Marcel Dupré, the Work of a Master Organist PDF Download
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Author: Michael Murray
Publisher:
ISBN: 9780930350659
Category : Music
Languages : en
Pages : 259
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Book Description
Author: Michael Murray
Publisher:
ISBN: 9780930350659
Category : Music
Languages : en
Pages : 259
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Book Description
Author: C̩sar Franck
Publisher: Alfred Music
ISBN: 9781457479298
Category : Music
Languages : en
Pages : 124
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Book Description
The collection of 59 short works known as "L'Organiste" was written by Cesar Franck in 1889 and 1890 for the harmonium and is most often played on organ. This score is an exact reprint of the original edition published by Enoch (Paris) in 1892.
Author: Kendra Preston Leonard
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 316
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Book Description
The Conservatoire Am ricain, the French musical institution at the Palais de Fontainebleau, was responsible for training generations of American musicians. Its students and faculty are among some of the most influential musical figures of the twentieth century, including Aaron Copland, Nadia Boulanger, and Elliott Carter. Within its walls, students were introduced to great French composers like Maurice Ravel, Jean Fran aix, and Darius Milhaud, many of whom wrote works specifically for Fontainebleau attendees. It brought performers into the recording age and encouraged women to pursue solo musical careers at a time when such a thing was exceptionally rare among Americans. The Conservatoire Am ricain: A History is the first full-length narrative of this institution. Drawing on rare materials from the Conservatoire's archives, combining them with personal correspondence, interviews, and first-person narratives with students and faculty, author Kendra Preston Leonard discusses a variety of topics important to the institution. These topics include--among others--the dissemination of French repertoire during the twentieth century, the pedagogical approaches used in teaching American music students, the impact of training Americans abroad, and the influence their French training had on performance, interpretation, and composition. The book concludes with several appendixes offering comprehensive reference information on the school's practices, the courses offered, awards and diplomas given, and notable students, faculty, and guest artists who attended the institution.
Author: James E. Frazier
Publisher: University Rochester Press
ISBN: 9781580462273
Category : Biography & Autobiography
Languages : en
Pages : 420
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Book Description
Drawing on the accounts of those who knew Duruflé personally as well as on Frazier's own detailed research, this new biography offers a broad sketch of this modest and elusive man, widely recognized today for having created some of the greatest works in the organ repertory - and the masterful Requiem. Frazier also examines the career and contributions of Duruflé's wife, the formidable organist Marie-Madeleine Duruflé-Chevalier.
Author: Paul Griffiths
Publisher: Faber & Faber
ISBN: 0571287301
Category : Music
Languages : en
Pages : 269
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Book Description
Olivier Messiaen was one of the outstanding creative artists of his time. The strength of his appeal, to listeners as well as to composers, is a measure of the individuality of his music, which draws on a vast range of sources: rhythms of twentieth-century Europe and thirteenth-century India, ripe romantic harmony and brittle birdsong, the sounds of Indonesian percussion and modern electronic instruments. What binds all these together is, on one level, his unswerving devotion to praising God in his art, and on another, his independent view of how music is made. Messiaen's music offers a range of ways of experiencing time: time suspended in music of unparalleled changelessness, time racing in music of wild exuberance, time repeating itself in vast cycles of reiteration. In Olivier Messiaen and the Music of Time, leading writer and musicologist, Paul Griffiths, explores the problems of religious art, and includes searching analyses and discussions of all the major works, suggesting how they function as works of art and not only as theological symbols. This comprehensive and stimulating book covers the whole of Messiaen's output up to and including his opera, Saint Françoise d'Assise.
Author: Christopher Philip Dingle
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754606338
Category : Music
Languages : en
Pages : 396
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Book Description
When Olivier Messiaen (1908-1992) completed the vast opera Saint Francois d'Assise in 1983, he was mentally and physically exhausted, and believed that this monumental work would be his final compositional statement. Seven further works emerged, however, and these form the focus of the present study. Christopher Dingle suggests that, following the crisis provoked by the opera, Messiaen's music underwent a discernable change in style. He examines these seven works to identify characteristics of the composer's music, in particular an often overlooked aspect of his technique: harmony.
Author: Caroline Potter
Publisher: Routledge
ISBN: 1317141792
Category : Music
Languages : en
Pages : 368
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Book Description
Erik Satie (1866-1925) was a quirky, innovative and enigmatic composer whose impact has spread far beyond the musical world. As an artist active in several spheres - from cabaret to religion, from calligraphy to poetry and playwriting - and collaborator with some of the leading avant-garde figures of the day, including Cocteau, Picasso, Diaghilev and René Clair, he was one of few genuinely cross-disciplinary composers. His artistic activity, during a tumultuous time in the Parisian art world, situates him in an especially exciting period, and his friendships with Debussy, Stravinsky and others place him at the centre of French musical life. He was a unique figure whose art is immediately recognisable, whatever the medium he employed. Erik Satie: Music, Art and Literature explores many aspects of Satie's creativity to give a full picture of this most multifaceted of composers. The focus is on Satie's philosophy and psychology revealed through his music; Satie's interest in and participation in artistic media other than music, and Satie's collaborations with other artists. This book is therefore essential reading for anyone interested in the French musical and cultural scene of the late nineteenth and early twentieth century.
Author: R. T. Dean
Publisher: OUP USA
ISBN: 0195331613
Category : Music
Languages : en
Pages : 622
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Book Description
This handbook provides a cross-section of the most field-defining topics and debates in the field of computer music today. From music cognition to pedagogy, it situates computer music in the broad context of its creation and performance across the full range of issues that crop up in discourse in the field.
Author: Peter Hill
Publisher:
ISBN: 9780571246441
Category : Composers, French
Languages : en
Pages : 581
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Book Description
Re-issued to coincide with the centenary of Messiaen's birth, The Messiaen Companion was the first major study to appear after the composer's death in April 1992. It was the first book to offer both a complete survey of Messiaen's extraordinary achievements and a comprehensive guide to his music, also examining in detail the enduring inspiration which Messiaen derived from his religious faith and from his lifelong passion for ornithology and the natural world. The contributors, all of whom have made a special study of the composer, include two biographers of Messiaen and a number of the foremost interpreters of his music. Messiaen's influential teaching is recalled in essays by three of his pupils (Pierre Boulez, George Benjamin, and Peter Hill), and the composer is also remembered in a remarkable and moving contribution from his widow and devoted musical companion, the pianist Yvonne Loriod.
Author: Jillian C. Rogers
Publisher: Oxford University Press
ISBN: 0190658290
Category : Music
Languages : en
Pages : 401
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Book Description
"French Music and Trauma Between the World Wars illustrates that coping with trauma was a central concern for French musicians active after World War I. The losses and violent warfare of World War I shaped how interwar French musicians-from those fighting in the trenches and working in military hospitals to more well-known musicians-engaged with music. Situated at the intersections of musicology, history, sound and performance studies, and psychology and trauma studies, Resonant Recoveries argues that modernists' compositions and musical activities were sonorous locations for managing and performing trauma. Through analysis of archival materials, French medical, philosophical, and literary texts, and the music produced between the wars, this book illuminates how music emerged during World War I as an embodied technology of consolation. Resonant Recoveries demonstrates that music making came to be understood by French interwar musicians as a consolatory practice that enhanced their abilities to remember lost loved ones, gave them opportunities to perform their grief publicly and privately, allowed them to create healing bonds of friendship, and soothed them with sonic vibrations and the rhythmically regular bodily movements required in order to perform many French neoclassical compositions. In revealing the importance music making held for interwar French musicians, this book refigures French modernist music as a therapeutic medium for creators, performers, and audiences, while also underlining the importance of addressing trauma, mourning, and people's emotional lives in music scholarship"--
