of valuable, mysterious knowledge. The authors contributing to the volume represent both established authorities in their field as well as emerging voices. This volume will have wide appeal for historians, art historians, and literary scholars, introducing readers to a fascinating and often unexplored component of early modern culture.
Author: Ryan E. Gregg
Publisher: BRILL
ISBN: 9004386165
Category : Art
Languages : en
Pages : 440
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Book Description
In City Views in the Habsburg and Medici Courts, Ryan E. Gregg relates how Charles V, Holy Roman Emperor, and Duke Cosimo I of Tuscany employed city view artists such as Anton van den Wyngaerde and Giovanni Stradano to aid in constructing authority. These artists produced a specific style of city view that shared affinity with Renaissance historiographic practice in its use of optical evidence and rhetorical techniques. History has tended to see city views as accurate recordings of built environments. Bringing together ancient and Renaissance texts, archival material, and fieldwork in the depicted locations, Gregg demonstrates that a close-knit school of city view artists instead manipulated settings to help persuade audiences of the truthfulness of their patrons’ official narratives.
Author: United States. Congress. House. Committee on Appropriations. Subcommittee on Department of the Interior and Related Agencies
Publisher:
ISBN:
Category :
Languages : en
Pages : 1436
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Book Description
