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Author: Monique Chatenet
Publisher:
ISBN: 9782503587431
Category : Funeral rites and ceremonies
Languages : en
Pages : 365
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Book Description
Funerals were among the most extravagant princely ceremonies in Europe. At the end of the Middle Ages, they were grandiose affairs, carefully recorded, bringing together the emotions of both Court and People. The Renaissance heightened their effect, adding surprising elements borrowed from an Antiquity which was largely re-invented. The seventeenth century introduced ephemeral displays, elaborately constructed castrum doloris, dressed up with lavish facades and interior designs which transformed these sanctuaries into theatrical funeral pyres. Historians, anthropologists, and political scientists have long been interested in this subject, as can be seen from Ralph Giesey's celebrated work Le Roi est mort. Art historians have been attracted to the surviving decorations of tombs and funerary chapels. Yet historians of spectacle and of its ephemera have, hitherto, somewhat neglected a topic which is - nonetheless - at the heart of their concerns: with their elaborate settings, their costumes and decors, princely funerals challenge theatre and opera. It is within this context that experts from many disciplines attempt to trace the evolution of funeral ceremonies, which were much less static than is generally believed; to expose the gifts of the masters of these solemn occasions (and, indeed, of their predecessors, the heralds) who constantly devised subtle ways of capturing the attention of spectators and moving their emotions. These essays have tried to cover not only a wide time spectrum but also to reveal the variety and range of such ceremonies devised in diverse European Courts as well as unravelling the innovations which underlay fashions which had multiple international repercussions. Featuring contributions by: Monique Chatenet, Murielle Gaude-Ferragu, Gerard Sabatier, Agostino Paracivini_Bagliani, Alain Marchandisse, Joel Burden, Mickael Boytsov, Maria Nadia Covini, Eva Pibiri, Marie-Madeleine Fontaine, Giovanni Ricci, Gerard Sabatier, Maria Adelaida Allo Manero, Naima Ghermani, Birgitte B. Johannsen.
Author: Monique Chatenet
Publisher:
ISBN: 9782503587431
Category : Funeral rites and ceremonies
Languages : en
Pages : 365
Get Book Here
Book Description
Funerals were among the most extravagant princely ceremonies in Europe. At the end of the Middle Ages, they were grandiose affairs, carefully recorded, bringing together the emotions of both Court and People. The Renaissance heightened their effect, adding surprising elements borrowed from an Antiquity which was largely re-invented. The seventeenth century introduced ephemeral displays, elaborately constructed castrum doloris, dressed up with lavish facades and interior designs which transformed these sanctuaries into theatrical funeral pyres. Historians, anthropologists, and political scientists have long been interested in this subject, as can be seen from Ralph Giesey's celebrated work Le Roi est mort. Art historians have been attracted to the surviving decorations of tombs and funerary chapels. Yet historians of spectacle and of its ephemera have, hitherto, somewhat neglected a topic which is - nonetheless - at the heart of their concerns: with their elaborate settings, their costumes and decors, princely funerals challenge theatre and opera. It is within this context that experts from many disciplines attempt to trace the evolution of funeral ceremonies, which were much less static than is generally believed; to expose the gifts of the masters of these solemn occasions (and, indeed, of their predecessors, the heralds) who constantly devised subtle ways of capturing the attention of spectators and moving their emotions. These essays have tried to cover not only a wide time spectrum but also to reveal the variety and range of such ceremonies devised in diverse European Courts as well as unravelling the innovations which underlay fashions which had multiple international repercussions. Featuring contributions by: Monique Chatenet, Murielle Gaude-Ferragu, Gerard Sabatier, Agostino Paracivini_Bagliani, Alain Marchandisse, Joel Burden, Mickael Boytsov, Maria Nadia Covini, Eva Pibiri, Marie-Madeleine Fontaine, Giovanni Ricci, Gerard Sabatier, Maria Adelaida Allo Manero, Naima Ghermani, Birgitte B. Johannsen.
Author: Michele Marrapodi
Publisher: Routledge
ISBN: 1317044169
Category : Literary Collections
Languages : en
Pages : 679
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Book Description
The aim of this Companion volume is to provide scholars and advanced graduate students with a comprehensive and authoritative state-of-the-art review of current research work on Anglo-Italian Renaissance studies. Written by a team of international scholars and experts in the field, the chapters are grouped into two large areas of influence and intertextuality, corresponding to the dual way in which early modern England looked upon the Italian world from the English perspective – Part 1: "Italian literature and culture" and Part 2: "Appropriations and ideologies". In the first part, prominent Italian authors, artists, and thinkers are examined as a direct source of inspiration, imitation, and divergence. The variegated English response to the cultural, ideological, and political implications of pervasive Italian intertextuality, in interrelated aspects of artistic and generic production, is dealt with in the second part. Constructed on the basis of a largely interdisciplinary approach, the volume offers an in-depth and wide-ranging treatment of the multifaceted ways in which Italy’s material world and its iconologies are represented, appropriated, and exploited in the literary and cultural domain of early modern England. For this reason, contributors were asked to write essays that not only reflect current thinking but also point to directions for future research and scholarship, while a purposefully conceived bibliography of primary and secondary sources and a detailed index round off the volume.
Author: Ethan Matt Kavaler
Publisher: Penn State Press
ISBN: 0271098058
Category : Art
Languages : en
Pages : 463
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Book Description
Painting has long dominated discussions of Netherlandish art. Yet in the sixteenth century sculpture was held in considerably higher regard than painting, especially in foreign lands. This beautifully illustrated book is the first comprehensive study of sixteenth-century Netherlandish sculpture, and it opens an important window onto the works and milieu of these artists. Netherlanders dominated the sculptural world of northern Europe. They made the most prestigious tombs and altarpieces, alabaster reliefs, and boxwood collectibles for patrons throughout Iberia, France, and Central Europe. Even in Italy they were a formidable presence; the most famous sculptor in Europe in the second half of the sixteenth century was Giambologna, a Fleming who spent the greater part of his career in Florence. A great many of these artists immigrated to foreign courts—so many that the history of Netherlandish sculpture in the second half of the sixteenth century plays out largely abroad. Netherlandish carvers and casters relocated to what are today Austria, Denmark, England, France, Germany, Italy, Poland, Portugal, Spain, Sweden, and Ukraine. Sculpture, more so than painting, was an essential tool in discourses of power. Offering an essential new perspective on a fascinating period in art history, Actors Carved and Cast will appeal to scholars of sculpture and all those interested in Northern Renaissance art.
Author: R.L.M. Morris
Publisher:
ISBN: 9782503583297
Category :
Languages : en
Pages : 325
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Book Description
This study represents a new approach to the analysis of early modem court festivals, setting the question of identity at its heart. It explores identity as it was portrayed, constructed, and upheld through court festivals within the Holy Roman Empire of the German Nation in the period between the Peace of Augsburg in 1555 and the coronation of Friedrich V, Elector Palatine, as King of Bohemia in 1619. Structured thematically, this detailed analysis touches on core themes of early modem European history including state formation, princely courts, gender, religion, science and the natural world, and cultural encounters. In doing so, it draws on, and speaks to, scholarly literature not only from different historical sub-disciplines but also from sociology and anthropology Ultimately, Morris argues that these court festivals provided a flexible, albeit contested, rhetoric of identity, grounded in the performance of humanist virtue. Through the performed, material, and literary rhetoric of court festivals, the concept of nobility through virtue was reworked, refined, and given a new vocabulary within the German context. This was inextricably linked with politics in light of the reforms made to the Holy Roman Empire at the end of the fifteenth century, the confessional divisions of the sixteenth century, and the mounting tensions of the early seventeenth century which were to culminatein the Thirty Years War.0.
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Author: Hamish M. Scott
Publisher: Oxford Handbooks
ISBN: 019959726X
Category : History
Languages : en
Pages : 769
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Book Description
This Handbook re-examines the concept of early modern history in a European and global context. The term 'early modern' has been familiar, especially in Anglophone scholarship, for four decades and is securely established in teaching, research, and scholarly publishing. More recently, however, the unity implied in the notion has fragmented, while the usefulness and even the validity of the term, and the historical periodisation which it incorporates, have been questioned. The Oxford Handbook of Early Modern European History, 1350-1750 provides an account of the development of the subject during the past half-century, but primarily offers an integrated and comprehensive survey of present knowledge, together with some suggestions as to how the field is developing. It aims both to interrogate the notion of "early modernity" itself and to survey early modern Europe as an established field of study. The overriding aim will be to establish that 'early modern' is not simply a chronological label but possesses a substantive integrity. Volume II is devoted to "Cultures and Power", opening with chapters on philosophy, science, art and architecture, music, and the Enlightenment. Subsequent sections examine 'Europe beyond Europe', with the transformation of contact with other continents during the first global age, and military and political developments, notably the expansion of state power.
Author: Giorgio Riello
Publisher: Cambridge University Press
ISBN: 1108643523
Category : History
Languages : en
Pages : 525
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Book Description
This is the first global history of dress regulation and its place in broader debates around how human life and societies should be visualised and materialised. Sumptuary laws were a tool on the part of states to regulate not only manufacturing systems and moral economies via the medium of expenditure and consumption of clothing but also banquets, festivities and funerals. Leading scholars on Asian, Latin American, Ottoman and European history shed new light on how and why items of dress became key aspirational goods across society, how they were lobbied for and marketed, and whether or not sumptuary laws were implemented by cities, states and empires to restrict or channel trade and consumption. Their findings reveal the significance of sumptuary laws in medieval and early modern societies as a site of contestation between individuals and states and how dress as an expression of identity developed as a modern 'human right'.
Author: Giovanna Guidicini
Publisher: Routledge
ISBN: 9781472479235
Category :
Languages : en
Pages : 221
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Book Description
Based on a comprehensive interpretation and comparison of the existing sources - including city records and expenses, chronicles, official booklets, letters, collections of poems and speeches - this book offers a detailed analysis of triumphal entries in early-modern Scotland. It examines Scottish triumphal entries as politicised events taking place in the urban scenario, where the relationship between urban authorities and rulers was represented and negotiated both visually and through the use of space. In particular these events are viewed in relation to the urban space where they took place, and each other. The book argues that the significance of triumphal entries becomes clearer when they are seen as a sequence of interconnected events; contextualising them helps understanding the organisersâe(tm) desire to follow or separate from tradition, incorporating or refusing to acknowledge foreign flavours. The study also looks at the broader context of courtly events staged in parallel with triumphal entries, including the uses of spaces, the iconography, speeches, and pageants, in order to compare the urban authoritiesâe(tm) idealised view of the world presented in the entry with the rulerâe(tm)s own version staged at court. This is then further contextualised through comparisons with similar events taking place elsewhere in Europe. This underlines the fine balance achieved between retaining Scotlandâe(tm)s individual characters and adopting fashionable themes inspired by foreign cultures, and contextualise the reasons behind individual choices - both in an urban and a courtly environment. Italian Renaissance, Dutch, French, and English influences will be particularly considered.
Author: Margaret M. McGowan
Publisher:
ISBN: 9782503583334
Category : Bildende Kunst
Languages : en
Pages : 0
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Book Description
European Renaissance Festivals are noted for their extravagance, for their inherited classical culture, and as evidence of how court and civic spectacles could express political, religious, social and economic aspirations. In this new monograph, the accent is firmly on the violent context of Magnificence: it examines how war affected the minds and practice of both artists and princes, and shows how victims and their suffering were as prominent in festival as were conquerors and their projections of victory. What emerges here is the dark side represented in princely entries where imperial ambitions are built upon civic devastation and where myths elaborate and expose their ambiguous nature and message. Artists and poets collaborated in bringing victory and violence together: Mantegna and Durer in triumphal processions; Frans Floris and Rubens on the canvases they created for triumphal arches where mythology was put to work to arouse excitement for deeds of heroism and death, while engravers depicted scenes of war and destruction to accommodate contemporary taste.
Author: Alexandra Walsham
Publisher: Cambridge University Press
ISBN: 1108829996
Category : History
Languages : en
Pages : 465
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Book Description
Recasts the Reformation as a battleground over memory, in which new identities were formed through acts of commemoration, invention and repression.
