The National Union Catalog, Pre-1956 Imprints PDF Download
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Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 712
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Book Description
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 712
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Book Description
Author: Otakar Ševčík
Publisher:
ISBN:
Category : Violin
Languages : en
Pages : 72
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 370
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 808
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Book Description
Author: Margaret K. Farish
Publisher: New York : R.R. Bowker
ISBN:
Category : Violin music
Languages : en
Pages : 512
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Book Description
Author:
Publisher:
ISBN:
Category : Cello music
Languages : en
Pages : 444
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Book Description
Author: Franz Anton Hoffmeister
Publisher: Alfred Music
ISBN: 9781457478154
Category : Music
Languages : en
Pages : 24
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Book Description
A collection of exercises, for Viola, composed by Franz Anton Hoffmeister.
Author: Jan H���_mal�_
Publisher: Alfred Music
ISBN: 9781457474897
Category : Music
Languages : en
Pages : 44
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Book Description
Jan H���_mal�_ (1844-1915) was an influential Czech violinist and teacher, associated with Moscow Conservatory for 46 years. These are his progressive scale studies in 10 sections.
Author: David Dalton
Publisher: OUP Oxford
ISBN: 0191039217
Category : Music
Languages : en
Pages : 259
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Book Description
`In all areas of human endeavour, time and again an individual appears who, due to a multitude of personal attributes, elevates his or her field to a hitherto unknown height. Such an individual was William Primrose. His name and the viola are synonymous.' Janos Starker This unique book is the result of a series of conversations with Primrose in the last years before his death in 1982. David Dalton describes how he came to the great artist armed with every question he could think of pertaining to performing on and teaching the viola. The lively dialogue contains a wealth of illuminating advice for the student on the technicalities of playing the viola. It is, however, far more than a technical guide. The two violists discuss the unique position of their instrument - `an instrument without tradition' is Primrose's bald description. They cover the topic of repertoire with fascinating insights into the performance of the great concertos by Bartók and Walton, with which Primrose was so closely associated. Still more invaluable advice emerges from the discussion of Primrose's own experience, on the art of performance, on demeanour on stage, on competitions, on recordings, and on preparing for a career. The book is a tribute to one of the greatest artists of this century.
Author: Franz Anton Hoffmeister
Publisher: Independently Published
ISBN:
Category :
Languages : es
Pages : 30
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Book Description
The studies for viola by Franz Anton Hoffmeister (1754-1812) can be considered as one of the most important works written for viola players in this period nearly to the 19th century. This urtext edition is made from a complicated source, it is a facsimile of the first edition of the twelve studies that are divided into two books, therefore, this version tries to get as close as possible to the real intentions of Hoffmeister to provide interpretation opportunities to both professional and amateur musicians in a clear and spacious manner, also presents a musical text that is not limited by the philosophy of over-publishing of the 19th century. Convenient page turns for individual study and some parenthetical suggestions for slurs, dynamics and tempo have been offered by the editor. Los estudios para viola de Franz Anton Hoffmeister (1754-1812) pueden ser considerado como una de las obras más importantes hecha para los ejecutantes de viola en este período cercano al siglo XIX. La presente edición urtext está realizada a partir de una fuente complicada, se trata de un facsímil de la primera edición de los doce estudios que están dividido en dos libros, por lo tanto, esta versión trata de acercarse lo más posible a las intenciones reales de Hoffmeister para brindar oportunidades de interpretación tanto a músicos profesionales como aficionados de una manera clara y espacios, además presenta un texto musical que no está limitado por la filosofía de sobreedición del siglo XIX. Se han proporcionado pases de páginas cómodas para el estudio individual y algunas sugerencias entre paréntesis de ligaduras, matices y de tempo por el editor.
