Principles of Choral Arranging PDF Download
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Author: Robert Sterling
Publisher:
ISBN: 9780578870069
Category :
Languages : en
Pages :
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Book Description
A guide for beginner and intermediate choral music arrangers, covering basic harmony, vocal ensembles, putting an arrangement together, steps to publication.
Author: Robert Sterling
Publisher:
ISBN: 9780578870069
Category :
Languages : en
Pages :
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Book Description
A guide for beginner and intermediate choral music arrangers, covering basic harmony, vocal ensembles, putting an arrangement together, steps to publication.
Author: Arthur E. Ostrander
Publisher: Arthur E. Ostrander, Dana Wilson
ISBN:
Category : Music
Languages : en
Pages : 334
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Book Description
This book was first published in 1986 by Prentice-Hall Publishers and has been used by thousands of arrangers and students in choral arranging courses. Among its many features, the book: · arranges concepts in a variety of styles to include traditional, sacred, and popular; · emphasize instrumental accompaniment for the choral arrangement, including small ensembles; · adapts to both individual and classroom use as an extension of theory and/or arranging programs; · includes numerous examples and complete arrangements from published literature to illustrate all styles and techniques discussed; · uses a sound pedagogical organization leading logically from the simple to the most sophisticated arranging concepts and techniques.
Author: Hawley Ades
Publisher: Shawnee Press (TN)
ISBN: 9781423499879
Category : Arrangement (Music)
Languages : en
Pages : 0
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Book Description
(Shawnee Press). A unique book that authoritatively discusses how to create effective vocal arrangements and techniques in virtually every major kind of vocal ensemble; sacred, secular and Baroque to jazz. Contains more than 270 illustrated examples, plus an index, study suggestions and a comprehensive bibliography. Hawley Ades had many years experience arranging for choral groups and is particularly known as the long-time arranger for Fred Waring and his Pennslyvanians. As a standard text in the field, Choral Arranging is a must for home or class study and a valued reference source for every music library.
Author: Deke Sharon
Publisher: Rowman & Littlefield
ISBN: 1538172674
Category : Music
Languages : en
Pages : 447
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Book Description
In this highly anticipated sequel to A Cappella Arranging, Deke Sharon and Dylan Bell provide even more tools and insights to help musicians master the craft of a cappella arranging—including new creative principles and theoretical techniques to expand the palate, as well as arranging in various musical genres spanning several decades of music. Since the publication of the original book in 2012, a cappella as a genre has grown enormously. Using conversational yet instructive tone, A Cappella Arranging 2.0: The Next Level picks up where the previous book left off, helping people deepen their a cappella arranging skills. In four parts, the book addresses a variety of topics including: The creative process An advanced understanding of vocal ranges Counterpoint and polyphony Harmonic concepts and techniques Arranging for the studio Live looping arrangements Instrumental idioms Arranging in different styles, including world styles Medleys and mashups This is the perfect resource for taking your a cappella arrangements to the next level.
Author: Avery T. Sharp
Publisher: Routledge
ISBN: 0415994195
Category : Music
Languages : en
Pages : 389
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Book Description
This is an annotated bibliography to books, recordings, videos, and websites on choral music. This book will serve as an excellent tool for librarians, researchers, and scholars in sorting through the massive amount of new material that has appeared since publication of the previous edition.
Author: William Henry Dana
Publisher:
ISBN:
Category : Instrumentation and orchestration
Languages : en
Pages : 70
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Book Description
Author: James Michael Floyd
Publisher: Routledge
ISBN: 1135848203
Category : Music
Languages : en
Pages : 389
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Book Description
This is an annotated bibliography to books, recordings, videos, and websites on choral music. This book will serve as an excellent tool for librarians, researchers, and scholars in sorting through the massive amount of new material that has appeared since publication of the previous edition.
Author: Nikolay Rimsky-Korsakov
Publisher: e-artnow
ISBN:
Category : Music
Languages : en
Pages : 430
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Book Description
Principles of Orchestration, with Musical Examples Drawn from His Own Works is a book by a famous Russian composer Nikolai Rimsky-Korsakov, member of the group of composers known as The Five. The book presents a notable attempt to show all of the nuances of orchestration. The author describes everything one needs to know about arranging parts for a string or full orchestra. The book is concise, articulate and excels at being both a book of reference and a book of general knowledge.
Author: Jody L. Kerchner
Publisher: GIA Publications
ISBN: 9781622771752
Category : Choral singing
Languages : en
Pages :
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Book Description
Author: David Huron
Publisher: MIT Press
ISBN: 026233545X
Category : Music
Languages : en
Pages : 273
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Book Description
An accessible scientific explanation for the traditional rules of voice leading, including an account of why listeners find some musical textures more pleasing than others. Voice leading is the musical art of combining sounds over time. In this book, David Huron offers an accessible account of the cognitive and perceptual foundations for this practice. Drawing on decades of scientific research, including his own award-winning work, Huron offers explanations for many practices and phenomena, including the perceptual dominance of the highest voice, chordal-tone doubling, direct octaves, embellishing tones, and the musical feeling of sounds “leading” somewhere. Huron shows how traditional rules of voice leading align almost perfectly with modern scientific accounts of auditory perception. He also reviews pertinent research establishing the role of learning and enculturation in auditory and musical perception. Voice leading has long been taught with reference to Baroque chorale-style part-writing, yet there exist many more musical styles and practices. The traditional emphasis on Baroque part-writing understandably leaves many musicians wondering why they are taught such an archaic and narrow practice in an age of stylistic diversity. Huron explains how and why Baroque voice leading continues to warrant its central pedagogical status. Expanding beyond choral-style writing, Huron shows how established perceptual principles can be used to compose, analyze, and critically understand any kind of acoustical texture from tune-and-accompaniment songs and symphonic orchestration to jazz combo arranging and abstract electroacoustic music. Finally, he offers a psychological explanation for why certain kinds of musical textures are more likely to be experienced by listeners as pleasing.
