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Author: Gary Bettinson
Publisher: Univ. Press of Mississippi
ISBN: 1496835239
Category : Performing Arts
Languages : en
Pages : 151
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Book Description
Otto Preminger (1905–1986), whose Hollywood career spanned the 1930s through the 1970s, is popularly remembered for the acclaimed films he directed, among which are the classic film noir Laura, the social-realist melodrama The Man with the Golden Arm, the CinemaScope musical Carmen Jones, and the riveting courtroom drama Anatomy of a Murder. As a screen actor, he forged an indelible impression as a sadistic Nazi in Billy Wilder’s Stalag 17 and as the diabolical Mr. Freeze in television’s Batman. He is remembered, too, for drastically transforming Hollywood’s industrial practices. With Exodus, Preminger broke the Hollywood blacklist, controversially granting screen credit to Dalton Trumbo, one of the exiled “Hollywood Ten.” Preminger, a committed liberal, consistently shattered Hollywood’s conventions. He routinely tackled socially progressive yet risqué subject matter, pressing the Production Code’s limits of permissibility. He mounted Black-cast musicals at a period of intense racial unrest. And he embraced a string of other taboo topics—heroin addiction, rape, incest, homosexuality—that established his reputation as a trailblazer of adult-centered storytelling, an enemy of Hollywood puritanism, and a crusader against censorship. Otto Preminger: Interviews compiles nineteen interviews from across Preminger’s career, providing fascinating insights into the methods and mindset of a wildly polarizing filmmaker. With remarkable candor, Preminger discusses his filmmaking practices, his distinctive film style, his battles against censorship and the Hollywood blacklist, his clashes with film critics, and his turbulent relationships with a host of well-known stars, from Marilyn Monroe and Frank Sinatra to Jane Fonda and John Wayne.
Author: Gary Bettinson
Publisher: Univ. Press of Mississippi
ISBN: 1496835239
Category : Performing Arts
Languages : en
Pages : 151
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Book Description
Otto Preminger (1905–1986), whose Hollywood career spanned the 1930s through the 1970s, is popularly remembered for the acclaimed films he directed, among which are the classic film noir Laura, the social-realist melodrama The Man with the Golden Arm, the CinemaScope musical Carmen Jones, and the riveting courtroom drama Anatomy of a Murder. As a screen actor, he forged an indelible impression as a sadistic Nazi in Billy Wilder’s Stalag 17 and as the diabolical Mr. Freeze in television’s Batman. He is remembered, too, for drastically transforming Hollywood’s industrial practices. With Exodus, Preminger broke the Hollywood blacklist, controversially granting screen credit to Dalton Trumbo, one of the exiled “Hollywood Ten.” Preminger, a committed liberal, consistently shattered Hollywood’s conventions. He routinely tackled socially progressive yet risqué subject matter, pressing the Production Code’s limits of permissibility. He mounted Black-cast musicals at a period of intense racial unrest. And he embraced a string of other taboo topics—heroin addiction, rape, incest, homosexuality—that established his reputation as a trailblazer of adult-centered storytelling, an enemy of Hollywood puritanism, and a crusader against censorship. Otto Preminger: Interviews compiles nineteen interviews from across Preminger’s career, providing fascinating insights into the methods and mindset of a wildly polarizing filmmaker. With remarkable candor, Preminger discusses his filmmaking practices, his distinctive film style, his battles against censorship and the Hollywood blacklist, his clashes with film critics, and his turbulent relationships with a host of well-known stars, from Marilyn Monroe and Frank Sinatra to Jane Fonda and John Wayne.
Author: Foster Hirsch
Publisher: Knopf
ISBN: 0307489213
Category : Biography & Autobiography
Languages : en
Pages : 592
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Book Description
The first full-scale life of the controversial, greatly admired yet often underrated director/producer who was known as “Otto the Terrible.” Nothing about Otto Preminger was small, trivial, or self-denying, from his privileged upbringing in Vienna as the son of an improbably successful Jewish lawyer to his work in film and theater in Europe and, later, in America. His range as a director was remarkable: romantic comedies (The Moon Is Blue); musicals (Carmen Jones; Porgy and Bess); courtroom dramas (The Court-Martial of Billy Mitchell; Anatomy of a Murder); adaptations of classic plays (Shaw's Saint Joan, screenplay by Graham Greene); political melodrama (Advise and Consent); war films (In Harm's Way); film noir (Laura; Angel Face; Bunny Lake Is Missing). He directed sweeping sagas (from The Cardinal and Exodus to Hurry Sundown) and small-scale pictures, adapting Françoise Sagan's Bonjour Tristesse with Arthur Laurents and Nelson Algren's The Man with the Golden Arm. Foster Hirsch shows us Preminger battling studio head Darryl F. Zanuck; defying and undermining the Production Code of the Motion Picture Association of America and the Catholic Legion of Decency, first in 1953 by refusing to remove the words "virgin" and "pregnant" from the dialogue of The Moon Is Blue (he released the film without a Production Code Seal of Approval) and then, two yeras later, when he dared to make The Man with the Golden Arm, about the then-taboo subject of drug addiction. When he made Anatomy of a Murder in 1959, the censors objected to the use of the words "rape," "sperm," "sexual climax," and "penetration." Preminger made one concession (substituting "violation" for "penetration"); the picture was released with the seal, and marked the beginning of the end of the Code. Hirsch writes about how Preminger was a master of the "invisible" studio-bred approach to filmmaking, the so-called classical Hollywood style (lengthy takes; deep focus; long shots of groups of characters rather than close-ups and reaction shots). He shows us Preminger, in the 1950s, becoming the industry's leading employer of black performers—his all-black Carmen Jones and Porgy and Bess remain landmarks in the history of racial representation on the American screen—and breaking another barrier by shooting a scene in a gay bar for Advise and Consent, a first in American film. Hirsch tells how Preminger broke the Hollywood blacklist when, in 1960, he credited the screenplay of Exodus to Dalton Trumbo, the most renowed of the Hollywood Ten, and hired more blacklisted talent than anyone else. We see Preminger's balanced style and steadfast belief in his actors' underacting set against his own hot-tempered personality, and finally we see this European-born director making his magnificent films about the American criminal justice system, Anatomy of a Murder, and about the American political system, Advise and Consent. Foster Hirsch shows us the man—enraging and endearing—and his brilliant work.
Author: Conrad J. Doerr
Publisher: Xlibris Corporation
ISBN: 1479715964
Category : Biography & Autobiography
Languages : en
Pages : 188
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Book Description
This book is a compilation of stories covering close encounters the author had with the famous and near-famous, covering many years of observing and sometimes meeting the greats; think Judy Garland, Josef Von Sternberg, Ed Sullivan, Eleanor Powell, Abbe Lane, Donald O’Connor, Anna May Wong, Debbie Reynolds, Ronald Reagan, Gloria Swanson, Michael Feinstein, Hedy Lamarr, Bob Hope, Bette Davis, et al. You’ll find no muck-raking, no exposes or tell-alls—just real life encounters told through an affectionate prism. Well, maybe Preminger was an exception.)
Author: Foster Hirsch
Publisher: Knopf
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 600
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Book Description
The first full-scale life of the controversial, greatly admired yet often underrated director/producer who was known as Otto the Terrible--a biography that reveals him as a complex, paradoxical, wholly fascinating figure. Illustrated.
Author: Ronald James Policy
Publisher:
ISBN:
Category : Skidoo
Languages : en
Pages : 404
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Book Description
Author: Tom Ryan
Publisher:
ISBN:
Category : Exodus (Motion picture : 1960)
Languages : en
Pages : 80
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Book Description
Author: Jonathan Preminger
Publisher: Cornell University Press
ISBN: 1501717146
Category : Political Science
Languages : en
Pages : 346
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Book Description
Using a comprehensive analysis of the wave of organizing that swept the country starting in 2007, Labor in Israel investigates the changing political status of organized labor in the context of changes to Israel’s political economy, including liberalization, the rise of non-union labor organizations, the influx of migrant labor, and Israel’s complex relations with the Palestinians. Through his discussion of organized labor’s relationship to the political community and its nationalist political role, Preminger demonstrates that organized labor has lost the powerful status it enjoyed for much of Israel’s history. Despite the weakening of trade unions and the Histadrut, however, he shows the ways in which the fragmentation of labor representation has created opportunities for those previously excluded from the labor movement regime. Organized labor is now trying to renegotiate its place in contemporary Israel, a society that no longer accepts labor’s longstanding claim to be the representative of the people. As such, Preminger concludes that organized labor in Israel is in a transitional and unsettled phase in which new marginal initiatives, new organizations, and new alliances that have blurred the boundaries of the sphere of labor have not yet consolidated into clear structures of representation or accepted patterns of political interaction.
![Movies in American History [3 volumes] PDF](https://books.google.com/books/content/images/frontcover/X6fOEAAAQBAJ?fife=w80-h100)
Author: Philip C. DiMare
Publisher: Bloomsbury Publishing USA
ISBN: 1598842978
Category : Social Science
Languages : en
Pages : 1505
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Book Description
This provocative three-volume encyclopedia is a valuable resource for readers seeking an understanding of how movies have both reflected and helped engender America's political, economic, and social history. Movies in American History: An Encyclopedia is a reference text focused on the relationship between American society and movies and filmmaking in the United States from the late 19th century through the present. Beyond discussing many important American films ranging from Birth of a Nation to Star Wars to the Harry Potter film series, the essays included in the volumes explore sensitive issues in cinema related to race, class, and gender, authored by international scholars who provide unique perspectives on American cinema and history. Written by a diverse group of distinguished scholars with backgrounds in history, film studies, culture studies, science, religion, and politics, this reference guide will appeal to readers new to cinema studies as well as film experts. Each encyclopedic entry provides data about the film, an explanation of the film's cultural significance and influence, information about significant individuals involved with that work, and resources for further study.
Author: Suzanne Leonard
Publisher: Routledge
ISBN: 1317593944
Category : Performing Arts
Languages : en
Pages : 425
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Book Description
Fifty Hollywood Directors introduces the most important, iconic and influential filmmakers who worked in Hollywood between the end of the silent period and the birth of the blockbuster. By exploring the historical, cultural and technological contexts in which each director was working, this book traces the formative period in commercial cinema when directors went from pioneers to industry heavyweights. Each entry discusses a director’s practices and body of work and features a brief biography and suggestions for further reading. Entries include: Frank Capra Cecil B DeMille John Ford Alfred Hitchcock Fritz Lang Orson Welles DW Griffith King Vidor This is an indispensible guide for anyone interested in film history, Hollywood and the development of the role of the director.
Author: Tony Shaw
Publisher: Columbia University Press
ISBN: 0231544928
Category : History
Languages : en
Pages : 254
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Book Description
Winner, 2023 Shapiro Best Book Award, Association for Israel Studies From Frank Sinatra’s early pro-Zionist rallying to Steven Spielberg’s present-day peacemaking, Hollywood has long enjoyed a “special relationship” with Israel. This book offers a groundbreaking account of this relationship, both on and off the screen. Tony Shaw and Giora Goodman investigate the many ways in which Hollywood’s moguls, directors, and actors have supported or challenged Israel for more than seven decades. They explore the complex story of Israel’s relationship with American Jewry and illuminate how media and soft power have shaped the Arab-Israeli conflict. Shaw and Goodman draw on a vast range of archival sources to demonstrate how show business has played a pivotal role in crafting the U.S.-Israel alliance. They probe the influence of Israeli diplomacy on Hollywood’s output and lobbying activities, but also highlight the limits of ideological devotion in high-risk entertainment industries. The book details the political involvement with Israel—and Palestine—of household names such as Eddie Cantor, Kirk Douglas, Elizabeth Taylor, Barbra Streisand, Vanessa Redgrave, Arnold Schwarzenegger, Robert De Niro, and Natalie Portman. It also spotlights the role of key behind-the-scenes players like Dore Schary, Arthur Krim, Arnon Milchan, and Haim Saban. Bringing the story up to the moment, Shaw and Goodman contend that the Hollywood-Israel relationship might now be at a turning point. Shedding new light on the political power that images and celebrity can wield, Hollywood and Israel shows the world’s entertainment capital to be an important player in international affairs.
