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Author: Anthony Donato
Publisher:
ISBN:
Category : Musical notation
Languages : en
Pages : 88
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Book Description
Author: Anthony Donato
Publisher:
ISBN:
Category : Musical notation
Languages : en
Pages : 88
Get Book Here
Book Description
Author: Anthony Donato
Publisher: Forgotten Books
ISBN: 9780265598030
Category :
Languages : en
Pages : 196
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Book Description
Excerpt from Preparing Music Manuscript It is assumed that anyone using this guide will be familiar with ele mentary musical principles. It should also be understood that the guide deals only with notation and layout procedures and is not intended to be a method or course in copying. Elementary notation, theory, orchestra tion, and other technical factors are mentioned in the text only when it is necessary to clear up a pointpertaining to writing of music manuscript. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Anthony Donato
Publisher:
ISBN:
Category : Musical notation
Languages : en
Pages : 88
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Book Description
Author: Mona Mender
Publisher: Metuchen, N.J. : Scarecrow Press
ISBN:
Category : Music
Languages : en
Pages : 228
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Book Description
From this concise textbook, a student may learn, step by step, how to prepare any kind of music manuscript; composers and copyists can use it for reference. Mender includes a large section on contemporary music, both classical and popular; a section on cueing; abundant illustrations; and an extensive index. The book is divided into sections on material and equipment; notation; general preparation; cueing; instruments (special notation and preparation); contemporary music ('serious' and popular); proofreading by way of counting measures; and duplication of manuscripts. The appendix excerpts music manuscripts and comments by several contemporary composers.
Author: Michael Mohn
Publisher: M. Mohn Publishing
ISBN:
Category : Music
Languages : en
Pages : 186
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Book Description
Author: Gayle Giese
Publisher: Alfred Music
ISBN: 9781457459443
Category : Music
Languages : en
Pages : 92
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Book Description
A 64-page concise handbook for professional and student writers, arrangers, copyists, editors or proofreaders -- anyone working with music manuscripts. Included are sections on general music notation, shorthand notation, proofreading, terms and type, choral/vocal music, instrumental scores and parts, pop and keyboard music, plus a special section with specifics for engravers.
Author: Matthew Nicholl
Publisher: Berklee Press Publications
ISBN: 9780876390740
Category : Music
Languages : en
Pages : 0
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Book Description
(Berklee Guide). Whether you notate music by hand or use computer software, this practical reference will show you today's best practices rendering the details of your scores and parts. Improve your music's legibility and express your ideas clearly to get the best possible representation of your music. You will learn to: create scores that are easy to conduct and parts that are easy to perform; understand the unique practices and standards for handwritten vs. computer-generated scores, such as those by Finale and Sibelius; lay out scores with proper instrument order, measures per page, and common alignment practices; understand the publication standards for orchestral, big-band, vocal, and rhythm-section-based scores; use appropriate practices for different styles, such as pop, commercial, classical, and jazz; and more. Music Notation Preparing Scores and Parts is used as a notation textbook by Berklee College of Music's Contemporary Writing and Production Department. It presents the definitive word in score and part preparation, based on contemporary publishing-industry practice.
Author: Elaine Gould
Publisher: Faber Music Ltd
ISBN: 0571590039
Category : Music
Languages : en
Pages : 694
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Book Description
Behind Bars is the indispensable reference book for composers, arrangers, teachers and students of composition, editors, and music processors. In the most thorough and painstakingly researched book to be published since the 1980s, specialist music editor Elaine Gould provides a comprehensive grounding in notational principles. This full eBook version is in fixed-layout format to ensure layout and image quality is consistent with the original hardback edition. Behind Bars covers everything from basic rules, conventions and themes to complex instrumental techniques, empowering the reader to prepare music with total clarity and precision. With the advent of computer technology, it has never been more important for musicians to have ready access to principles of best practice in this dynamic field, and this book will support the endeavours of software users and devotees of hand-copying alike. The author's understanding of, and passion for, her subject has resulted in a book that is not only practical but also compellingly readable. This seminal and all-encompassing guide encourages new standards of excellence and accuracy and, at 704 pages, it is supported by 1,500 music examples of published scores from Bach to Xenakis. This is the full eBook version of the original hardback edition.
Author: Anthony Donato
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Gary Stith
Publisher: Meredith Music
ISBN: 1574632086
Category : Music
Languages : en
Pages : 98
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Book Description
(Meredith Music Resource). This text is sure to provide the most practical approach to orchestra and wind band score study ever published. It methodically simplifies preliminary score study and initial rehearsal preparation for all conductors of band, orchestra and chamber ensembles. It is enormously valuable for practicing conductors from elementary school to those leading professional ensembles. As a supplement to undergraduate and graduate level instrumental conducting classes, it is an extremely effective text. The unique features of this innovative publication include: * an easy-to-read format that systematically walks the reader through the entire score-study process * complete full score to Flourish for Wind Band by Vaughan Williams used as the study score throughout * compositional flowchart of the Vaughan Williams work * Score and Rehearsal Preparation Worksheet that can be reproduced and used with any wind band or orchestral score (and maintained for future use) * seating-arrangement diagrams of nationally renown wind bands and orchestras * comprehensive glossary of standard instrument abbreviations * standard band and orchestra instrumentation reference chart * selective and detailed bibliography containing specific sources that will prove invaluable in the preparation of all instrumental scores.
