Printing the Classical Text

Printing the Classical Text PDF Author: Howard Jones
Publisher: BRILL
ISBN: 900447529X
Category : History
Languages : en
Pages : 238

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Book Description
The first Classical text was printed at Mainz in 1465. By the end of 1500 more than 350 printers in over 70 locations had contributed to the printing of more than 1500 separate editions. Almost every Classical Latin author had been printed, many in multiple editions, and the printing of Greek authors was well under way. Printing the Classical Text presents a comprehensive survey of this momentous period in the evolution of the Classical text. Since the course of Classical printing cannot be viewed separately from the course of printing generally, the opening chapter of the book locates Classical printing within the wider context by reviewing some of the cultural, intellectual, and commercial factors which affected the printing industry as a whole during the first fifty years of its development. The two central chapters are devoted respectively to the Latin and Greek editions themselves. With respect to Latin editions, which represent more than ninety percent of the whole, comprehensive chronological listings provide details of the printing history of each of the more than seventy authors represented. These are supplemented by a synoptic chart and by a running commentary in which the author identifies observable patterns and highlights the most distinctive features. The relatively small number of editions of Greek authors allows the author to accord them individual treatment in which each is examined in the context of its printer's instinctive publishing programme. This analysis is preceded by an account of the introduction of Greek studies into Italy, where all fifteenth-century editions of Greek authors were printed, and by a review of the typographical challenges which faced the earliest printers of Greek texts.The concluding chapter of the book takes up the controversial question of editorial quality. The author examines what the process of editing involved and attempts to assign to the earliest printed Classical editions their appropriate place in the evolution of the authoritative text in light of both the claims which the earliest editors themselves made and the less enthusiastic judgement rendered by modern critics.

Printing the Classical Text

Printing the Classical Text PDF Author: Howard Jones
Publisher: BRILL
ISBN: 900447529X
Category : History
Languages : en
Pages : 238

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Book Description
The first Classical text was printed at Mainz in 1465. By the end of 1500 more than 350 printers in over 70 locations had contributed to the printing of more than 1500 separate editions. Almost every Classical Latin author had been printed, many in multiple editions, and the printing of Greek authors was well under way. Printing the Classical Text presents a comprehensive survey of this momentous period in the evolution of the Classical text. Since the course of Classical printing cannot be viewed separately from the course of printing generally, the opening chapter of the book locates Classical printing within the wider context by reviewing some of the cultural, intellectual, and commercial factors which affected the printing industry as a whole during the first fifty years of its development. The two central chapters are devoted respectively to the Latin and Greek editions themselves. With respect to Latin editions, which represent more than ninety percent of the whole, comprehensive chronological listings provide details of the printing history of each of the more than seventy authors represented. These are supplemented by a synoptic chart and by a running commentary in which the author identifies observable patterns and highlights the most distinctive features. The relatively small number of editions of Greek authors allows the author to accord them individual treatment in which each is examined in the context of its printer's instinctive publishing programme. This analysis is preceded by an account of the introduction of Greek studies into Italy, where all fifteenth-century editions of Greek authors were printed, and by a review of the typographical challenges which faced the earliest printers of Greek texts.The concluding chapter of the book takes up the controversial question of editorial quality. The author examines what the process of editing involved and attempts to assign to the earliest printed Classical editions their appropriate place in the evolution of the authoritative text in light of both the claims which the earliest editors themselves made and the less enthusiastic judgement rendered by modern critics.

Adventures in Bookbinding

Adventures in Bookbinding PDF Author: Jeannine Stein
Publisher: Quarry Books
ISBN: 1610580214
Category : Crafts & Hobbies
Languages : en
Pages : 144

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Book Description
Each project in this book combines bookbinding with a specific craft such as quilting, jewelry making, or polymer clay, and offer levels of expertise: basic, novice, and expert. Illustrated step-by-step instructions and photographs demonstrate how to construct the cover pages, and a unique binding technique, easy enough for a beginner to master. Each project also features two other versions with the same binding geared to those with more or less experience. The novice version is for those who have no knowledge of the craft and want shortcuts, but love the look. For the quilter's book, for example, vintage quilt pieces become the covers so all that's needing in the binding. Or if you're interested in wool felting use an old sweater. This offers great opportunities for upcycling. The expert version is for those who have a great deal of knowledge and proficiency of a certain craft - the master art quilter, for example. For this version, an expert guest artist has created the cover and the author has created the binding. This offers yet another creative opportunity - the collaborative project. Since crafters often get involved with round-robins and other shared endeavors, this will show them yet another way to combine their skills. No other craft book offers the possibilities and challenges that Adventures in Bookbinding does. Readers will return to it again and again to find inspiration and ideas.

The Printing Revolution in Early Modern Europe

The Printing Revolution in Early Modern Europe PDF Author: Elizabeth L. Eisenstein
Publisher: Cambridge University Press
ISBN: 9780521845434
Category : Business & Economics
Languages : en
Pages : 412

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Book Description
New illustrated and abridged edition surveys the communications revolution of the fifteenth century.

The Printing Press as an Agent of Change

The Printing Press as an Agent of Change PDF Author: Elizabeth L. Eisenstein
Publisher: Cambridge University Press
ISBN: 9780521299558
Category : Design
Languages : en
Pages : 814

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Book Description
A full-scale historical treatment of the advent of printing and its importance as an agent of change, first published in 1980.

Programming in D

Programming in D PDF Author: Ali Cehreli
Publisher:
ISBN: 9780692529577
Category : Computers
Languages : en
Pages : 760

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Book Description


The First Printing of the Classics. A Paper Read to the Sussex Branch of the Classical Association, on November the Third, 1927

The First Printing of the Classics. A Paper Read to the Sussex Branch of the Classical Association, on November the Third, 1927 PDF Author: Charles Thomas-Stanford
Publisher:
ISBN:
Category : Classical literature
Languages : en
Pages : 34

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Book Description


Architecture in the Age of Printing

Architecture in the Age of Printing PDF Author: Mario Carpo
Publisher: MIT Press
ISBN: 0262534096
Category : Architecture
Languages : en
Pages : 255

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Book Description
A history of the influence of communication technologies on Western architectural theory. The discipline of architecture depends on the transmission in space and time of accumulated experiences, concepts, rules, and models. From the invention of the alphabet to the development of ASCII code for electronic communication, the process of recording and transmitting this body of knowledge has reflected the dominant information technologies of each period. In this book Mario Carpo discusses the communications media used by Western architects, from classical antiquity to modern classicism, showing how each medium related to specific forms of architectural thinking. Carpo highlights the significance of the invention of movable type and mechanically reproduced images. He argues that Renaissance architectural theory, particularly the system of the five architectural orders, was consciously developed in response to the formats and potential of the new printed media. Carpo contrasts architecture in the age of printing with what preceded it: Vitruvian theory and the manuscript format, oral transmission in the Middle Ages, and the fifteenth-century transition from script to print. He also suggests that the basic principles of "typographic" architecture thrived in the Western world as long as print remained our main information technology. The shift from printed to digital representations, he points out, will again alter the course of architecture.

Printing and Misprinting

Printing and Misprinting PDF Author: Geri Della Rocca de Candal
Publisher: Oxford University Press
ISBN: 0198863047
Category : History
Languages : en
Pages : 609

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Book Description
'To err is human'. As a material and mechanical process, early printing made no exception to this general rule. Against the conventional wisdom of a technological triumph spreading freedom and knowledge, the history of the book is largely a story of errors and adjustments. Various mistakes normally crept in while texts were transferred from manuscript to printing formes and different emendation strategies were adopted when errors were spotted. In this regard, the 'Gutenberg galaxy' provides an unrivalled example of how scholars, publishers, authors and readers reacted to failure: they increasingly aimed at impeccability in both style and content, developed time and money-efficient ways to cope with mistakes, and ultimately came to link formal accuracy with authoritative and reliable information. Most of these features shaped the publishing industry until the present day, in spite of mounting issues related to false news and approximation in the digital age. Early modern misprinting, however, has so far received only passing mentions in scholarship and has never been treated together with proofreading in a complementary fashion. Correction benefited from a somewhat higher degree of attention, though check procedures in print shops have often been idealised as smooth and consistent. Furthermore, the emphasis has fallen on the people involved and their intervention in the linguistic and stylistic domains, rather than on their methodologies for dealing with typographical and textual mistakes. This book seeks to fill this gap in literature, providing the first comprehensive and interdisciplinary guide into the complex relationship between textual production in print, technical and human faults and more or less successful attempts at emendation. The 24 carefully selected contributors present new evidence on what we can learn from misprints in relation to publishers' practices, printing and pre-publication procedures, and editorial strategies between 1450 and 1650. They focus on texts, images and the layout of incunabula, sixteenth- and early seventeenth-century books issued throughout Europe, stretching from the output of humanist printers to wide-ranging vernacular publications.

Bookbinding

Bookbinding PDF Author: Douglas Cockerell
Publisher: Courier Corporation
ISBN: 0486440397
Category : Crafts & Hobbies
Languages : en
Pages : 354

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Book Description
Considered by many bookbinders and librarians to be the clearest and most valuable exposition of hand bookbinding in English, this volume concisely covers virtually every aspect of the craft — from folding and collating pages, trimming and gilding edges, to preparing covers, designing and inlaying on leather, and creating clasps and ties.

Text Editing, Print and the Digital World

Text Editing, Print and the Digital World PDF Author: Professor Kathryn Sutherland
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409485889
Category : Language Arts & Disciplines
Languages : en
Pages : 230

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Book Description
Traditional critical editing, defined by the paper and print limitations of the book, is now considered by many to be inadequate for the expression and interpretation of complex works of literature. At the same time, digital developments are permitting us to extend the range of text objects we can reproduce and investigate critically - not just books, but newspapers, draft manuscripts and inscriptions on stone. Some exponents of the benefits of new information technologies argue that in future all editions should be produced in digital or online form. By contrast, others point to the fact that print, after more than five hundred years of development, continues to set the agenda for how we think about text, even in its non-print forms. This important book brings together leading textual critics, scholarly editors, technical specialists and publishers to discuss whether and how existing paradigms for developing and using critical editions are changing to reflect the increased commitment to and assumed significance of digital tools and methodologies.