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Author: Printmaking Workshop of New York
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Printmaking Workshop of New York
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Christine Schmidt
Publisher: Potter Craft
ISBN: 0307965538
Category : Crafts & Hobbies
Languages : en
Pages : 178
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Book Description
This is a book for low budgets and high ambition. Read it and you will learn how to put images of things onto other things. You will start by rolling up your sleeves. Your shirt will be stained anyways. At some point, you will harness the power of the sun. Go ahead, look inside. You will see that you do not need a fancy studio to print a T-shirt or a picnic blanket. There is no specialized machine required to print anything you want in any room you want. A mural, a dartboard, a deck of cards, these are all possible. In a week or a month, you will wake up to find you know words like acetate and substrate. You will be comfortable talking about ink and shopping at military supply stores. Perhaps most important of all, you will be printing images of things onto other things.
Author: Phil Sanders
Publisher:
ISBN: 9781616898182
Category : ART
Languages : en
Pages : 0
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Book Description
"An exploration of historical and contemporary fine art printmaking, with an emphasis on the roles and processes of the artist, master printer, and publisher"--
Author: Christina Weyl
Publisher: Yale University Press
ISBN: 0300238509
Category : Art
Languages : en
Pages : 297
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Book Description
This timely reexamination of the experimental New York print studio Atelier 17 focuses on the women whose work defied gender norms through novel aesthetic forms and techniques.
Author: Sarah Kelly Oehler
Publisher: Yale University Press
ISBN: 0300232985
Category : Art
Languages : en
Pages : 249
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Book Description
A revelatory reassessment of one of the most influential American artists of the 20th century Charles White (1918–1979) is best known for bold, large-scale paintings and drawings of African Americans, meticulously executed works that depict human relationships and socioeconomic struggles with a remarkable sensitivity. This comprehensive study offers a much-needed reexamination of the artist’s career and legacy. With handsome reproductions of White’s finest paintings, drawings, and prints, the volume introduces his work to contemporary audiences, reclaims his place in the art-historical narrative, and stresses the continuing relevance of his insistent dedication to producing positive social change through art. Tracing White’s career from his emergence in Chicago to his mature practice as an artist, activist, and educator in New York and Los Angeles, leading experts provide insights into White’s creative process, his work as a photographer, his political activism and interest in history, the relationship between his art and his teaching, and the importance of feminism in his work. A preface by Kerry James Marshall addresses White’s significance as a mentor to an entire generation of practitioners and underlines the importance of this largely overlooked artist.
Author: Printmaking Workshop
Publisher:
ISBN:
Category : New York (N.Y.)
Languages : en
Pages : 15
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Author: Craig Zammiello
Publisher:
ISBN: 9780300179897
Category : Art
Languages : en
Pages : 0
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Book Description
Over his thirty years as a master printer, Craig Zammiello has established himself as a foremost specialist of intaglio printmaking in the United States. Through lively discussions between Zammiello, Elisabeth Hodermarsky, and ten contemporary artists--Mel Bochner, Carroll Dunham, Ellen Gallagher, Jane Hammond, Suzanne McClelland, Chris Ofili, Elizabeth Peyton, Matthew Ritchie, Kiki Smith, and Terry Winters--Conversations from the Print Studio offers an intimate look at the relationship between printer and artist, as well as insight into the technical challenges of intaglio printmaking. The conversations follow ten unique projects from inception to completion, tracing each artist's initial vision, the artist's and printer's creative strategies, and reactions to the final product. By documenting the dual perspectives of artist and printer, the book reveals recent innovations in the field of printmaking as well as the collaborative nature of art-making itself. The result is a rare behind-the-scenes excursion into the workings of the contemporary print studio. Distributed for the Yale University Art Gallery
Author: Michael Costello
Publisher: Brass Rabbit Classics
ISBN: 9780692418727
Category :
Languages : en
Pages : 60
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Book Description
The theme of Pressing the Limits is experimental monotype "imprinting" rather than "printmaking." "Imprinting" is more expansive, and opens the door to photographic work. "Imprinting" is also more intriguing, and conceptually seminal to the esoteric processes which are shared by all forms of printmaking. The often used term "printmaking" can tend to create the assumption of limitations, which we are battling against. Artists: Michael Costello: B.F.A. Printmaking, Art Institute of San Francisco. Owner-operator of Hand Graphics printmaking studio, a professional collaborative printmaking studio in Santa Fe, New Mexico, since 1987. Hand Graphics is considered a major center for artists creating monotypes. Mitchell Shields Marti: B.F.A. Printmaking, Rhode Island School of Design. Artist Residencies: Vermont Studio Center, 2003; Ucross Foundation, 2004. Owner-operator of Interbang Press printmaking studio, a professional collaborative printmaking studio in Santa Fe, New Mexico. Jennifer Lynch: M.F.A. Printmaking, Hunter College in New York City; B.F.A. Kansas City Art Institute. Master printer for Bob Blackburn's Printmaking Workshop and The Printmaking Center at the College of Santa Fe. Presently teaches printing techniques at the University of New Mexico, Taos Campus. Owner-operator of LynchPin Press printmaking studio, a professional collaborative printmaking studio in Taos, New Mexico. Willis F. Lee: Photographer with a particular "fascination with the connection between the intimate and the colossal." Lee's works are in the permanent collections of the Amon Carter Museum, Ft. Worth; Museum of Printing History, Houston; Museum of Fine Art, Houston; Harwood Museum, Taos; Museum of Natural History, Dallas; Museum of the Big Bend, Alpine, TX; Lajitas Museum, Lajitas, TX.
Author: Allan L. Edmunds
Publisher: Hudson Hills
ISBN: 9781555952419
Category : Art
Languages : en
Pages : 252
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Book Description
This comprehensive volume features exciting and cultrually diverse serigraphs, offset lithographs, and mixed media prints from the Bradywine Workshop
Author: April Vollmer
Publisher: Watson-Guptill
ISBN: 0770434819
Category : Art
Languages : en
Pages : 258
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Book Description
An inspirational how-to course on Japanese woodblock printing's history and techniques, with guidance on materials and studio practices, step-by-step demonstrations, and examples of finished works by modern masters of the medium as well as historic pieces. A Modern Guide to the Ancient Art of mokuhanga An increasingly popular yet age-old art form, Japanese woodblock printing (mokuhanga) is embraced for its non-toxic character, use of handmade materials, and easy integration with other printmaking techniques. In this comprehensive guide, artist and printmaker April Vollmer—one of the best known mokuhanga practitioners and instructors in the West—combines her deep knowledge of this historic printmaking practice with expert step-by-step instruction, guidance on materials and studio practices, and a diverse collection of prints by leading contemporary artists. At once practical and inspirational, this handbook is as useful to serious printmakers and artists as it is to creative people drawn to Japanese history and aesthetics.
